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Diseño Textil Y Vestimentario Tradicional De Los Pueblos De Canchis (Cuzco), Nathalie Santisteban-D.

IX Jornadas Internacionales de Textiles Precolombinos y Amerindianos / 9th International Conference on Pre-Columbian and Amerindian Textiles, Museo delle Culture, Milan, 2022.

Este estudio trata sobre el diseño decorativo e iconográfico textil y vestimentario tradicional de los pueblos de San Pablo, de Tinta y de Marangani de la provincia de Canchis (Cuzco, Perú). El sistema vestimentario indígena tradicional de estos pueblos está conformado por piezas vestimentarias tejidas, unkuña y poncho, que permiten identificar el grupo étnico y el lugar de procedencia de los portadores. Las otras piezas vestimentarias están adornadas suntuosamente por el bordado con máquina de coser. El vestido indígena tradicional de estos pueblos es famoso por el bordado con máquina. Este estudio busca dar a conocer que en los pueblos …

Rooted In Meaning: Plant Iconography On Nasca Polychrome Ceramics, Amanda G. Lange

Theses

This thesis explores the Nasca use of plant iconography as part of their polychrome ceramics produced at the end of the Early Horizon around 100 BCE to those produced in the beginning and middle of the Early Intermediate Period circa 1to 450 CE. During this time the religious site of Cahuachi was in use as a pilgrimage center as well as the production center of polychrome pottery. The Nasca created their colorful ceramics here to distribute to visiting pilgrims during times of festival or ritual. The culture’s iconography has been studied extensively, most of which focuses on the forms of …

Tejiendo Imágenes. Homenaje A Victòria Solanilla Demestre, Catalina Simmonds Caldas , Editora, Marina Valls I García , Editora

Zea E-Books Collection

A collection of 35 essays in honor of the retirement of Prof. Victòria Solanilla Demestre, a renowned and respected scholar of the pre-Columbian culture and iconography of the Americas.

SUMARIO — Miquel-Àngel Sànchez i Fèrriz: El porqué de este homenaje a la Dra. Victòria Solanilla Demestre • Catalina Simmonds Caldas: Un pensamiento sin fronteras • Luz Adriana Alzate Gallego: «A lomo de piedra»: rescatando una gran colección lítica • Denise Y. Arnold: Los textiles andinos teñidos por amarras, el motivo del punto en el rombo y su patrón de difusión: Felinos, serpientes y el cultivo del maíz en un mundo …

Sending Gratitude, Amanda Kukunis

Honors Projects

Mindfulness practices involving gratitude have been shown to improve mental and physical health. Making short lists of people, things, and experiences that one is grateful for is a helpful habit for decreasing anxiety. Sending Gratitudeis an expansion of these lists guided by the research question:

In what ways does reflecting on past experiences where I was grateful that someone decreased my past anxiety help reduce current anxieties?

How can these experiences be shared with others in a way that will encourage them to practice gratitude?

The final installation imitated a greeting card wall and encouraged viewers to take a …

Las Urnas Zapotecas (Estado De Oaxaca, México): Una Iconografía Del Espacio Y Del Tiempo, Pascal Mongne

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

La cultura zapoteca (Estado de Oaxaca, México) es famosa por sus célebres “urnas funerarias”, de las que existen unas 4.000 en el mundo. Conocidas desde principios del siglo XIX, estas piezas han sido objetos de estudios iconográficos que, sin embargo, han incluido numerosas falsificaciones realizadas a raíz de su éxito. Las “urnas” zapotecas fueron el tema de una investigación doctoral realizada por el autor entre 1980 y 1985. Esta, basada en los informes de excavaciones publicados o conservados en los archivos, permitió reunir datos hasta entonces poco tratados, tanto sobre la evolución estilística como sobre su entorno (condiciones de descubrimiento, …

New Myths And My Religion, Pallas Lane Umbra

Belmont University Research Symposium (BURS)

New Myths and My Religion
Pallas Lane Umbra
Faculty Advisor: Katie Mitchell

As every civilization has had its myth and legends, this creative thesis project introduces a new mythology. This world is born of our own, shaped by the experience of growing up queer in the Appalachian South. There is a specific exploration of love, rage, and spirituality. Inspired by Greco-Roman mythology while also reflecting on personal experience, this body of work shares a visual, symbolic language that is interpretable; one myth can tell many stories. Along with this new iconography, the work strips the viewer of ease and comfort …

Detritus And The Icon, Brian Madonna

Theses and Dissertations

Detritus and the Icon highlights the relationship between the figure and the monument, contrasting between the gravity of earth and the lightness of the Divine. My thesis exhibition of seven paintings, comprised of thirty seven panels, brings the banal into conversation with the age old endeavor of monument building.

Extensive And Intensive Iconography. Goethe’S Faust Outlined, Evanghelia Stead

Artl@s Bulletin

Drawing on a corpus of printed items between countries, compared first-hand, the article examines the mark left by Moritz Retzsch’s 26 outline etchings after Goethe’s Faust (1816) using the distinction between extensive and intensive iconography. In extensive iconography, copied or imitated images build a collective imagination, devaluing the original work, albeit contributing to the play’s aura. That view challenges Walter Benjamin’s influential essay on “The Work of Art in the Age of Mechanical Reproduction” (1935). In intensive iconography, inventive artists, inspired by Retzsch, rework images, granting a particular scene genuine reinterpretation. How then should we value multiples, copies and genuine …

Eternity In Low Earth Orbit: Icons On The International Space Station, Wendy Salmond, Justin Walsh, Alice Gorman

Art Faculty Articles and Research

This paper investigates the material culture of icons on the International Space Station as part of a complex web of interactions between cosmonauts and the Russian Orthodox Church, reflecting contemporary terrestrial political and social aairs. An analysis of photographs from the International Space Station (ISS) demonstrated that a particular area of the Zvezda module is used for the display of icons, both Orthodox and secular, including the Mother of God of Kazan and Yuri Gagarin. The Orthodox icons are frequently sent to space and returned to Earth at the request of church clerics. In this process, the icons become part …

Two-Headed Serpents And Rayed Heads: Precedents And Reinterpretations In Paracas Necropolis Imagery, Ann H. Peters

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

The Necropolis of Wari Kayan and other tombs of the Paracas Necropolis mortuary tradition present an astonishing diversity of textile styles, and an even greater diversity of imagery. More than 100 different motifs can be distinguished and tracked among the documented mortuary contexts. While is it not likely that our sample of 45 mummy bundles includes all important variants of any particular motif, in many cases it is possible to propose a sequence of reinterpretations of a key icon. By documenting the known assemblage of images and artifacts we can perceive what icons and styles are predominant, recurrent or unusual. …

Signos Comunes En Los Textiles Andinos Y Los Mesoamericanos, Victòria Solanilla

PreColumbian Textile Conference VIII / Jornadas de Textiles PreColombinos VIII (2019)

Entre los recientes estudios sobre textiles Andinos, comienza a ser frecuente encontrar quienes se dedican a describir además de las técnicas, sus iconografías. Como eran sociedades ágrafas, nos hace pensar que con aquellas imágenes nos quisieron dejar su historia y pensamiento. En el caso de Mesoamérica, se podría decir lo mismo de las técnicas e imágenes, pero en este caso, las sociedades que los tejieron sí tenían manera de comunicarse a través de sus lenguajes escritos. No se han conservado tantos tejidos a causa del clima por las condiciones no favorables para la conservación de materiales orgánicos, pero tenemos muchos …

An Iconographical Analysis Of The Madonna And Child With Saints In The Enclosed Garden, Paige L. Deschapelles

Student Publications

The Madonna and Child with Saints in the Enclosed Garden, created approximately between the 1440s and 1460s, is a perfect representation of the highly iconographical images produced during the Renaissance. Although it continues to remain unknown as to who the specific artist responsible for this painting is, it has been attributed to either Robert Campin or one of his many followers. Nevertheless, the depiction of the Virgin Mary holding baby Christ on her lap is heightened as the scene takes place within an enclosed garden, otherwise known as hortus conclusus. Throughout the image itself, one is able to understand how …

Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof

Artl@s Bulletin

How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.

The Curious Case Of Sir Henry Wellcome’S Wooden Statuette Clad In Tie-Dyed Wari Cloth, Penelope Dransart

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

A wooden statuette clad in small-scale garments made from a Wari style tie-dyed textile joined the collections of the City of Liverpool Public Museum (now National Museums Liverpool) in 1951 along with other items distributed by the trustees of the Wellcome Historical Medical Museum. This article discusses Wari style tie-dyed tunics as part of an ensemble of garments. It explores the character of the Wari period textile (c. AD 600-1000) used for dressing the statuette, its similarity to textiles in the Fowler Museum at the University of California, Los Angeles and the Museo Nacional de Arqueología, Antropología e Historia del …

La Imagen Divina Y El Simbolismo Religioso En Textiles Del Antiguo Perú, Uwe Carlson

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

Una gran parte de los antiguos textiles peruanos muestra imágenes divinas en muchas variaciones. Estos se complementan con el simbolismo religioso de la fertilidad, que se presenta en tres alternativas diferentes y muchas variaciones. Algunas culturas también utilizaron imágenes emblemáticas divinas. En la costa del ave marina tenía un estatus casi divino, que se expresa en muchos tejidos. Textiles de las culturas del norte y del sur se acogieron al contenido de las formas de Chavín, pero encontraron sus propias variaciones. Murales, relieves, joyas y otros objetos que contienen la misma información que los textiles. La sociedad del antiguo Perú …

The World On A Whorl: Considerations On Aztec Spindle Whorl Iconography, Jesper Nielsen

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

An unpublished collection of Aztec (Late Postclassic central Mexico, ca. 1400-1520) spindle whorls (totaling 33 items) with rich iconographic embellishment is the focus of this paper, which will discuss a set of recurring iconographic themes, such as the ’sun disk’, ’eagles’, ’jade disks or chalchihuites’ and ’cloud-scrolls’, on the whorls. Previous treatments of spindle whorl imagery have tended to regard such motifs merely as decoration, but here I suggest that the repertoire at hand indicate a limited scope of motifs that share some cosmological and religious significance. In a broader perspective these observations point to the potential mythological underpinnings of …

Leigh Behnke: Real Spaces, Imagined Lives, With An Interview By Jeri Hise, Leda Cempellin

Leda Cempellin

No abstract provided.

House Of God: Ma Thesis, Michael James Cimino

All Graduate Theses, Dissertations, and Other Capstone Projects

What I tried: I considered the viewer more in this exhibition that any other prior. I created this work specifically to provoke response. I strategically exhibited objects deeply rooted in personal meaning, and mass culture in the Midwest. I intended to illicit a broad range of interpretation without any supplementary didactic. I wanted to observe the reaction of the view when no answer is given. I wanted to hear your interpretation without my own influencing yours. What happens with the responsibility falls on the view to make up their own mind, rather than simply responding to a predicated statement.

Why …

A Symbolic Study Of Van Eyck’S Annunciation, David Amott, Dr. Martha Peacock

Journal of Undergraduate Research

The Northern Renaissance artist who best understood iconography’s potential in painting was Jan van Eyck (1390-1441), whose Annunciation (1434) is a masterpiece of Netherlandish art and one of the most important paintings of the Northern Renaissance. Integrated into this work is symbolism that refers to the Trinity, the Old and New Testament, and events leading up to the birth of Christ. Outside of the painting’s major symbolic cycle, however, are a number of other details that add further meaning to the scene. Among these are the rainbow colored wings of the Archangel Gabriel embellished with peacock feathers. These details are …

Representation And Appropriation In Guamán Poma De Ayala, Julio Ortega, Philip Debenshire

Journal of Global Initiatives: Policy, Pedagogy, Perspective

By discussing the cultural role of iconography, this article explores the likely source of representations in Felipe Guaman Pomade Ayala's The First New Chronicle and Good Government. His process of appropriation serves as a model of the new Andean cultural production by showcasing how emblematic allegories have been used in Latin America to illustrate Colonial manuscripts as well as national emblems and public art.

Moche Architectural Vessels: Small Structures, Big Implications, Juliet Wiersema

Andean Past

No abstract provided.

Iconographic Method And The Development Of Emerging Garden’S Identity, Mina Kaboudarahangi, Osman Mohd Tahir, Mustafa Kamal M.S

Mina Kaboudarahangi

Garden design has been described as a category of fine arts with a long association with landscape painting. Thus, gardens can be considered as a work of art due to their artistic nature and value. Accordingly, like other artistic artefacts, they can be studied and recognized by their specific icons. This is very true for a number of well-known gardens in the world, like Persian, English, Japanese and Chinese gardens, which are recognized through their individual icons. However, emerging gardens still do not possess any icons that people can identify them with. Consequently, there is a need for these gardens …

Last Stand At Big Thunder Mountain, David Herbert

Theses and Dissertations

I seek to pose questions about what people overlook or don't consider when viewing art in order to interpret what they see. When working on a project, I purposely retain the effect of my hand. The false crudeness is enhanced by my use of seemingly impoverished materials. This is akin to seeing the fishing wire holding up the miniature spaceship as it flies through the sky. This document was created with Microsoft Word XP.

Leigh Behnke: Real Spaces, Imagined Lives, With An Interview By Jeri Hise, Leda Cempellin

School of Design Faculty Publications

No abstract provided.

She Wears The Mask, Victoria Graciaa

The Corinthian

The emergence of the so-called "primitive" masking its way into the art world of the twentieth century brought with it an alluring mystique which intrigued numerous artists and consequently provoked its appropriation. Specifically, the tribal can be seen in the works of Pablo Picasso as he imbues the geometric facades of Afro- Iberian masks, with shamanistic powers. Upon comparison, the primal found in Picasso's work adds an interesting twist to the work of the female Dadaist Hannah Hoch, who puzzles her audience both aesthetically and intellectually through her use of dense iconography.

Perspectives On Andean Prehistory And Protohistory: Papers From The Third Annual Northeast Conference On Andean Archaeology And Ethnohistory, Daniel H. Sandweiss, D. Peter Kvietok, Patricia Netherly, Michael A. Malpass, Dwight T. Wallace, Richard E. Daggett, John R. Topic, Tom D. Dillehay, Lawrence Kaplan, Elizabeth Bonnier, Coreen E. Chiswell, Stuart V. Arnold, Monica Barnes

Andean Past Special Publications

This volume represents eight of the eighteen papers presented at the Third Northeast Conference on Andean Archaeology and Ethnohistory held at the University of Massachusetts, Amherst on October 27 and 28, 1984. It also includes a paper presented at the Second NCAAE held at the American Museum of Natural History on November 19-20, 1983. The papers include: "Wandering Shellfish: New Insights from Southeastern Coastal Ecuador" by Patricia Netherly, "Late Prehistoric Terracing at Chijra in the Collca Valley, Peru: Preliminary Report I" by Michael A. Malpass, "The Topara Tradition: An Overview" by Dwight T. Wallace, "The Peruvian North Central Coast During …

The Musical Iconography Of Warwickshire, Clifford Davidson

Clifford Davidson

Investigations Of The Andean Past: Papers From The First Annual Northeast Conference On Andean Archaeology And Ethnohistory, Daniel H. Sandweiss, Michael A. Malpass, Thomas C. Patterson, Joan M. Gero, Rebecca R. Stone, Richard E. Daggett, Allison C. Paulsen, Christine C. Brewster-Wray, Lynda E. Spickard, William H. Isbell, Cheryl Daggett, T. Mcgreevy, R. Shaughnessy, Joel Rabinowtiz, Paul Dillon

Andean Past Special Publications

The papers included in this volume represent fourteen of the twenty-three original papers presented at the First Annual Northeast Conference on Andean Archaeology and Ethnohistory held at Cornell University on November 13th and 14th, 1982. The papers are: "The Preceramic Occupations of the Casma Valley, Peru" by Michael A. Malpass, "The Historical Development of a Coastal Andean Social Formation in Central Peru, 6000 to 500 B.C." by Thomas C. Patterson, "Stone Tools in Ceramic Contexts: Exploring the Unstructured" by Joan M. Gero, "Possible Uses, Roles, and Meanings of Chavin-style Painted Textiles of South Coast Peru" by Rebecca R. Stone, "Megalithic …

The Iconography Of Illusion And Truth In The Winter’S Tale, Clifford Davidson

Clifford Davidson