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Full-Text Articles in Arts and Humanities
Eucharistic Imagery In Film: Two Patterns Of Usage, Caesar A. Montevecchio
Eucharistic Imagery In Film: Two Patterns Of Usage, Caesar A. Montevecchio
Journal of Religion & Film
In Christian tradition, the primary effects of the Eucharist are the formation of koinonia and the facilitating of metanoia. Metaphorically, these effects make the Eucharist a symbol of community building and personal transformation. However, the way that such symbolic meaning is emplotted in film can vary between two distinct approaches. Augmentative usage uses Eucharistic symbols to deepen and amplify narrative instances of community building, such as by family gathering or reconciliation between characters, or character growth. In ironic usage, Eucharistic symbols elicit standards of virtue and goodness that help critique actions or events that damage koinonia or prevent characters …
Framing Salvation: Biblical Apocalyptic, Cinematic Dystopia, And Contextualizing The Narrative Of Salvation, Caesar A. Montevecchio
Framing Salvation: Biblical Apocalyptic, Cinematic Dystopia, And Contextualizing The Narrative Of Salvation, Caesar A. Montevecchio
Journal of Religion & Film
Christian biblical authors used the apocalyptic genre to help contextualize the meaning of salvation for their audiences. Today, dystopian film can serve a similar function. In each case, the narrative diagnoses a sinister mis-ordering of human civilization and attempts to prescribe ways in which it can be overcome. Just as apocalyptic gave biblical authors the ability to make statements about what salvation was salvation from, dystopian narratives can similarly demonstrate what social conditions today remain in need of remediation. When these dystopian narratives do so by making use of symbols and themes associated with Christian soteriology their diagnoses can become …