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Full-Text Articles in Arts and Humanities
Funnel Vision, David Grainger
Funnel Vision, David Grainger
Theses and Dissertations
This paper will talk about the videos and sculptural installation in my thesis exhibition. Shooting videos outside of the studio developed into a project overarching any individual video or its particular signs. Thus, this paper will focus on the video project with examples that follow a timeline of development, rather than the actual 6 videos on display in the exhibit. The two-part sculpture "Deer in the Headlights" is created in the context of these videos, and coexists with them in a specific architectural space. This space, as well as the clichéd meaning of the deer's gaze, have a relation to …
Spark Gap, Lillian Cox-Richard
Spark Gap, Lillian Cox-Richard
Theses and Dissertations
"Spark Gap" is an invisible electrical force made visible in spaces between things. This usually describes the space of air between two conductors; a non-conductive gap in an otherwise complete electric circuit, across which a quick luminous disruptive electrical discharge occurs. This interstitial space is the distance between two ideas, arced with a running leap. The arc can also be the difference between two things, a gap that becomes apparent only when the two are held in close proximity. In my thesis exhibition, "Spark Gap," a sea urchin shaped orb sits atop a tower of ladders. The orb is broken …
On Zeitgeist, James Sham
On Zeitgeist, James Sham
Theses and Dissertations
This thesis is an exploration into the possibilities and repercussions of articulating zeitgeist, that is, the spirit of our current age. The parameters and ramifications of such a project are, in this writing, analyzed in reference to the notion of historicity, and the narrative gaze that it perpetuates. The mechanism of canonization, and a discourse's capacity to be viral are examined.
One Hundred And Fifty Percent Elasticity, Eli Mikael Kessler
One Hundred And Fifty Percent Elasticity, Eli Mikael Kessler
Theses and Dissertations
The sculptural environments I create immerse the viewer in a decrepit vaudevillian past. The sculptures allude to narratives within Community Theater as well as the Drag Show. Making becomes an act; manipulating materials such as synthetic hair and paint are associated with the guise of the makeup artist. Frantic rehearsal logic prevails as a dress is repurposed into a male giant's costume and window blinds are used to construct a boat's deck. This collusion asks the viewer to transgress the boundary of the stage, becoming a voyeur privileged to the world of exiled props and role reversal.
Bounded Surface, Emilie Sayward Brown
Bounded Surface, Emilie Sayward Brown
Theses and Dissertations
The relationship between surface, perception, and structure has occupied my graduate studies. Locating, transforming, and transcending the surface requires play with perceptive abilities not only of vision, but of touch, hearing, and the other senses as well. How do the interactions of sense with the qualities of a surface determine our perception of the world? What role does the extension of the senses play in one's ability to perceive surface and structure? Using sense information gleaned from surfaces, the tectonics of our world are made visible. Might this relationship be played backwards as well? Composed structures produce surfaces upon which …