Arts and Humanities Commons^™

The Atomic Bombings Of Hiroshima And Nagasaki, Jacob Poindexter, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Annunciate Virgin, Risd Museum, Evelyn Lincoln

Channel

This scene from the Annunciation is all that remains of a commission for the Church of Santa Margherita, the devotional center of a hospital and monastery in the Tuscan city of Prato. Its daring color and figural exaggeration are aspects of a late-Renaissance Mannerist style for which the Florentine artist Mirabello Cavalori was known. Like many candlelit altarpieces, the painting was damaged by fire, destroying the figure of the Angel Gabriel. At left, his surviving hand draws the gaze of the Virgin Mary, who is seated in a 16th-century palazzo near a balcony overlooking a mountainous landscape. Her modest but …

The Reveal, Michelle Dunbar, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Cultural Assimilation, Janice King, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Monument To Nothingness, Rebecca Leffell, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

1978, Gerta Skagerlind, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

1994, Nabil Gonzalez, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

1st PRIZE WINNER

1931-, Nayeon Michelle Woo, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Utopia, Risd Museum, Neal Overstrom

Channel

A provocative artist associated with the YBAs (Young British Artists), Damien Hirst often employs unexpected materials that conflate art, science, and popular culture. The hundreds of butterflies mounted in paint in Utopia—with their intense colors and symmetrical, geometric composition—recall a mandala or kaleidoscope image. Butterflies are among Hirst’s most frequent motifs. With their delicacy and short life cycles, they are a metaphor for the fragility of existence that reflects the artist’s interest in fundamental questions about mortality. 2008

Portrait Of Hadrian, Risd Museum, Stephen Shaheen

Channel

Hadrian was emperor at the very height of the Imperial Period (117–138 CE). He was selected to rule the Roman Empire because of his personal skills rather than his ancestry. One of the most well-traveled and cosmopolitan Roman emperors, he made two journeys around the empire during his reign. He is remembered for his love of the Greek world, particularly its arts and architecture. Portraits of reigning emperors ensured that Roman citizens knew what their ruler looked like, and were widely distributed throughout the empire. This portrait of Hadrian would have been inserted into a carved bust and prominently displayed. …

Home On The Run, Risd Museum, Brian Chippendale

Channel

2006

Saint George, Risd Museum, Sheila Bonde

Channel

Saint George was a soldier of the Roman Emperor Diocletian who accepted martyrdom rather than denounce his Christian faith. This carved and painted sculpture was likely to have been pulled or carried outdoors in religious processions commemorating his feast day, now celebrated on April 23. He was frequently depicted astride a horse, holding a shield and an upraised sword, symbols of both protection and sacrifice. During the Middle Ages, Saint George was the subject of widespread devotion, from Russia and Greece in the east to as far west as the British Isles. Perceived as defender of the Crusades and the …

Mies Van Der Rohe Chair, Risd Museum, Dietrich Neumann

Channel

Ludwig Mies van der Rohe succeeded Walter Gropius as director of the Bauhaus school in 1930, after Mies had become a pioneer of Modernist metal furniture. The Bauhaus became the seat of the Modernist movement through its efforts to reconcile principles of design with the latest materials in order to mass-produce objects that were handsome, inexpensive, and easy to care for. This MR model chair, designed in 1927, is one of the 20th century’s most influential creations. The bent-steel frame was made to look like one continuous loop of metal tubing, elegantly referring to its manufacture. While Mies van der …

Untitled Film Still, Risd Museum, A. Will Brown

Channel

When making his prints, animations, and light boxes, Ezawa looks for source images on the Internet, manipulates them, and distills them to their essentials. Untitled Film Still belongs to a series of works for which Ezawa appropriated several famous photographs in order to deal with the questions of why some images become icons and how one looks at and interprets imagery. It is a playful appropriation of Cindy Sherman’s photograph with the same title from 1978. Sherman’s seminal Untitled Film Still series was in fact single photographs in which a female character (always played by Sherman herself) is trapped in …

Child In A Red Apron (L’Enfant Au Tablier Rouge), Risd Museum, Maureen O'Brien

Channel

This painting depicts Julie Manet, the seven-year-old daughter of the artist Berthe Morisot and her husband, Eugène Manet. She peers at a wintry landscape outside the family’s home in Paris, perhaps holding a prism to her eyes. The setting was Morisot’s bedroom, distinguished by a window whose small panes function as a compositional device that connects interior to exterior space. Across the canvas, a fluid net of slashing and spiraling marks rush through the room and animate Julie’s costume and pose. The vertical glint of a brass knob suggests that the window is ajar, introducing a breeze that lifts the …

Crucifixion, Risd Museum, Susan Ashbrook Harvey

Channel

In this depiction of the Crucifixion, the Roman centurion Longinus is shown lancing Christ’s side as Mary faints in the arms of John the Evangelist. Beside Christ hang two thieves, one repentant, the other offering his soul to a demon. The gilded and punched surface and lavishly costumed figures reflect a late International Gothic style, here dominated by Flemish realism. Although this altar panel once hung in the parish church of El Cubo de Don Sancho in Salamanca, it likely was commissioned by a wealthy donor for a more important setting. Unpainted upper corners indicate that its original frame had …

For The Voice, Risd Museum, Doug Scott

Channel

No abstract provided.

Biblia Papuperum: The Flight Into Egypt With Jacob Fleeing Esau And David Fleeing Saul, Risd Museum, Emily Peters

Channel

ca. 1460s

The Cycle Of Life - Circle, Zehua Wu, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Coccinellidae, Nahyeon Juliette Kim, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Spill, Jen Berry, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Accumulate: Along The Way, Alyssa Colon, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Modern Day Sisyphus, Scarlett Xin Meng, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

2nd PRIZE WINNER

Material | Adventure, Diana Wagner

Masters Theses

With the generous support of the RISD Grad Studies|Grant I traveled to London, England to deepen my thesis research of material libraries. This opportunity allowed me to visit the resources that inspired my enthusiasm for materials and to challenge the questions I posed in my thesis research, How we, artists and designers, learn from materials in the context of the library? The sources explored within this book highlight a growing community of academic and research based material collections in London, along with some exceptional exhibitions of materials and process in the context of the museum and archive.

Needlecraft Encyclopedia, Kyung Won Moon, Special Collections, Fleet Library

1st Student Artists' Book Contest 2015

Undregraduate student. Year of Graduation: 2016. Major: Sculpture. Class: Drawing All to Itself. Faculty: Simonette Quamina.

Needlecraft Encyclopedia, Kyung Won Moon, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Manual / Issue 3 / Circus, Amy Pickworth, Editor, Sarah Ganz Blythe, Editor, S. Hollis Mickey, Editor, Gina Borromeo, Alison W. Chang, Michelle Clayton, Jim Drain, Daniel Heyman, Andrew Martinez, Ellen Mcbreen, Thangam Ravindranathan, Rebecca Schneider, Susan Smulyan, Gwen Strahle

Journals

Manual, a journal about art and its making. Circus. The third issue centers on the theme of "Circus." Includes analyses of various pieces in the museum's archive, a fold-out poster by Jim Drain, and a selection of artworks owned by the museum that loosely address said theme.

Softcover, 62 pages. Published 2014 by the RISD Museum. Manual 3 (Circus) contributors include Gina Borromeo, Alison W. Chang, Michelle Clayton, Jim Drain, Daniel Heyman, Andrew Martinez, Ellen McBreen, Thangam Ravindranathan, Rebecca Schneider, Susan Smulyan, and Gwen Strahle.

Wish You Were Here, Hiroshige (2014), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"As if responding to the call of the exhibition title ...(someone in the class sensed the artist’s personal invitation), a group of RISD students undertook a virtual journey through space and time to Edo period Japan. For a duration of a semester the entire class plunged directly into the midst of the Tokaido world, mixing with all kinds of travelers and local residents, learning their customs and manners, trying out various travel modes and road-side services, exploring every bend of the road, in winter and summer, at dawn and dusk, in sunshine and violent storm. ...

“Wish you were here,” …

Color System For Eagles, Lee Pivnik, Fleet Library, Special Collections

1st Student Artists' Book Contest 2015

No abstract provided.

Chestnut Trees And Farm At Jas De Bouffan, Risd Museum, Deborah Bright, Eric Kramer

Channel

The Cézanne family’s country home outside Aix-en-Provence appeared often in the artist’s work. Called Jas de Bouffan (“sheepfold of the winds”), the property consisted of an 18th-century manor house with surrounding gardens and a farm. Just out of sight of this view, beyond the farm buildings at right, loomed another favorite motif: the shimmering Montagne Sainte-Victoire. In 1881 Paul Cézanne built a studio at Jas de Bouffan and for the next eighteen years spent much of his time painting nearby landscapes. This composition features an allée of chestnut trees seen from the garden behind the house. Cézanne massed the trees …