Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
Experiencing Cinematic Vr: Where Theory And Practice Converge In The Tribeca Film Festival Cinema360, John V. Pavlik
Experiencing Cinematic Vr: Where Theory And Practice Converge In The Tribeca Film Festival Cinema360, John V. Pavlik
Proceedings of the New York State Communication Association
Cinematic virtual reality (VR) production has reached enough capacity to support a festival. This paper offers a theoretical framework of VR narrative structure to critically examine one such festival in cinematic VR. The spotlight here is on the fifteen entries in the 2020 Tribeca Film Festival Cinema360. Findings suggest that although the field of cinematic VR has advanced substantially in recent years in terms of narrative design and user experience, there is still a considerable distance for VR storytellers to travel to fully utilize the nature and potential of the developing medium of virtual reality.
The Pragmatic Interplay Between Media And Political Policy: An Analysis Of The Day After And Its Implications On American Cold War Nuclear Policy And Opinion, Claire Dawkins
Proceedings of the New York State Communication Association
On November 10th, 1983 the TV movie, The Day After aired in the living rooms of homes across America. This dramatic portrayal of a nuclear attack on the citizens of Kansas and Missouri, scared Americans watching. Depicting the desolate landscape of a post-nuclear-attack world, paired with the feeling of inevitability of nuclear destruction, the American people began to change their feelings about nuclear weapons. But why does this movie matter? And how can we trace any meaningful influence this movie had on American Culture and understanding of nuclear war? This paper intends to expose the ways The Day After changed …
Visual Storytelling In The Context Of Marshall Mcluhan’S Media Theory: Rita Leistner And Her Socially Engaged Photography, Kalina Kukielko-Rogozinska, Krzysztof Tomanek
Visual Storytelling In The Context Of Marshall Mcluhan’S Media Theory: Rita Leistner And Her Socially Engaged Photography, Kalina Kukielko-Rogozinska, Krzysztof Tomanek
Proceedings of the New York State Communication Association
The main character of our story is Rita Leistner, one of the most famous Canadian war photographers in the world. She studied at the International Center of Photography (New York) and has a Master of Arts degree in French and English (University of Toronto). For six years Rita taught the history of photojournalism and documentary photography (UoT). She is the co-author of several books, such as Unembedded: Four Independent Photojournalists on Iraq, and The Edward Curtis Project: A Modern Picture Story. Her first monograph, Looking for Marshall McLuhan in Afghanistan, a work on photography, technology and war, was …