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Full-Text Articles in Arts and Humanities
Revenge, Tony Michael
Revenge, Tony Michael
Journal of Religion & Film
This is a film review of Revenge (2017), directed by Coralie Fargeat.
Now That Was A Nice Hanging: The Hateful Eight As Parable?, Richard G. Walsh
Now That Was A Nice Hanging: The Hateful Eight As Parable?, Richard G. Walsh
Journal of Religion & Film
The opening of Quentin Tarantino’s The Hateful Eight conjoins the iconic landscape of the Western, Christianity’s chief symbol the crucifix, and Tarantino’s oeuvre. The film gives the crucifix so much screen time that one wonders what its significance might be. That the film climaxes with the lynching of Daisy Domergue renders the crucifix teasingly parabolic. The opening-closing frame parallels the two hangings, as do the various eulogies associated with the lynching. That Daisy’s lynching takes place at the hands of the film’s two surviving characters—who, like the horses that lead the stagecoach team delivering Daisy to her fate, are black …
How To Attain Liberation From A False World? The Gnostic Myth Of Sophia In Dark City (1998), Fryderyk Kwiatkowski
How To Attain Liberation From A False World? The Gnostic Myth Of Sophia In Dark City (1998), Fryderyk Kwiatkowski
Journal of Religion & Film
In the second half of the 20th century, a fascinating revival of ancient Gnostic ideas in American popular culture could be observed. One of the major streams through which Gnostic ideas are transmitted is Hollywood cinema. Many works that emerged at the end of 1990s can be viewed through the ideas of ancient Gnostic systems: The Truman Show (1998), The Thirteenth Floor (1999), The Others (2001), Vanilla Sky (2001) or The Matrix trilogy (1999-2003).
In this article, the author analyses Dark City (1998) and demonstrates that the story depicted in the film is heavily indebted to the Gnostic myth of …