Arts and Humanities Commons^™

The Essential Guide To Playing And Creating Music Online Together, Rebekah Wilson

Journal of Network Music and Arts

No abstract provided.

Telematic Performance In Electronic Dance Music (Edm), Yongsi Wang

Journal of Network Music and Arts

This paper aims to discuss to what extent telematic performances within the framework of the “Beyond Time and Space - London Tokyo Online 2023” initiative serve as a comparative paradigm to physical live performances, particularly in the domains of technical exigencies, artistic expression, and audience engagement.

Central to this study is the “Beyond Time and Space - London Tokyo Online 2023” event, a simultaneous, interactive electronic live music performance connecting physical venues in London and Tokyo. Through JackTrip and Open Broadcaster Software (OBS), this event aspired to explore the applicability and limitations of telematic technology in live electronic music performance …

Kompost*Klang*Küche*: Telematic Worlding With Glitch, Hannah Vyborg Walter, Robert Torche, Cedric Spindler, Eric Larrieux, Patrick Muller

Journal of Network Music and Arts

This paper explores concepts and practices of telematic performances, particularly through the lens of the project kompost*klang*küche*. It emphasizes spatial discontinuity within networked artistic collaborations, as opposed to immersive continuity.

Telematic performance formats utilize network technologies to facilitate low latency artistic endeavors across geographical divides, creating a complex interplay between local, remote, and intermediary spaces. In this context, we interpret spatial configurations from a phenomenological point of view as telematic SPACE in which technical components are in place in three spaces (local, remote and intermediary space) while practiced, embodied and inhabited in an anthropological space, where the overlay and dynamics …

How To Be In Two Places At Once: A Search For The Immersive Experience In Renaissance Music And Visual Arts., Andrew Hallock

Journal of Network Music and Arts

Immersion is a hot topic, but it is often invoked in a vague or shallow way. This essay aims to arrive at a more nuanced consideration of the immersive experience by presenting some perhaps surprising arguments from the past—from Renaissance music and visual arts—drawing parallels with our own time, and positing that the Network Arts can take inspiration from this history to enhance its own immersive endeavours. Four interrelated topics serve as the basis for this investigation: miniature devotionalia, polyphonic canons, anamorphic puzzles, and early cosmology. By using perspective to disclose hidden meanings, ideas, and realities, these varied practices draw …

Connectivity, Presence, And Time: A Pedagogical Experience With Telematic Music, Cássia Carrascoza Bomfim, Alexandre Ficarelli, Danilo Rossetti

Journal of Network Music and Arts

This article aims to discuss the notions of connectivity, presence, and time in the specific context of telematic music. To do so, we describe the work of the Telematic Ensemble LaFlauta, formed by students and professors from the University of São Paulo, Ribeirão Preto campus, for performance at the NowNet Arts Conference 2023.4 This work involved rehearsals and performances of three compositions dedicated to the group: Virtual Studies (2023) by Paulo C. Chagas, Modules 2 - My Words (2023) by Cássia Carrascoza, and Textural Studies (2023) by Danilo Rossetti. We conclude that the positive results of telematic music in a …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

Osmosis: Asymmetries In Telematic Performance, Matthias Ziegler

Journal of Network Music and Arts

For the 2022 edition of the NowNet Arts Conference on October 31st, the telematic research team of the Zurich University of the Arts (ZHdK) presented a project entitled OSMOSIS. OSMOSIS was a concert event, highlighting how telematically connected spaces always confront each other asymmetrically. Their telematic connection is part of a continuous space in which information is fragmented and selectively reassembled. Like the biochemical process of osmosis in which molecules diffuse across a cell membrane from one level of concentration to another, in telematic connections certain elements such as sound, physicality, movement, and empathy are diffused across spaces, each being …

Synthesis: Works Of Sarah Weaver And Collaborations (2020-2022), Sarah Weaver

Journal of Network Music and Arts

Synthesis Series is a set of contemplative contemporary network arts works for solo, chamber, and large ensemble performance. The works are my compositions and collaborations from the years 2020 to 2022. The concept of synthesis is conceived as an activation of synchrony. Synthesis Series follows my prior works in Synchrony Series and Source Series as sequences of compositions since 1998 proliferating into a networked system of artistic realization. In Synchrony Series I defined synchrony as the perceptual alignment of distributed time and space components. Synthesis builds on this to activate the alignment as a networked state of composite resultants, networked …

Distributed Networks Of Listening And Sounding: 20 Years Of Telematic Musicking, Doug Van Nort

Journal of Network Music and Arts

This paper traces a twenty-year arc of my performance and compositional practice in the medium of telematic music, focusing on a distinct approach to fostering interdependence and emergence through the integration of listening strategies, electroacoustic improvisation, pre-composed structures, blended real/virtual acoustics, networked mutual-influence, shared signal transformations, gesture-concepts and machine agencies. Communities of collaboration and exchange over this time period are discussed, which span both pre- and post-pandemic approaches to the medium that range from metaphors of immersion and dispersion to diffraction.

An Overview Of Immersive Virtual Reality Music Experiences In Online Platforms, Ben Loveridge

Journal of Network Music and Arts

As the field of Virtual Reality (VR) continues to mature, so too does the potential for creative and immersive musical experiences in the medium. However, of the thousands of applications now available across the major VR platforms, only a small number of titles focus on the ability to create or explore musical content. This article outlines the current state of music games, experiences, and creative applications across the current VR ecosystem. Firstly, it surveys the quantity of commercial titles currently available across the major VR platforms with a music-related focus. Secondly, the article classifies music applications into the following subcategories: …

Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira

Journal of Network Music and Arts

Considering recent world events, art and music could not be unmoved by the dramatic turn of directions in both the way people relate and the place of technology in their lives. An ongoing project of both the authors in writing a new piece for cello and Disklavier operated by interactions in real-time gave place to a new kind of composition, mixing written music to improvisation and replacing real-time for something we are calling remote time. This paper presents such walking of resilience, first reviewing some relevant points of view about musical interaction in real-time and the importance of synchrony for …

The Entanglement: Volumetric Music Performances In A Virtual Metaverse Environment, Damian Dziwis, Henrik Von Coler

Journal of Network Music and Arts

Telematic music performances are an established performance practice in contemporary music. Performing music pieces with geographically distributed musicians is both a technological challenge and an artistic one. These challenges and the resulting possibilities can lead to innovative aesthetic realizations. This paper presents the implementation and realization of “The Entanglement,” a telematic concert performance in a metaverse environment. The system is realized using web-based frameworks to implement a platform-independent online multi-user environment with volumetric, three- dimensional, streaming of audio and video. This allows live performance of this improvisation piece based on an algorithmic quantum computer composition within a freely explorational virtual …

Adventures In [A]Synchrony: Tools And Strategies For The Network Arts-Curious Music Educator, Seth Adams

Journal of Network Music and Arts

Networked Music Performance (NMP) is ensemble music mediated by a network such as the internet. NMP can be usefully divided into asynchronous and synchronous formats. Prototypical examples of the asynchronous format familiar to music educators are Eric Whitacre’s virtual choirs that began in 2009. A decade later, the virtual ensemble format exploded in popularity due to the COVID-19 pandemic. Although the format does not allow participants to interact with one another, virtual ensembles nonetheless provide ample opportunities for both musical and nonmusical benefits. Synchronous NMP is, by comparison, little known and rarely practiced by music educators. However, both types of …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

Unstumm | Augmented Voyage: A Platform For Telematic Live Performances In Augmented Reality, Unstumm Unstumm, Nicola Hein, Claudia Schmitz, Sven Hahne Hahne

Journal of Network Music and Arts

UnStumm | Augmented Voyage is curated and developed by time-based media artist Claudia Schmitz and sound artist and guitarist Nicola L. Hein. It was programmed and developed by software engineer Sven Hahne. UnStumm | Augmented Voyage is also a mobile app and server infrastructure that serves as the artistic vehicle to realize telematic live performances with artists from around the globe. It consists of video art, music, and dance in augmented reality.
Through the use of our software, the audience is able to view the video streams by video artists as 3D video sculptures and listen to the audio streams …

“Dancedemic” In A Pandemic: A New Networked Reality, Ellen Pearlman

Journal of Network Music and Arts

The Covid-19 pandemic of 2020 forced large parts of the globe and entire industries to shut down. Network connectivity became a necessary lifeline deploying a host of technologies that, while once considered experimental, were to be adopted as a vital part of just-in-time solutions-based practices. This report examines the implementation of one of these topologies in the form of an artist-built, artist-owned global network in the hopes that other small-sized organizations can benefit from these ad hoc, but successful solutions.

A Spectrum Of Online Rehearsal Applications: A Potential Means For Cultural Connection, Dana Kemack Goot, W. Scott Deal

Journal of Network Music and Arts

The current array of telematic music applications offers exceptional opportunities to transcend distance and enable networking between various cultures and communities. As a means to achieve this, network music applications require assessment through their previous implementations, installation requirements, cost, hardware requirements, and usability in order to assess their potential and to decipher improvements needed as a means of cultural connectivity. An early precursor of telematic music was an innovative concert by Paul Robeson in 1957, which circumvented political restrictions and enabled activism as it occurred, despite the U.S. State Department’s revocation of Robeson’s passport due to his left-wing tendencies and …

Telematic Immersion: Performance, Technology, And Audiovisual Work In Virtual Studies (2020) By Paulo C. Chagas, Cássia Carrascoza Bomfim

Journal of Network Music and Arts

This article discusses the concept of telematic immersion developed in partnership with composer Paulo C. Chagas. Focusing on Chagas’s work Virtual Studies (2020) for flute, live electronics, and 3D video, we reflect on different aspects of artistic creativity in the telematic environment including the use of audio and video technology and the multiple connections between musicians and apparatuses. The article discusses how the parameters of chamber music in the physical environment, such as the uniqueness of the live performance, the corporality of sound, and the visual and choreographic dimension of the performance are being transformed through the virtual setting of …

Sonic Proximities: Locating Oneself And The Others Within A “Migratory Journey”, Ximena Alarcon Diaz

Journal of Network Music and Arts

The INTIMAL App© is a mobile application that synchronously senses people’s walking rhythms in distant locations and then rhythmically sonifies these with the user’s chosen audio frequencies. Taken altogether, the perception of breathing and walking rhythms across space and time creates an embodied telepresence. At the level of content, the app has provided first-hand narrative accounts about the migration experiences of Colombian women living in Europe. These stories are meant to elicit a response from the listener, allowing for a path to be built out of new relationships that emerge between voices and sound frequencies. In the context of the …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

Incomplete Images, Or Where Does The Art Happen?, Rebecca Uliasz

Journal of Network Music and Arts

No abstract provided.

Sync Variations: For Sixteen Isolated Electric Violin Players And A Programmed Network System, Elad Shniderman

Journal of Network Music and Arts

Sync Variations is a collaboration between the composer and sound artist Elad Shniderman, the physicist Moti Fridman, and his colleagues Nir Davidson and Shir Shahal. An article on the scientific research aspect of this project was published in Nature Communications². This article focuses on the musical performance and score.

The project is the product of a unique interaction between musicians through a custom-programmed network system. This system simulates the network environment of the internet in many ways. However, the piece has not yet been performed over the internet, which naturally will be the next step in this project. …

On Composing 5,000 Miles, Joe Sferra

Journal of Network Music and Arts

This article is my account of composing my first piece for telematic performance, a quartet called 5,000 Miles. The piece was commissioned by the ACCAD Sonic Arts Ensemble, directed by Marc Ainger, Ann Stimson, and Federico Cámara Halac. I performed the piece with the ensemble on two performances in November 2020: a performance for the NowNetArts Conference, and a second performance titled “Into the Multiverse” for the Wexner Center for the Arts at Ohio State University. I outline how I approached writing a specifically telematic piece, then present an analysis.

Live Electronics, Audiovisual Compositions, And Telematic Performance: Collaborations During The Pandemic, Danilo Rossetti, Cássia Carrascoza Bomfim

Journal of Network Music and Arts

We present a report of the experience of our remote musical collaboration during the Covid-19 pandemic regarding live electronic, audiovisual compositions, and telematic performance in the context of the project Sound Notebooks. We discuss the problems found and the solutions adopted in the performances, as well as the hypotheses of musical research raised by the remote environment. We argue that the variety of expressive modes, sonic modalities, and video possibilities in the Sound Notebooks repertoire we presented contributes to the construction of an aesthetics for remote performance. We additionally address practical and conceptual questions involving the composition, performance, and technical …

Electo Electro 2020, An Interactive Voting Booth Installation, Mike Richison

Journal of Network Music and Arts

Electo Electro 2020 was a project that was created specifically for the 2020 presidential election cycle. This paper is a follow-up to an article published in 2019 for the Journal of Network Music and Arts, “Voting Booths and Interactive Art Installations: The Diebold AccuVote-TS in Context.” In that paper, I discussed the original concept and goals for the project, several examples of work from other artists, and an earlier project from 2016 that served as the impetus for Electo Electro. This paper will discuss the outcomes and iterations of the project, specifically how it was adapted to an online …

Editorial, Sarah Weaver

Journal of Network Music and Arts

No abstract provided.

Synchrony: Music Of Sarah Weaver And Collaborations (2006–2019), Sarah Weaver

Journal of Network Music and Arts

Synchrony is a prominent lens in works by composer Sarah Weaver and collaborations from the years 2006 to 2019 for solo, chamber, large ensemble, and network music pieces. “Synchrony,” defined as perceptual alignment of distributed time and space components, has a practical motivation for transcending both latency and technology mediation in the network music medium. Synchrony also functions as a deep realm of artistic expression for both network and localized music. This essay outlines the technological context of performances, artistic strategies for synchrony, examples from the pieces, and new directions for the work going forward.

Low-Latency Networked Music Collaborations: Does “Good Enough” Do Enough Good?, Gareth Dylan Smith, Zack Moir, Paul Ferguson, Gill Davies

Journal of Network Music and Arts

LoLa is a cutting-edge technology that enables low latency, real-time collaborations across vast distances using high-bandwidth, low-jitter networks. It has the capacity to transform how music is made and experienced. It has been utilized on a relatively small scale to date, primarily for teaching and performances associated with music colleges and concert halls. In this article we discuss various ways in which LoLa technology is “good enough” by describing examples of recent networked music performances “anchored” at Edinburgh Napier University, Scotland. We discuss the ways in which processes and outcomes were “good enough” for the sound engineer, participating musicians, and …

A Quantum-Classical Network For Beat-Making Performance, Scott Oshiro, Omar Costa Hamido

Journal of Network Music and Arts

In recent years, quantum computing has emerged as the next frontier in computational and information technologies. Even though it has found potential applications in solving complex problems in fields such as chemistry, machine learning, and cryptography, among other fields, there has been little research conducted on its applications for music and acoustic technologies. This paper will discuss the use of a quantum internet protocol in the context of networked music performance in which quantum computing could play a role in processing musical data via a cloud-based music software application. We also propose an example model for a beat-making performance network …

Purpose And Well-Being Through Administering Network Performances, Andrew Mcmillan, Fabio Morreale

Journal of Network Music and Arts

Due to the COVID-19 crisis, music communities who found themselves in social and physical isolation have been trying to find alternative solutions to keep some form of connection. Network performance is one of these solutions, one that is specifically aimed at enhancing communities’ connectivity beyond one’s intimate surroundings. In order for network performances to properly work, there are numerous roles that need to be filled; these include performers, administrators, technicians, and event organizers. This paper presents new discussions aimed at understanding these evolving roles and the way in which they are intertwined. These discussions are based on the autobiographical reflections …