Arts and Humanities Commons^™

The Rise Of Judaic Calligraphy In The Twentieth Century, Stephen Michael Cohen

Jewish Folklore and Ethnology

Excluding religiously required safrut (e.g., handwritten Torah scrolls, mezuzot, tefillin, gittin), artistic aspects of Judaic calligraphy declined after moveable type was invented in the fifteenth century. Rediscovery of medieval calligraphic techniques in late nineteenth-century Britain, plus contemporaneous typographical studies in Germany, spurred revival of artistic calligraphy. The first Arts and Crafts movement, pre-World War I German research into aesthetic letterforms, and the Bezalel Academy sparked a rise of secularized Judaic calligraphy. Growth of folk arts and ethnic pride in the 1960s and accessible photocopiers in the 1970s allowed nonspecialists to become expert calligraphers.

Alif: Building A Bridge: Arabic Calligraphy And Arabic Typography In Design, Saba Esho

Honors Theses

The project is centered around the exploration of Arabic typography and its multi-faceted uses. Arabic calligraphy is an old practice and tradition that has been studied and refined since it was founded. Comparatively, Arabic typography is a much more recent creative study that is still developing, thus there has not been much literature that covers it. Therefore, the main goal of the project is to highlight and integrate Arabic typography with Arabic calligraphy. By doing so, the project builds a bridge within Arabic graphic design, connecting the rich Arabic calligraphy to its newer counterpart, Arabic typography.

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