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Full-Text Articles in Arts and Humanities
Nothing But The Blood Of Jesus?: O'Connor's Critique Of Protestantism In Wise Blood, Jessica Saunders
Nothing But The Blood Of Jesus?: O'Connor's Critique Of Protestantism In Wise Blood, Jessica Saunders
English Class Publications
Published in 1949, Flannery O’Connor’s first novel, Wise Blood, satirizes not Christianity itself, but rather man’s twisted practice of the faith that O’Connor held so dear. O’Connor, a devout Roman Catholic living in the Bible Belt, writes to critique the heresy, hypocrisy, and apathy that pervaded the lives of Protestants in the South—a region that O’Connor describes as “hardly Christ-centered” but “most certainly Christ-haunted” (Mystery and Manners 44). O’Connor portrays the characters in Wise Blood as Protestants, non-Christians, or the nihilistic protagonist and hero himself, Hazel Motes, who in his rejection of the gospel, founds the Church of Christ …
The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood", Kimberly Wong
The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood", Kimberly Wong
English Class Publications
While some authors start writing their novels with a full outline in mind, Flannery O’Connor’s first novel, Wise Blood, began with a short story written for the Writers’ Workshop at Iowa State in December 1946. This short story, titled “The Train,” was inspired when O’Connor was on a train going home for Christmas. She recalls, “‘There was a Tennessee boy on it in uniform who was much taken up worrying the porter about how the berths were made up” (qtd in Gooch 134). Then, O’Connor wrote Wise Blood’s larger story as a part of her masters’ thesis, but upon hearing …