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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Augustan Allusion And Poetic Immortality In The Pseudo-Virgilian Dirae, Vergil G. Parson
Augustan Allusion And Poetic Immortality In The Pseudo-Virgilian Dirae, Vergil G. Parson
Arts & Sciences Electronic Theses and Dissertations
No abstract provided.
Ek Tou Homerou Ad Homerum: A Survey Of The Roman Imperial Iconography Of Homer, Juan Dopico
Ek Tou Homerou Ad Homerum: A Survey Of The Roman Imperial Iconography Of Homer, Juan Dopico
Arts & Sciences Electronic Theses and Dissertations
This thesis evaluates the imagery of Homer in Roman imperial mosaics stemming from the 2nd century AD to the 5th century AD. In doing so, it will show that the Romans perhaps transformed the image of Homer in order that the patron may identify himself as an erudite and intellectual elite. This practice might have strong parallels with literary treatments with Homer during the Second Sophistic, especially among the Platonic philosophical tradition in the imperial period.
As a tool for those wishing to do a systematic analysis of figures in Roman art, mosaics contain some advantages that other …
Michelangelo And Pope Paul Iii, 1534-49: Patronage, Collaboration And Construction Of Identity In Renaissance Rome, Erin Christine Sutherland
Michelangelo And Pope Paul Iii, 1534-49: Patronage, Collaboration And Construction Of Identity In Renaissance Rome, Erin Christine Sutherland
Arts & Sciences Electronic Theses and Dissertations
For his greatest patron, Pope Paul III Farnese (1534-49), Michelangelo painted the Last Judgment in the Sistine Chapel, two monumental frescoes in the Pauline Chapel, and managed the design and reconstruction of St. Peter's Basilica. The pope and artist maintained a harmonious and remarkably productive association for the entirety of Paul's fifteen-year pontificate. The artist's projects at the Vatican defined the most important sacred spaces of Renaissance Rome and helped construct the identity of the papacy at the inception of the Counter-Reformation. At the same time, these are the finest examples of Michelangelo's mature painting and architecture. Following Giorgio Vasari's …
The Comic Grotesque: Troubling The Body Politic In American Graphic Satire From World War I To The Great Depression, Bryna Rae Campbell
The Comic Grotesque: Troubling The Body Politic In American Graphic Satire From World War I To The Great Depression, Bryna Rae Campbell
Arts & Sciences Electronic Theses and Dissertations
This dissertation examines the comic grotesque as a strategy of critical engagement within the thriving field of U.S. graphic satire from World War I through the Great Depression. During this period, artists across the political spectrum were using disruptive bodily forms, along with references to pain, vulgar associations and crude techniques, to challenge political authority, undermine attempts to smooth over political turbulence, and address communal anxieties about social tensions and the direction of the nation. Emerging in the context of record unemployment rates, the explosion of political radicalism, dramatic shifts of gender and class power dynamics, and emerging threats of …