Arts and Humanities Commons^™

Collective Memory And Creative Subjectivity: A Living Conversation, Alexandra Katherine Goodall, Alba Torres Robinat

Artizein: Arts and Teaching Journal

This article is the record of a dialogue between two artists and Expressive Arts therapists, Alba Torres Robinat and Alexandra Katherine Goodall. They chose to undertake this conversation in the form of letters that were written back-and-forth over a period of time in a shared document, which places their correspondence in the tradition of epistolary writing. This decision to write the article as letters lends the conversation an immediacy, a warmth, a sense of time, distance and familiarity, and a feeling of intimacy.

The authors invite readers to witness the deepening of a relationship and the development of their conversational …

Structura Lux, Anton Pleshka

MSU Graduate Theses

In the evocative realm of installation art, my creative research

navigates the nuanced interplay between light and space, with the

ambitious goal of transforming the viewer’s perceptions through

immersive environments. This venture is more than a creative journey;

it is a phenomenological exploration that emphasizes the primacy

of lived experience in artistic expression. My installations, through

manipulation of light and form, evolve into conversations between my

intentions as an artist and the experiences of the audience, crafting

moments that intentionally elicit a wide spectrum of responses and

challenge the traditional confines of visual storytelling.

Can You See It?: Providing Visual Arts Access To Audiences With Visual Impairment And Blindness, Rowan A. Puig Davis

Senior Projects Spring 2020

Senior Project submitted to The Division of Arts of Bard College.

An Analysis Of Perceptual Masking Between Stems In Manually-Mixed Multitrack Audio Using A Cross-Analytic Loudness Model, Brian H. Cofer

Student Theses

In music production, there are many tools available to an audio engineer throughout the mixing process to bring a song to completion. Among the most common are level balancing, equalization (EQ), and compression. However, these tools still require the subjective judgments of human engineers to create the desired listening experience. While automated mixing algorithms have been increasingly studied, they have yet to match the skills of even an amateur mixing engineer, in major part, because the subjective mixing decisions of an engineer are difficult to replicate by automated systems. The following research was developed with the primary goal of objectively …