Arts and Humanities Commons^™

The Sounds Of Vatican Ii: Musical Change And Experimentation In Two U.S. Trappist Monasteries, 1965−1984, Bradford Lee Eden

Library Faculty Publications

The Second Vatican Council impacted the use of liturgical music within religious communities. Two U.S. Trappist monasteries, New Melleray Abbey in Dubuque, Iowa, and Gethsemani Abbey in Bardstown, Kentucky, evidenced distinctive approaches to the musical freedom resulting from the Vatican II reforms. New Melleray incorporated contemporary folk music and instruments. At Gethsemani, Father Chrysogonus Waddell pioneered the use of Gregorian notation and English psalmody. The musical changes had a profound effect on the Trappists’ celebration of the Mass and the praying of the Liturgy of the Hours.

Arts Of War: Reconsidering Conflict Through Interdisciplinary Artistic Collaboration, John Macinnis

Faculty Work Comprehensive List

CORE 160: Introduction to the Arts is required as part of the core curriculum at Dordt College and is team taught every semester by four professors who each address a different art form: Music, Theatre, Film, and Visual Art. Semesters are divided in half, and students select two art forms for special attention. Additionally, all students meet in two mass sections in which the team of professors address topics spanning all the arts. These mass sections are an opportunity to demonstrate for students that interdisciplinary collaboration around a given topic often produces remarkable insight.

Last year, in recognition of the …

Christian Music Experiences In The Faith Development Of Adolescents: A Phenomenological Study, Winnie White

Doctoral Dissertations and Projects

The purpose of this qualitative, phenomenology study was to discover how Christian music experiences affect the faith development of adolescents. The lived experiences are the on-going process in which adolescents develop through the stages of faith and how Christian music fits into that process. The participants were adolescents who participated in a youth group with an active music experience on a weekly basis. I used the transcendental phenomenology model which included the epoche, phenomenological reduction, imaginative variation, and synthesis of texture and structure to collect, gather, and analyze the data. Data were collected from 11 adolescents utilizing observations, Fowler's Life …

An Analysis Of The Need For A Congregational Songwriting Manual For The Evangelical Community, Travis Doucette

Doctoral Dissertations and Projects

Music has always been an essential part of the faith journey of God's people. The modern worship movement over the past twenty years has created an industry for new songs of worship. In conjunction with advances in technology, more than ever, songwriters have been able to easily create well-produced compositions. It is the author's opinion that with the massive influx of music, the craft of well-composed, singable tunes matched with theologically accurate lyrics has been largely neglected. There is a need for an academic songwriting manual, teaching students and worship leaders how to write congregational songs for the evangelical church. …

A New Song. A Skillful Song, Bruce Benedict, Ruth Duck, Greg Scheer

Symposium on Worship Archive

Those of us who feel Psalm 33's call to write new songs must remember that the Psalm also tells us to play skillfully. In this seminar we will focus on the skills of songwriting for congregations, digging into what it means to balance inspiration and perspiration. Join Ruth Duck, Bruce Benedict and Greg Scheer, three songwriters who also spend much of their time editing the works of others as they discuss their approaches to creating new texts, new tunes, and combining texts and tunes. Participants will be invited (not required) in early January to send two of their own congregational …

Dancing Through The Church Year, Susan Wilson

Symposium on Worship Archive

This workshop will teach examples of liturgical dance to be used throughout the church year, starting with Worldwide Communion and then moving to Advent/Christmas, Lent/Palm Sunday and Easter, and Pentecost. She will also offer ideas for how dance can be used throughout the worship service--in a call to worship, praise, prayer, offering, communion, response to the message and the benediction.

Singing Songs From The Global South In A North American Church Context, Debbie Lou Ludolph

Symposium on Worship Archive

In this workshop we will sing songs of faith from around the world, share experiences of learning to sing these songs by reflecting together on how to meet the challenges of introducing foreign languages, alternate instrumentation and movement in a predominantly Euro-North American context.

Encouraging Every Voice: Effective Song Leadership In Worship, Alison Adam

Symposium on Worship Archive

For those who strive to get congregations singing new songs and want out to bring the best in them. This workshop is aimed at the song-leader, often more enthusiastic than trained. We will explore how to introduce, teach, and lead new songs in worship and how to develop the singing confidence of a congregation. Alison Adam of the Iona Community has wide experience, helping those leading groups large and small to develop a strong and passionate ministry in congregational song.

Singing The Lord’S Song . . . In Times Like These: Exploring Worship And Music In Some English-Speaking Caribbean Contexts, Nicole Ashwood

Symposium on Worship Archive

Come join participants from the Caribbean as they lead us in songs of prayer, praise, proclamation and deliverance for such a time as this. Out of many cultures, one song to God.

Fresh And New, Tried And True: A Session On Hymn-Based Piano Collections For Worship, Norma De Waal Malefyt

Symposium on Worship Archive

This session will explore the best in both newly published music and the golden publications of the recent past for use in preludes, offertories and postludes. Particular attention will be given to music based on songs and hymns in Lift Up Your Hearts.

The Art And Craft Of Creating Texts For Congregational Song, Ruth Duck

Symposium on Worship Archive

Ruth Duck, widely published author of many psalm and hymn texts, including in Lift Up Your Hearts and Psalms for All Seasons, will introduce several of her texts and speak about her process in writing hymns. As a seminary professor of worship, she has many insights to offer about writing, theology, and worship as they intersect in congregational singing.

Can The Organ Sound Like A Conga? Leading Cross Cultural Song From The Organ, John Ferguson

Symposium on Worship Archive

The organ can lead and accompany an amazing variety of musical styles. John Ferguson will share techniques for leading many nontraditional styles of congregational song from the organ, using his new resource Many and Great: Introductions and Accompaniments for Global Hymns (Morningstar). If you own this resource, bring it to the workshop!

Rhythms Of Desire, Jeremy Begbie, James K.A. Smith

Symposium on Worship Archive

A seminar with presentations by philosopher Jamie Smith and theologian Jeremy Begbie, exploring the theme of desire in worship, drawing especially on music. It will include a dialogue between Jamie and Jeremy, live performance at the piano, and extended time for discussion with the audience.