Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Catholicism (2)
- Franz Jägerstätter (2)
- Roman Catholic Church (2)
- Anthropocentrism (1)
- Austria (1)
-
- Austrian film (1)
- Axel Corti (1)
- Censorship (1)
- Child Abuse (1)
- Christ-figure (1)
- Christian Theology (1)
- Christianity (1)
- Colonialism (1)
- Conscientious Objection (1)
- Criminal Justice (1)
- Divine absence (1)
- Ecofeminism (1)
- Feminism (1)
- Galileo Galilei (1)
- Giordano Bruno (1)
- Ignatius of Loyola (1)
- Indigenous languages (1)
- Italian Cinema (1)
- Japan (1)
- Josie Rourke (1)
- Martin Scorsese (1)
- Martyrdom (1)
- Mary Queen of Scots (1)
- Monasticism (1)
- National Socialism (1)
Articles 1 - 24 of 24
Full-Text Articles in Arts and Humanities
The Exorcist Effect: Horror, Religion, And Demonic Belief, Sena Nurhan Duran
The Exorcist Effect: Horror, Religion, And Demonic Belief, Sena Nurhan Duran
Journal of Religion & Film
This is a book review of Joseph P. Laycock and Eric Harrelson, The Exorcist Effect: Horror, Religion, and Demonic Belief (New York, NY: Oxford University Press, 2023).
Punishment, Rubina Ramji
Punishment, Rubina Ramji
Journal of Religion & Film
This is a film review of Punishment (2024), directed by Øystein Mamen.
The New Boy, Sherry Coman
The New Boy, Sherry Coman
Journal of Religion & Film
This is a film review of The New Boy (2023), directed by Warwick Thornton.
Natalia, Dereck Daschke
Natalia, Dereck Daschke
Journal of Religion & Film
This is a film review of Natalia (2023), directed by Elizabeth Mirzaei.
Benedetta, Richard S. Ascough
Benedetta, Richard S. Ascough
Journal of Religion & Film
This is a film review of Benedetta (2021), directed by Paul Verhoeven.
Maharaja's Children, William L. Blizek
Maharaja's Children, William L. Blizek
Journal of Religion & Film
This is a film review of Maharaja's Children (2022), directed by Tomasz Stankiewiez.
Nothing Compares, John C. Lyden
Nothing Compares, John C. Lyden
Journal of Religion & Film
This is a film review of Nothing Compares (2022), directed by Kathryn Ferguson.
Medieval Saints And Modern Screens: Divine Visions As Cinematic Experience, Stephen Okey
Medieval Saints And Modern Screens: Divine Visions As Cinematic Experience, Stephen Okey
Journal of Religion & Film
This is a book review of Alicia Spencer-Hall, Medieval Saints and Modern Screens: Divine Visions as Cinematic Experience (Amsterdam University Press, 2018).
Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire
Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire
Journal of Religion & Film
Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle against patriarchal prejudice. …
Rebel Hearts, John C. Lyden
Rebel Hearts, John C. Lyden
Journal of Religion & Film
This is a film review of Rebel Hearts (2021), directed by Pedro Kos.
A Hidden Life, Sherry Coman
A Hidden Life, Sherry Coman
Journal of Religion & Film
This is a film review of A Hidden Life (2019), directed by Terrence Malick.
Corpus Christi, Sherry Coman
Corpus Christi, Sherry Coman
Journal of Religion & Film
This is a film review of Corpus Christi (2019), directed by Jan Komasa.
Between Idealization Of A Martyr And Critic Of A Society: Analysis Of Axel Corti’S "Der Fall Jägerstätter", Jakub Gortat
Between Idealization Of A Martyr And Critic Of A Society: Analysis Of Axel Corti’S "Der Fall Jägerstätter", Jakub Gortat
Journal of Religion & Film
The new film approach to the figure of Franz Jägerstätter by Terrence Mallick in 2019 is an occasion to take a critical look at the first movie about the Catholic martyr that was made by the Austrian director Axel Corti in 1971. Although the movie turned out be to a huge success and until now is viewed as one of the turning points in coming to terms with the Nazi past in the Austrian film history, it idealizes, against the director’s intentions, the protagonist and preserves some of the characteristic elements of the history discourse of the times it was …
Screening Religiosity In Contemporary Polish Films. The Role Of Religious Motifs In Visual Communication., Mariola Marczak
Screening Religiosity In Contemporary Polish Films. The Role Of Religious Motifs In Visual Communication., Mariola Marczak
Journal of Religion & Film
In the paper the Polish contemporary cinema has been explored as a vehicle through which films can reflect and communicate social issues, such as religiosity of Polish society, the character of it, the ways of expression and values promoted by it. The main components of modern Polish religiosity are shown as they are exhibited in film works perceived as part of modern visual culture. The examination also comprises most frequently and typically tools used for communicating or revealing the transcendent sphere in the contemporary Polish films, such as Christ-figures - including apocryphal ones and parables. They are considered as a …
Ask The Beasts Of The Southern Wild: Exploring Human Identity As Beast, Being And Beholder In Ask The Beasts: Darwin And The God Of Love And Beasts Of The Southern Wild, Stephanie Cherpak Clary
Ask The Beasts Of The Southern Wild: Exploring Human Identity As Beast, Being And Beholder In Ask The Beasts: Darwin And The God Of Love And Beasts Of The Southern Wild, Stephanie Cherpak Clary
Journal of Religion & Film
Anthropocentrism and hierarchical dualism together encourage a dangerous anthropology where human primacy among creation and the prioritization of certain humans leads to destruction for all. During a time when suffering caused by climate change continues to intensify, it is increasingly important to find compelling ways to share the stories of those who suffer most. I will explore how Beasts of the Southern Wild (Zeitlin, 2012) contextualizes the ecofeminist theology found in Johnson’s Ask the Beasts: Darwin and the God of Love (2014), specifically the idea of humans identifying as beasts, beings and beholders. Furthermore, I will discuss how the representation …
Novitiate, Joshua Canzona
Novitiate, Joshua Canzona
Journal of Religion & Film
This is a film review of Novitiate (2017) directed by Maggie Betts.
Scorsese’S Silence: Film As Practical Theodicy, Ian Deweese-Boyd
Scorsese’S Silence: Film As Practical Theodicy, Ian Deweese-Boyd
Journal of Religion & Film
Martin Scorsese’s adaptation of Shusaku Endo’s novel Silence takes up the anguished experience of God’s silence in the face of human suffering. The main character, the Jesuit priest Sabastião Rodrigues, finds his faith gutted by the appalling silence of God as he witnesses the horrific persecution of Christians in seventeenth century Japan. Yujin Nagasawa calls the particularly intense combination of the problems of divine hiddenness and evil the problem of divine absence that resists resolution through explanations that have typically characterized the theodicies offered by philosophers. Drawing on the thought of Ignatius of Loyola, this essay explores the way …
Still Banned After All These Years- Retracing The Journey Of Cavani’S ‘Revolutionary’ Galileo (1968)., Silvia Angeli
Still Banned After All These Years- Retracing The Journey Of Cavani’S ‘Revolutionary’ Galileo (1968)., Silvia Angeli
Journal of Religion & Film
“Revolutionary” and “scandalous” are adjectives the late Ettore Bernabei, General Director of Italian State Television (RAI) from 1961 to 1974, used to describe Liliana Cavani’s Galileo (1968) in a 2005 interview for Corriere della Sera. Such harsh judgment reflects the undiminished hostility of a significant branch of Italian Catholicism toward the film. The fact that almost 50 years after its release Galileo has yet to be broadcast on public television despite being commissioned by it unequivocally confirms this hostility. Based on primary sources such as press articles and archival sources, this article chronicles Galileo’s incredible journey through …
Verónica, Kyle Derkson
Verónica, Kyle Derkson
Journal of Religion & Film
This is a film review of Verónica (2017), directed by Paco Plaza.
The Little Hours, Frederick Ruf, Kathryn Wade
The Little Hours, Frederick Ruf, Kathryn Wade
Journal of Religion & Film
This is a film review of The Little Hours (2017), directed by Jeff Baena.
Beatriz At Dinner, Kevin V. Dodd
Beatriz At Dinner, Kevin V. Dodd
Journal of Religion & Film
This is a film review of Beatriz at Dinner (2017), directed by Miguel Arteta.
Silence, Caesar A. Montevecchio
Silence, Caesar A. Montevecchio
Journal of Religion & Film
This is a film review of Silence (2016), directed by Martin Scorsese.
I Dream In Another Language, John C. Lyden
I Dream In Another Language, John C. Lyden
Journal of Religion & Film
This is a film review of I Dream in Another Language (2017), directed by Ernesto Contreras.
Seeing The Light, Hearing The Call: Women Religious As Spectators And Subjects Of Popular Nun Films, Maureen A. Sabine Professor
Seeing The Light, Hearing The Call: Women Religious As Spectators And Subjects Of Popular Nun Films, Maureen A. Sabine Professor
Journal of Religion & Film
Though popular films like The Bells of St. Mary’s (1945), Heaven Knows, Mr. Allison (1957), The Nun’s Story (1959), and The Sound of Music (1965) have routinely been criticized for circulating polarized stereotypes about nuns, convent memoirs indicate that some women felt the stirrings of a religious vocation from watching these movies. This article arose out of interest in whether other women heard God’s call through nun films, and is based on a survey of 86 sisters from 28 different communities who had entered the convent between 1947 and 2007, and were prepared to discuss what they saw in these …