Arts and Humanities Commons^™

Morphology Of Man, Arielle Friedman

be Still

Behind every creation is an artist.

Behind every student is a teacher.

This piece aims to highlight the cyclical, additive nature of generational knowledge, as well as the inherent plasticity involved in generating meaning across collectives.

Smoke And Mirrors, Kiernan Pazdar

Masters Theses

The impulse to make work from the residue of real life has been called many things throughout art history. In my thesis, I use some of these methods to discuss generative modes of creating work. I talk about Lucy Lippard’s proposal for a “way of making,” Disidentification, Camp, Appropriation, Termite Art, and Hito Steyerl’s call to create art that addresses the present in imaginative ways. Each process relies on a commitment to being in the world and building something on its uneven ground.

In Liary I discuss the relationship between my drawing practice and fiction writing. Since subjectivity is dependent …

The Quest For Self: Using Mandala Art In Reflective Practice Journaling, Kathleen Quinn

Comparative Woman

This article is a nexus of research, personal journaling reflections, and mandala creation from the authors own journals and focuses on the use of Mandalas as part of a reflective practice journaling process. Attention to mandala usage within reflective practice considering depth interiority, engaging and sharing with others. The authors approach to mandala construction is included followed by an exercise for observation and assessment of mandalas. The structure for reflective practice helps shape transformational leaders, using expressive arts, narratives in journaling. This transformational Discovery pathway and narrative exercises can be used for creating professional learning communities. This form of reflective …

The Last Objects, Melissa Tyson

Masters Theses

All material carries a past. Whether we acknowledge this lineage or not, it exists. It may be to our advantage — as a way of orienting ourselves in our world — to consider the cycles of creation and destruction intrinsic to the objects and materials that surround us. By deliberately pushing material into its next incarnation, and tracing the history of objects, I simultaneously reach forward and backward, determining my place in the world.

My experience as a jeweler has led me to an understanding that what is true for metal is also true for us: matter is neither lost …

French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat

Student Scholar Symposium Abstracts and Posters

The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20^th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20^th century. I discuss pre-historical …

Building A Platform

SIGNED: The Magazine of The Hong Kong Design Institute

Transmedia is a term used to describe the proliferation of a brand on to different platforms. We look at how it has changed modern marketing.

Input / Output: Mapping The Creative Process, Macy Chadwick, Special Collections, Fleet Library

Artists' Books

1 volume. Artist's book by Macy Chadwick. Title page spans two pages. Limited edition of 100 copies, signed and numbered by the artist. "'Input/Output' was created as one of the Small Plates series at San Francisco Center for the Book in 2016. The book was designed and written by Macy Chadwick and was letterpress printed at SFCB with Gotham typeface on Cougar Opaque paper using linoleum blocks and polymer plates with the assistance of Paola Hurtado, Cheryl Ball, Lian Ng, Carrie Ann Plank, Laurie Whitehill & Megan Adie... The binding was based on Keith Smith's 'border book' which opens out …

Blank, Mattie Dodson

Scope

No abstract provided.

The Thirteenth-Century Fresco Decoration Of Santa Maria Ad Cryptas In Fossa, Italy, Ashely Wilemon Walker

Art and Design Theses

This paper discusses the fresco decoration of Santa Maria ad Cryptas. The frescoes are described and analyzed, and then compared to similar programs in order to determine which features are based on earlier sources, and which are unusual or unique to this particular church. The traditional features are found to reflect a long-established pattern of church decoration reflected in such monuments as Old Saint Peter’s, Sant’Angelo in Formis, the Cathedral of Monreale, and the Cappella Palatina. The unusual features (including the placement of the Passion cycle in the presbytery, and the location of the Crucifixion over the altar) are explained …

Creational Graphic Design, David Versluis

Pro Rege

Erratum: This article misspells the name of Dr. Nicholas Wolterstorff on p. 17 and 21. We apologize for this error.

Catalysis., Mary Barton Nees

Electronic Theses and Dissertations

The artist discusses the process of discovery that led to her Master of Fine Arts exhibition at Slocumb Galleries, East Tennessee State University, from March 19 to 23, 2007. Investigations in printmaking, mixed media, and symbol are highlighted. The work for the thesis show consists of nineteen, 30" hand pulled works on paper. All works are oriented vertically and floated in the frame. Of this collection, thirteen are monotypes, four are collographs, and one is a collage. Insertions include intaglio, brayer marking, encaustic wax, paper, oil paint, pen, and sumi ink. Topics included are the artist's thinking into the nature …