Arts and Humanities Commons^™

The Name And Its Significance: An Examination Of Names In Aristotle’S And Plato’S Philosophy Of Language, Matthew Blain

Honors Bachelor of Arts

In the early 20th century, philosophy underwent a “linguistic turn,” in which philosophy, humanities, and even sciences made a redoubled focus on language itself. This turn was quite comprehensive, focusing on nearly every aspect of language such as meaning, reference, truth and falsity, logic, and the connection of language and reality. This renewed focus garnered a significant amount of attention and thought in the 20th century by some of its most prominent thinkers of both the analytic and even continental traditions. In the analytic tradition, Wittgenstein, in his Tractatus, saw language as the logical limit of our known world, out …

Democracy Vs. Liberty: The Telos Of Government, Ryan C. Yeazell

Honors Bachelor of Arts

Democracies are known for being relatively stable and ensuring freedom for their citizens. However, those assumptions are called into question by the various failures of modern democracies to both maintain authority and enshrine liberty. Are the institutional checks and balances failing to prevent some of the expected issues with governments based on popular voting? Or is there some other cause of failure outside of the institutional structures themselves?

To examine these questions, I will be comparing a few examples of failed modern democracies with arguably history’s longest lasting democratic government: the Roman Republic. Although separated by over two thousand years …

Philosophy And Politics Perfected: Aristotle’S Greatness Of Soul Embodied In Plutarch’S Alexander The Great, Raquel Grove

Seaver College Research And Scholarly Achievement Symposium

In this paper, I examine the value of Aristotle’s “great-souled man” and the narrative structure of Plutarch’s Life of Alexander as political and philosophical exempla designed to lead men to virtue on a large scale. The confusing, apparently contradictory nature of Aristotle’s virtue “greatness of soul” must be read in the context of the Ethics as a deeply political work. Likewise, Plutarch’s description of Alexander the Great demands examination from a narrative, as well as historical, perspective. Despite their differences in emphasis and method, Aristotle and Plutarch produce writings characterized the same end––each work unites ethics and politics to create …

Mode Of Operations: A Critique Of The Agonistic View Of Greek Musical Modes In Plato And Aristotle, Robert Crawford

Honors Bachelor of Arts

Music has the power to transcend the confines of mere spatial geometry into the bounds of philosophy and emotion. In the views of the ancient philosophers Plato and Aristotle, music, namely the Greek modes, is valuable pedagogically in two ways: first, as a means to knowing the Good, e.g., the Dorian and Phrygian modes, and second as a means for suiting people for political life. Since their goal is to educate future rulers, Plato and Aristotle need to heighten some but censor other musical modes, e.g., the Lydian and Aeolian modes, due to some of the unsavory feelings, or affects, …

Aristotle's Ideal Regime As Utopia, Steven Thomason

Presentations and Lectures

Although Aristotle’s ideal regime discussed in books seven and eight of his Politics seems much more feasible and less utopian than the regime outlined in Plato’s Republic, a few scholars have questioned its feasiblity in light of the real world demands of politics. Similarly, I argue that carefully considered his ideal regime turns-out not to be feasible or a practical recommendation for politics, but rather a thought experiment like Plato’s Republic meant to show the limitations of what is politically achievable. I do so by comparing his ideal regime to his prior discussions of democracy in the earlier books of …

Combat Trauma And Tragic Catharsis: An Aristotelian Account Of Tragedy And Trauma, Edward J. Hoffmann

Honors Bachelor of Arts

This essay argues that the Greeks experienced and understood combat trauma, and that they used tragedy and the catharsis that it effected as a means of restoring the order of souls traumatized in war. Our examination of the horrors of hoplite warfare should leave us with no question that ancient warfare was no more clean, decent, or glorious than modern war. To treat the trauma induced those horrors, the Greeks did indeed practice certain societal mechanisms, which our own society seems to so sadly lack. One of these was Attic tragedy. Certain of the tragedies explicitly speak to military experience, …

Peri Algeos: Pain In Aeschylus And Sophocles, Anda Pleniceanu

Electronic Thesis and Dissertation Repository

This thesis is an examination of physical pain in ancient tragedy, with the focus on three plays: Aeschylus’ Prometheus Bound and Sophocles’ Philoctetes and Trachiniae. The study unfolds the layers of several conceptual systems in order to get closer to the core—pain and its limits in tragedy. The first chapter aims to show that Aristotle’s model for the analysis of tragedy in his classificatory tract, the Poetics, centered on the ill-defined concept of mimesis, is an attempt to tame pain and clean tragedy of its inherent viscerality. The second chapter looks at the dualist solution advanced by Plato …

Politics And Heidegger: Aristotle, Superman, And Žižek, Babette Babich

Articles and Chapters in Academic Book Collections

This essay discusses Heidegger's thinking on the political and technology in the context of metaphysics in an age that is increasingly directed to both technology and the imaginary or the virtual. The context of Aristotelian phronesis is traced back to Aristotle's youth in Macedonia and the circumstance of war and world conquest, to the allure of a comic book character (that would be the Action Comic's figure of Superman) and the cinematic seduction of a pair of eyeglasses to conclude with a review of Latour's network actants and Žižek on Marxism (and Occupy Wall Street).

Philosophy Of Intellect And Vision In The De Anima Of Themistius, John Shannon Hendrix

Architecture, Art, and Historic Preservation Faculty Publications

Themistius (317–c. 387) was born into an aristocratic family and ran a paripatetic school of philosophy in Constantinople in the mid-fourth century, between 345 and 355. He made use of Alexander’s De anima in his commentary on the De anima of Aristotle, which is considered to be the earliest surviving commentary on Aristotle’s work, as Alexander’s commentary itself did not survive. Themistius may also have been influenced by Plotinus, and Porphyry (232–309), whom he criticizes. Themistius refers often to works of Plato, especially the Timaeus, and attempts a synthesis of Aristotle and Plato, a synthesis which was continued in …

Aristotle's Critique Of Mimesis: The Romantic Prelude, Terryl Givens

English Faculty Publications

The most notable element of Plato's theory of art, or at least the most memorable, is his censorship of poetry from the ideal state (Republic III: 398; X: 607). However Plato's argument is construed, it is enlightening to note the domestication to which it is invariably subjected. Since Aristotle's theory is eminently more amenable to our contemporary appreciation for art, and, in one form or another, is judged more central to the history of Western literature, Plato's attack is dispensed with after due characterization as ironic, unmanageably ambiguous, valid only in a most limited context, or excusable in the light …