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Full-Text Articles in Arts and Humanities
Ideology, Social Commentary And Resistance In Popular Music: A Case Study Of Singapore, Phua Siew Chye, Lily Kong
Ideology, Social Commentary And Resistance In Popular Music: A Case Study Of Singapore, Phua Siew Chye, Lily Kong
Research Collection School of Social Sciences
Popular music as a site of struggles over meaning is focused upon, where the social and political relations between different groups in Singapore society are mirrored. How ruling elites and everyday people make use of the same cultural form--popular music--for different purposes is examined.
The Commercial Face Of God: Exploring The Nexus Between The Religious And The Material, Lily Kong
The Commercial Face Of God: Exploring The Nexus Between The Religious And The Material, Lily Kong
Research Collection School of Social Sciences
This paper explores the nexus between the cultural and the material by examining the ways in which religion and the economy are integrated in the context of economy-driven Singapore. The mutually constitutive relationships between the cultural and the material are explored through a discussion of the role of the state, capital and religious institutions in pulling together the sacred and the secular. Specifically, the analysis focuses on how the state harnesses religion ideologically in its economic development strategies; how capital harnesses the potential of religion in commercial enterprises in practical terms; and how religious institutions themselves behave as financial institutions. …
Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong
Making "Music At The Margins"? A Social And Cultural Analysis Of Xinyao In Singapore, Lily Kong
Research Collection School of Social Sciences
Formalist critics and aestheticians have argued that music does not possess any kind of "extra-musical" significance, that there is no meaning beyond the form and structural relations of the notes. For them, music exemplifies the laws of mathematical harmony and proportion rather than the social and political contexts within which it is produced, reproduced and consumed. This view has been challenged by a number of social theorists: Max Weber, Theodor Adorno and Edward Said have all argued for an understanding of music within its social, cultural, economic and political contexts. Such analysis of popular music is now unquestioned. Indeed, it …
Popular Music And A Sense Of Place In Singapore, Lily Kong
Popular Music And A Sense Of Place In Singapore, Lily Kong
Research Collection School of Social Sciences
This paper illustrates how popular music written, produced, and performed by Singaporeans provides a means through which the culture and society of Singapore may be understood. Music with English language text conveys a sense of place and reflects a distinctively Singaporean spirit and identity. The paper examines four themes: the portrayal of Singapore's multiracial population which reflects a unique cultural synthesis; the Singaporeans' concept of urbanity, manifested as the simultaneous attraction and repulsion towards the city and the desire for nature and the rustic; the distinctive social engineering in Singapore; and the way in which global issues are imported into …