Arts and Humanities Commons^™

Catch Me If You Can: Henri Matisse’S Chase For Symbolic Capital In The New York Art Market Of The Early Twentieth Century, Monica M. Mitchell-Werp

Theses

This paper analyzes how the development and consequence of symbolic capital influences an art market. This comprehensive, qualitative analysis examines the early twentieth century New York modern art market activated by French artist Henri Matisse (1869-1954) and the 1913 Armory Show. This examination derived from the French sociologist, philosopher, and anthropologist Pierre Bourdieu’s (1930-2002) theories provides evidence of the use of symbolic capital by Matisse. The evidence points to the twofold function that symbolic capital holds within the emerging modern art market. The first function of symbolic capital manifests through the nonmonetary value Matisse received from the intangible qualities of …

Native Activism And Materiality Through The Work Of Cannupa Hanska Luger: A 21st Century Indigenous Artist, Rachel Daniela Vera

Theses

This thesis focuses on a specific work by Cannupa Hanska Luger called This is Not a Snake. This project examines the materiality of the artwork, including beads, crochet, sewing, ceramics, and non-traditional materials. The materials used in this work address 21st-century indigenous issues while also promoting activism from the Water is Life movement, which is centered at Standing Rock Reservation, North Dakota. The materials of this work are relative to Luger’s 21st-century contemporary style. The use of repurposed heavily merchandized inorganic materials refers to the protests in Standing Rock. This is Not a Snake was inspired by these events, activism …

Art As Alchemy: The Meaning Of Bartholomeus Spranger's Hermaphroditus And The Nymph Salmacis And Scylla And Glaucus, Peter Kos

Theses

The subject of this study is two paintings by Bartholomeus Spranger titled Glaucus and Scylla (Fig. 1) and Hermaphroditus and the Nymph Salmacis (Fig. 2). Building upon the work of scholars who have argued for a possible alchemical interpretation of at least one of the paintings in the context of its execution for Emperor Rudolf II, this study goes beyond merely suggesting an alchemical connection, and argues that the two paintings, forming a pendant pair, depict two attempts at the alchemist’s magnum opus—one a failure, the other a success. This study further argues that the paintings are not merely inert …

Painting And Prosody: Robert Browning's (Re)Presentation Of Fra Lippo Lippi And Andrea Del Sarto, Ana Schnellmann

Theses

This paper examines the ways in which all art interpretation is revising and re-presenting the art and artists in question. When Robert Browning wrote Fra Lippo Lippi and Andrea del Sarto as part of his collection Men and Women, he drew on the histories provided of them by Giorgio Vasari. Browning used Vasari’s stories as a base from which to personify the artists and use them in a sense as synecdoches representing the ways religious art is received and viewed. Religious art is meant to elevate the soul. That elevation may take place through the artist’s rendering religious figures as …

Gender And Fluid: A Reconsideration Of The Stain In The Painting Of Helen Frankenthaler, Michael F. Hogan

Theses

This paper explores the stain technique of Helen Frankenthaler through a reconsideration of its novelty and innovation. Recent scholarship has assessed the technique and its critical acceptance through a primarily feminist lens, focused on either assessment of the gendered language utilized by critics or application of a uniquely feminist approach in determining its meaning. The singular focus applied in recent criticism is consistent with past approaches that have typically isolated a particular methodology – formalistic, technical, comparative, or historical – to the exclusion of broader consideration of other methodologies. Moreover, prior critical efforts frequently limited analytical consideration to her groundbreaking …

Building Her Own Brand: Angelica Kauffman And Angelic Entrepreneurship, Katelyn Beach

Theses

This thesis focuses on Angelica Kauffman’s efforts to create an artistic brand during her time in Great Britain. While a creative entrepreneur is a contemporary idea, Kauffman made conscious decisions regarding her art and its use on various mediums. Her feminine figures and stylization became a popular aesthetic in Georgian England on paintings, prints, and other decorative schemes. Her decisions to implement the latest technologies as well as develop relationships with British engravers allowed her to take advantage of a growing art market and culture in Britain and create her own brand.

The Feminine Renaissance: Examining The Implications Of Disegno, Kim Pokorny

Theses

This paper analyzes the concept of disegno in its effect on the success of the female artist in the early modern era. Achieving disegno effectively meant that an artist had reached a renowned level of intelligence and artistic mastery. Formulating this principle in one's art was taught in studios and academies by use of gradual monitored practice and the study of the human figure. Disegno elevated the social status of the artist, as wealthy patrons understood the talent behind the work of an artist that could display it in their paintings. As women were not admitted into most academies and …

Gallucci's Commentary On Dürer’S 'Four Books On Human Proportion': Renaissance Proportion Theory, James Hutson

Faculty Scholarship

In 1591, Giovanni Paolo Gallucci published his Della simmetria dei corpi humani, an Italian translation of Albrecht Dürer’s Four Books on Human Proportion. While Dürer’s treatise had been translated earlier in the sixteenth-century into French and Latin, it was Gallucci’s Italian translation that endured in popularity as the most cited version of the text in later Baroque treatises, covering topics that were seen as central to arts education, connoisseurship, patronage, and the wider appreciation of the studia humanitatis in general.

The text centres on the relationships between beauty and proportion, macrocosm and microcosm: relationships that were not only essential to …