Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Christianity

PDF

Masters Theses

Music

Publication Year

Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

Methods And Motivations Of Multigenerational Churches In Selecting A Worship Music Identity, Joshua Charles Morton Dec 2020

Methods And Motivations Of Multigenerational Churches In Selecting A Worship Music Identity, Joshua Charles Morton

Masters Theses

Churches in the twenty-first century come in all types, shapes, and sizes. The church plant movement is bringing many new churches into existence. With many of these church plants, the assumption is that a contemporary worship style comes with it. This could be viewed this way, because of the high population of younger people that attend these churches. Churches like Elevation Church, North Point Church, Passion City Church, and Saddleback Community Church are all church plants. These churches are magnets for newly established Christians and those seeking to answer questions about God for the first time. They are magnets for …


Follow Me: Following Jesus With Your Head, Heart, Hands, And Feet, Vincent Dodge Frampton May 2020

Follow Me: Following Jesus With Your Head, Heart, Hands, And Feet, Vincent Dodge Frampton

Masters Theses

Following Jesus requires more than merely a mind exercise. It is more than giving money to the right causes or helping to build hospitals. Following Jesus requires the head, heart, hands, and feet--the whole self. The goal of this music and worship ministry project is to help people to follow Jesus with their whole selves.


Contextualized Songwriting In The Japanese Church, Katie Ann Mcwilliams May 2020

Contextualized Songwriting In The Japanese Church, Katie Ann Mcwilliams

Masters Theses

The Christian Church of Japan has very few songs written in their own language and style. Most songs are translated from English or another language. While Japan is a very westernized country, this is a problem because things can get lost in translation and these songs are not always representative of their musical style. Furthermore, they have a unique voice of worship that is currently missing from the global Church. My research project was intended to identify songwriters and encourage songwriting for the local church with the intention of expanding the Japanese voice in the global context and raising awareness …


Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath Apr 2013

Kachin Sound Instruments Within The Context Of The Kachin Baptist Convention Of Northern Burma: History, Classification, And Uses, Walter Brath

Masters Theses

This organology identifies and describes the Kachin's sound instruments, classifies them according to the Hornbostel-Sachs' system, and considers evidence of an indigenous classification scheme. Very little research exists to date on the music of the Kachin peoples of Northern Burma. This paper cites the only known indigenous organology and is the first English language study to extrapolate evidence into an emergent classification system. This qualitative study is based on ethnographic interviews, the minimal literature available on the topic, and participant observation drawn from fieldwork conducted in the Kachin State of Northern Burma (modern day Myanmar) during the months of May …


When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe Jul 2012

When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe

Masters Theses

The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …