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Articles 1 - 14 of 14
Full-Text Articles in Arts and Humanities
The Rise Of Judaic Calligraphy In The Twentieth Century, Stephen Michael Cohen
The Rise Of Judaic Calligraphy In The Twentieth Century, Stephen Michael Cohen
Jewish Folklore and Ethnology
Excluding religiously required safrut (e.g., handwritten Torah scrolls, mezuzot, tefillin, gittin), artistic aspects of Judaic calligraphy declined after moveable type was invented in the fifteenth century. Rediscovery of medieval calligraphic techniques in late nineteenth-century Britain, plus contemporaneous typographical studies in Germany, spurred revival of artistic calligraphy. The first Arts and Crafts movement, pre-World War I German research into aesthetic letterforms, and the Bezalel Academy sparked a rise of secularized Judaic calligraphy. Growth of folk arts and ethnic pride in the 1960s and accessible photocopiers in the 1970s allowed nonspecialists to become expert calligraphers.
What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan
What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan
Criticism
This article draws on critical trans studies and queer archival practice to propose a book historical mode that extends what we know about the premodern trans experience beyond the recovery of individual biographies. Instead of turning to textual sources for the identification of transness, the author looks to Susan Stryker’s call for the “recuperat[ion of] embodied knowing as a formally legitimated basis of knowledge production.” Bibliography, he suggests, makes claims of objectivity that engender a particular reluctance to respond to such calls. But the lived reality of archival research is one of affective embodiment. Affect theory is an area that, …
“Come Think With Me”: Finding Communion In The Liberatory Textual Practices Of Kameelah Janan Rasheed, Jehan L. Roberson
“Come Think With Me”: Finding Communion In The Liberatory Textual Practices Of Kameelah Janan Rasheed, Jehan L. Roberson
Criticism
Defining text as anything that can be read, self-identified learner and artist Kameelah Janan Rasheed explores reading as radical communion within her multifaceted textual practice. A 2021 Guggenheim Fellow, Rasheed’s work spans vast bodies of knowledge and temporalities to interrogate both the aesthetic and the limits of the text. At times producing collages with letters cut out from books in her own expansive library, and at other times posting scans from various books that are marked up with her rigorous note-taking, Rasheed approaches the text as an invitation to commune with the author in order to collectively arrive at new …
Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, Jacinta R. Saffold, Kinohi Nishikawa
Black Best-Selling Books And Bibliographical Concerns: The Essence Book Project, Jacinta R. Saffold, Kinohi Nishikawa
Criticism
On October 27, 2021, the Bibliographical Society of America (BSA) sponsored the first in a series of virtual interviews about the Essence Book Project. Founded by Jacinta R. Saffold, the BSA’s inaugural Dorothy Porter Wesley Fellow, the Essence Book Project is a database of the books that appeared on Essence magazine’s bestsellers’ list from 1994 to 2010. In talking about the project with Kinohi Nishikawa, Saffold highlights how Black best-selling books contribute new paths of inquiry to bibliographical scholarship and explains why it is important to archive contemporary Black print culture. Presented in this article is a modified version of …
Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams
Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams
Criticism
Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey’s books in vibrantly printed dress fabrics, creating a collection that came to be called “the Cottonian Library.” This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of …
Beast And Man In India: Undoing John Lockwood Kipling’S Imperial Citation, Oishani Sengupta
Beast And Man In India: Undoing John Lockwood Kipling’S Imperial Citation, Oishani Sengupta
Criticism
This article posits that John Lockwood Kipling’s Beast and Man in India (1891), the illustrated compendium on animals that mixes discussions of colonial cross-species entanglements with personal reflections on transforming local arts and crafts in India in the service of imperial power, is a multiauthored book. Centering the presence of Indian illustrators as central to Beast and Man’s texture, this essay uses the term “imperial citation” to highlight the range of strategies Kipling uses to overtly and covertly appropriate the labor of Indigenous creators within the fabric of this volume. By placing the material text within the context of colonial …
“In The Cards”: The Material Textuality Of Tarotological Reading, Jesse R. Erickson
“In The Cards”: The Material Textuality Of Tarotological Reading, Jesse R. Erickson
Criticism
This article examines deep-seated relationships that inextricably bind the material makeup of divinatory card decks to their multifarious literacy functions. Unpacking the deceptive underlying complexities in these objects requires both an ontological analysis of their multicultural rootedness and a speculative exploration of their propensity for memetic adaptation. The concept of “reading” cards as textual objects has typically existed on the fringes of Western literacy paradigms. In reality, however, considering the rather commonplace use of pedagogical objects such as alphabet cards and flash cards, the practice of reading cards should be recognized for its considerable role in literacy instruction. In looking …
Warp/Weft/Word: Inscriptive Materiality, Epistemological Violence, And The Inka Khipu, Travis Sharp
Warp/Weft/Word: Inscriptive Materiality, Epistemological Violence, And The Inka Khipu, Travis Sharp
Criticism
Many competing theories of the Indigenous inscription practice known as the khipu have been offered, from L. Leland Locke’s long-standing postulation that khipus are accounting devices, to Walter Ong’s description of them as aide-mémoire, to Gary Urton’s more experimental theory that they constituted an early form of binary composition. Just as fraught is the history of the khipu, which were utilized by the Inka, intermediated by Spanish and Catholic authorities in their legal and religious systems, and, finally, banned and burned as seditious and sacrilegious. Contemporary khipus are primarily limited to those used by herders, but Chilean American poet-artist Cecilia …
Trees And Texts: Indigenous History, Material Media, And The Logan Elm, Mark Alan Mattes
Trees And Texts: Indigenous History, Material Media, And The Logan Elm, Mark Alan Mattes
Criticism
Settler accounts of the Cayuga Native American Soyeghtowa (Logan), such as Thomas Jefferson’s Notes on the State of Virginia, interpret his famous mourning speech, “Logan’s Lament,” as the words of a melancholic, noble savage and vanishing Indian. This essay decolonizes settler accounts of Logan’s words and deeds such as Jefferson’s book by considering Indigenous relationships to a once-living memorial on Shawnee land in central Ohio, the Logan Elm, which nineteenth-century settlers apocryphally identified as the site of Logan’s speech. Drawing on scholarly work on Indigenous writing and historical media by Native American and settler intellectuals, as well as local …
On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon
On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon
Criticism
What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …
Back Matter
The Woodward Review: A Creative and Critical Journal
No abstract provided.
Bike Woman, David Boyle
Bike Woman, David Boyle
The Woodward Review: A Creative and Critical Journal
No abstract provided.
Untitled, David Boyle
Untitled, David Boyle
The Woodward Review: A Creative and Critical Journal
No abstract provided.
Front Matter
The Woodward Review: A Creative and Critical Journal
No abstract provided.