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Full-Text Articles in Arts and Humanities
Seeing Is Believing: Observing Trans Spirituality Through The Smith-Waite Tarot, Phoebe Santalla
Seeing Is Believing: Observing Trans Spirituality Through The Smith-Waite Tarot, Phoebe Santalla
MFA in Illustration & Visual Culture
In 1909 the Rider Company published the Smith-Waite Tarot deck which featured 78 illustrated cards by Pamela Colman Smith. With heavy use of appropriated and ambiguous symbology, the Smith-Waite deck became a meditation tool for realizing alternative realities. By observing the history of the deck, analyzing Smith’s approach to illustration, and retracing the counterculture occult explosion in the 1970s, this essay argues that the Smith-Waite deck is an object the reflects the queered body and self. The modern, trans-contentious, Western political climate creates an environment that obscures the fact that transgender people exist beyond the medicalization of their bodies. To …
The Bambi Portal, Zoe Grieze
The Bambi Portal, Zoe Grieze
Bachelor of Fine Arts Senior Papers
An investigation into the multiplicity of Walt Disney’s 1943 film Bambi — including both the content generated as a result of the film and the way in the film exists ephemerally in mass memory — develops into an investigation into the film’s use of appeals to “nature” to reinforce the gender roles of the traditional American nuclear family. Through the creation of an interactive “portal” utilizing distorted video, these themes are pulled out from the usual world of the film and presented in an alternate format for critical consideration. However, a tension between this critique and genuine sensory enjoyment of …
Untitled (Too Real Is This Feeling Of Make-Believe), Tucker Pierce
Untitled (Too Real Is This Feeling Of Make-Believe), Tucker Pierce
Undergraduate Theses—Unrestricted
Tucker Pierce works to examine the constructed nature of identity through the act of modifying the surface of his body, the site of all identity expression, and through the strategic crossing of borders, both internally and externally. Using drag and his own body, he crosses the internal boundaries that govern identity expression and then the more physical border between the private and public sphere. He crosses this boundary by taking this modification of his external identity expression into the world at large. On a personal level, this project allows him to engage more completely with his own sense of self, …