Arts and Humanities Commons^™

Staging Sex Or Fighting Foreignness? Marlowe's Edward Ii As Xenophobic Drama, James D. Baker

Master's Theses

Christopher Marlowe’s drama Edward II has long been known for its representation of a close male, arguably homosexual, friendship between King Edward II and his favorite, the French Piers Gaveston, as well as their union’s negative effects on the court. Indeed much criticism exists on the common belief that the characters’ relationship is problematic in early modern England both because the two characters are male and because there is an obvious class divide. However, critics have seemed to overlook Gaveston’s being French, even in light of the massive immigration to England during the late sixteenth and early seventeenth centuries. This …

Democratizing Dionysus: The Origins Controversy And The Dual Evolution Of Tragedy And Civism, Belen Plaza-Gainza

Honors Theses

Finding the origins of tragedy has been a fascinating subject since late antiquity, and it continues to be a source of academic debate. The controversy I have examined is from the early years of our twenty-first century, and has questioned the testimony of Aristotle, opening the debate once again. The evidence continues to prove that tragedy’s origins were religious, and even though there is no hard evidence to prove that it evolved from Dionysiac ritual, there is no hard evidence to disprove this theory either.

I have taken this opportunity to examine the origins of tragedy from its evolution, which …

A Garden Locked, A Fountain Sealed: Female Virginity As A Model For Holiness In The Fourth Century, Lindsay Anne Williams

Master's Theses

Despite centuries of Christian theologians and lay Christians alike assigning and/or accepting an entrenched misogyny in the writings of Ambrose, Jerome, and Augustine, close examination of their work on its own terms and in its own time reveals that, in fact, they did not hold women in lesser esteem than men. Rather, time and again, in the writings of these Latin Doctors of the Church, women were promoted as exemplars of holiness and sanctity often in excess of their male counterparts and commonly as didactic tools used to lead their fellow Christians down a more righteous path. The following thesis …