Arts and Humanities Commons^™

Settling Dust, Unsettling Ground, Olivia Newroz

Masters Theses

Understanding dust as a material system that blurs the line between ground and atmosphere, I developed a dust machine as a tool for making dust legible at the human scale. While the blurriness of ground is visualized at both particle and planetary scales, at the human scale, it becomes less evident. Drawing from Lisa’s Moffitt’s discussion of “environmental models”–that is, models that don’t merely simulate phenomena, in this case dust, but rather produce the underlying force itself––I produced visualizations of how dust, as both a grounded and atmospheric element, intertwines ground and weather across scales, through a cyclical process of …

Creative Connections: Building Empathy To Foster Ecoliteracy Through Art Education, Jocelyn Salim

Masters Theses

This thesis investigates the potential positive impact of fostering empathy and understanding for the natural world through art education. Through action research, this study examines various teaching approaches, such as incorporating scientific knowledge, employing literature to discuss ecological themes, and engaging in participatory storytelling activities to cultivate empathy among elementary school children. The objective of this thesis is to explore empathy as a potential pathway to encourage children to foster connections with the natural world and develop compassionate traits, attitudes, and behaviors towards nature as they grow. The findings of this study reveal that children exhibit high levels of enthusiasm …

Unfurling Blue Carpet Memories, Sara Ahli

Masters Theses

Glass is an amorphous solid, existing in a liminal space, embodying indeterminacy. Its states of transformation from viscous flow to structural solidity carry the imprints of bodily influence. With the direct intention of using glass as a conduit to explore materiality, memory, and self-awareness, I construct a language of embodiment that arises through a series of performative encounters between my physicality and glass in the hot shop.

The mediating process I employ to create and arrive at the glass artwork I make is as necessary as its final form. Motivated by the desire to claim agency over my personal narrative, …

Half Dawn, Catherine Ashley

Masters Theses

By presenting these words on paper, I have given entry into a microcosm of recent research, questions, and creative explorations. There is potential for disconnection when trying to turn your head inside out and present it in a way that feels beautiful for other people. I’m trusting the moments of authenticity I’ve found in my wandering. Segue. Relationship. Gesture. Illusion. My musings all stem from notions of temporality. Time dances on the farthest ends of both immensity and desolation. I’ve spent stretches of time asking the people, texts, and experiments around me to define time in a way that I …

Umbrella And Jellyfish, Yanran Bi

Masters Theses

Rainy season arrives as soon as the summer begins in Shanghai. For some reason, I rarely remember to bring an umbrella with me. I have a lot of umbrellas, most of them are transparent ones bought at subway stations. When it suddenly starts pouring rain, umbrella vendors in Shanghai gather at each crowded exit of the subway sta- tions to sell umbrellas to people like me. The cheapest umbrellas they have are always the transparent ones. The whole city is turned upside down by the rain with its reflections on every street. Then a transparent umbrella opens up, then another, …

A Living Storyscape, Vivian Combariza

Masters Theses

Advocating for a transformative shift, the following proposes a new cultural setting that fosters diverse voices and dialogue, moving away from the singular narratives imposed by traditional curator-visitor dynamics. By drawing inspiration from nature's complexity and mirroring museums with ecosystems, the aim of this thesis is to emulate the adaptability and interconnectedness of natural ecosystems to develop flexible and inclusive environments, encouraging community engagement and shared learning experiences. This new design paradigm fosters a deeper connection with nature and other beings despite the physical separation. Embracing the collaboration and flexibility of nature, cultural institutions can regain relevance as vibrant centers …

A Thesis, Or Digressions On Sculptural Practice: In Which, Concepts & Influences Thereof Are Explained, Set Forth, Catalogued, Or Divulged By Way Of Commentaries To A Poem, First Conceived By The Artist, Fed Through Chatg.P.T., And Re-Edited By The Artist, To Which Are Added, Annotated References, Impressions And Ruminations Thereof, Also Including Private Thoughts & Personal Accounts Of The Artist, Jaimie An

Masters Theses

This thesis is an exercise in, perhaps a futile, attempt to trace just some of the ideas, stories, and musings I might meander through in my process. It’s not quite a map, nor is it a neat catalogue; it is a haphazard collection of tickets and receipts from a travel abroad, carelessly tossed in a carry-on, only to be stashed upon returning home. These ideas are derived from much greater thinkers and authors than myself; I am a mere collector or a translator, if that, and not a very good one, for much is lost. I do not claim comprehensive …

Landing: Body, Site, Material, Renata Berta

Masters Theses

I believe that in order to build on the land, I must establish a profound relationship with it. As an outsider to New England territories, I actively seek this connection through immersive activities such as swimming, surfing, climbing, and extensive walks, immersing myself in the land to better understand it and synchronize with its rhythms. In my artistic and architectural practice, I explore dissolving traditional boundaries, emphasizing the vital return to the land to create a more responsive and embodied architecture that symbiotically engages with the landscape

Within this ongoing project, “Landing: Body, Site, Material,” I conceptualize my body not …

Lucid Dream: Embracing Uncertainty, Zhiyun Zhang

Masters Theses

Glass is a tool, a projection surface, a medium for optical phenomena. It creates a tangible link between physical space and perception, transcending the physical realm to reshape our sensory perceptions and resonate within our psyche, deepening our understanding. Inspired by cosmic and natural phenomena, my installations narrate the contemplation of the moon and the appreciation of rainbows. They reference historic optical technologies, incorporating glass, mirrors, light, darkness, and space to produce an encounter that extends beyond personal experience, resonating with our collective unconscious, uniting us in profound ways. The blurred boundaries between observer and observed, reality and illusion, sensory …

Patchwork: 76km Between Juárez And El Paso, Naheyla Medina

Masters Theses

Located at the western edge of Texas where the Río Bravo ~ Rio Grande, becomes the border between México and the United States. Resides a spectacle of misconceptions that, along with an expansive corten steel border wall embedded into the earth, live to suppress the histories, culture, and environment entangled together like patchwork along this border space. The built environment influences our daily experiences, and our daily experiences can often influence our built environment. This project seeks to leverage, murals as a medium, creative writing, and architectural representations, to rework the mapping between Mexico and the US. Honing in on …

The Future Is Over, Dotan Appelbaum

Masters Theses

History is constructed out of the narratives by which we organize the substance of all that has ever happened. Our understanding of the contemporary moment is determined by how we shape our history. The future is a promise that emerges from how we contextualize our place in time.

This thesis starts by acknowledging that the futurity promised by enlightenment liberalism is inconceivable in the face of contemporary horrors and climate catastrophe. Given this reality, what are we doing as designers? With a Benjaminian understanding of and a Foucauldian approach to history, this thesis constructs a history of design that follows …

Function Follows Material, Pablo Ejarque González

Masters Theses

Dear Designer,

How often do we find ourselves lost in the design process, unsure of the next steps? It’s tempting to view every aspect of design as a problem needing a solution. However, function is not a problem. For a long time, I approached design from a problem-solving perspective, treating material as a secondary consideration after the idea had already formed. This approach needed to change.

This book is a journey—a map of material exploration. It is an embrace of experimentation and innate curiosity. Many of the experiments conducted did not culminate in finished furniture pieces, yet this does not …

Endless Form, Kaela Kennedy

Masters Theses

Endless Form is a gentle argument for a practice rooted in embodied seeing and communicating. It invites the reader through multiple actions of visual and linguistic perception – observation, seeing, and attention – and examines how these methods operate to widen our fields of understanding to more empathetically engage with the world as an ecological whole. It claims that graphic design, as a practice built on the relationship between visual form and language, has a unique ability to translate the unending feedback loop between the eye, the seen, and the language we use to define it. It argues for ways …

Perform—Produce, Rebecca Wilkinson

Masters Theses

Perform — Produce defines graphic design as a discipline rooted in work rather than a process that springs forth spontaneously from the creative imagination.

Perform — Produce is driven by strict constraints and machine-like craft, employing outdated tools and the physical body in processes of making that are stubbornly slow.

Perform — Produce deploys performance as a tactic to expose the otherwise invisible labor of design, and to reveal the ways design acquires value.

Perform — Produce proposes a new organizational model that integrates live happenings, cross-disciplinary exchange, and self-publishing to consider not just the product of design but also …

Repair Rolodex: Exchanges, Changes, And Patchwork Parables, Ethan Howard

Masters Theses

This book is an index of nine exchanges with strangers whom I met online through email Listservs or by word of mouth. In these transactions, I offered to repair broken things for a trade-in-kind payment. Through the brief relationship between owner and designer, each interaction suggests that an object is almost never entirely obsolete despite its perceived obsolescence.

At the core of these trades is a grassroots protest of the landfill and a critique of our global capitalist commerce system. The apparent desire for and nature of these trades demonstrates that stories make our objects meaningful. Each interplay studies peoples’ …

Sweet Relief, Aaron Feltman

Masters Theses

Relief holds both an emotional and a physical connotation; both the lifting of a burden or emotional baggage and the description of an object with forms that protrude from a planar surface. This thesis explores the ways in which these connotations can co-mingle and inform each other through the creation of hand-carved wooden reliefs. The relief becomes a vessel through which an emotional connection can be formed between viewer and maker by way of a shared sense of labor.

Wood, a material grown from the earth, is transformed into an entirely human-created form, the car; embodying the just-as-human desire for …

Homeward Bound: Moving Homes, Moving Home, Ella Nadeau

Masters Theses

The built environment has a powerful way of showing where our human attention and care is, a magic trick of emphasis and deemphasis. We proudly display our assets, wrapping them in light and gold while we shun the background people and places, choosing ubiquitous skins of plastic or brick in an effort to remove them from our visual language. Since we have had people we have had spaces to place them in but where some spaces relay the message that the person inside is a gift to the world, the majority chant a tired monotony of oppressive apathy: you do …

Dimensional Dialogues, Farida Abousteit

Masters Theses

Dimensional Dialogues, a multi-installation series, offers us a place to interact with language in a way that is whimsical and transcends our need to understand and comprehend language. We remove the tensions of language barriers by finding beauty and personal connection to typography, now scaled up to a human scale and reacting in real time to our movements. A process begins from ancient practices of designing Arabic Calligraphy, to creating Graphic Outputs of that calligraphy, to technologically heavy and new works in creating 3D models of these works that can be projected and respond to human movement. These installations, in …

Codex Occultus, Aya Abdallah

Masters Theses

The occult reveals itself in ruins, ruptures, and rituals, evoking a melancholic sense of loss that invites revelation and reenactment. CODEX OCCULTUS is an investigation into divinatory practices, namely coffee reading, as a methodology of speculating fictions and realities embedded in contested time-spaces. The method relies on a ‘failure to capture’ geopolitical sites using traditional technologies of seeing. Codex Occultus operates in different mediums and takes shape as a video, a sculpture, a machine, a talisman, and an archive emphasizing that an excess of imagery in both physical and digital spaces is necessary.

Modern Times, Will Beattie

Masters Theses

At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …

Absence Leaves A Mark: Illustrating Filipino Migrant Stories, Nina Martinez

Masters Theses

From July to October 2023, I volunteered at Damayan Migrant Workers Association, a New York City-based grassroots organization run by Filipino im/migrant workers dedicated to combatting labor trafficking. Every meeting opened with the same reminder: stories shared in this room do not leave it. Illustration became a tool for respecting the privacy of the members, many of whom were undocumented. Avoiding faces, I copied down objects, places, maps, and handwriting.

Absence Leaves a Mark explores the idea of illustration as field note when working with migrant populations. Beyond depicting visual witness, illustrated field notes can contain findings from research and …

From Here To The Ground, Courtney Mccracken

Masters Theses

Art, for me, is a thinking process. It is also a process of connection to body and place. It directs my fractured attention toward the things I care about. As I labor through process, I am gifted with a moment of attentiveness. In a time where everything feels urgent, and our perspective can be warped by the endless flood of information, making art is a chance to stop, to think, and to feel.

It is a space for holding, and a space for being held.

Recently, I have been working primarily in animation and sound design, experimenting widely across media …

Variations On Noise, Clinton Van Arnam

Masters Theses

Variations on Noise is a three-part collection: an index, a set of interviews, and a perspective on a working practice in graphic design and sound.

If noise is ubiquitous in our everyday lives, how do we define it and use it as a catalyst for dissonance and change? As a designer, I use noise algorithms to generate pseudo randomness and break up repetitive textures. As a musician, I use noise to create scores and performances that challenge our perception of what is comfortable and uncomfortable.

Seven interviews with designers, artists, musicians, and a Tibetan monk offer ways to approach the …

Beyond Display: Crafting Emotional Journeys For Belonging And Connectivity, Jiamin Yang

Masters Theses

In bustling urban areas like Manhattan, New York, the majority of interactions between individuals occur amidst the whirlwind of daily life. Yet, there is an absence of genuine connections within local communities, particularly among neighbors who are geographically close, creating a sense of detachment, untrusting, and anonymity. This thesis involves exploring innovative interventions with the ultimate goal of uncovering novel possibilities in interactive exhibitions, distinct from traditional displays. All of this is an effort to curate emotional journeys that transcend routine, fostering vibrant community belonging and connectivity. Against the backdrop of the city’s vertical living, where neighbor encounters are often …

Designed Impermanence, An Alchemical Inquiry, Dani Epstein

Masters Theses

Designed Impermanence: Transformative Shapeshifting, A Decoded Alchemical Inquiry is a methodological deconstruction of our relationship to the built environment.

Our present existence is governed by craft and material hierarchies, conformed perceptions, and socioeconomic contextual drivers. Recognizing these tendencies, formats, and desires are critical in order to construct proposed introductions to re-envision alternative methods of building future realities. Redesigning new parameters through shifting physical configurations serve as indexes for visual propositions to redefine our existence through perceptions of time, adaptation, and materiality.

This research is centered around four themes: material craft ecology, adaptive alchemical constructions, reactionary behavioral assemblies, and evolving responsive …

Recomposing Museums: Designing Rhythmic Experiences For Short Attention Spans In The Digital Age, Yujiang Wu

Masters Theses

Learning, being the primary aspiration of museums, “is a byproduct of attention.”¹ A visitor’s ability to focus and sustain attention on the objects, narratives, and messages within the exhibition environment profoundly influences their overall experience and the educational impact of their visit.

In an era of rapid digital evolution, changes in how information is consumed and communicated have led to shorter attention spans. Traditional museums, which are rooted in continuous, linear storytelling, now face a need for adaptation. This thesis advocates for an innovative exhibition design approach tailored to the realities of shorter attention spans, proposing curatorial and design …

Emotional Factory, Yukun Cui

Masters Theses

该项目设想将上海一个历史悠久的仓库改造成一个创新的、以情感为主题的联合办公空间，超越传统的办公环境。在工作环境质量深刻影响生产力和幸福感的时代，该项目旨在创造一个协调身体、心理和情绪健康的空间。该设计融合了促进健康的元素，例如健身设施、美食和丰富的绿色植物，确保居住者在整个工作日中保持动力和灵感。该项目涉及个人与其环境之间的动态互动。认识到传统的办公室布局往往会限制移动和空间感知，我们的设计引入了一个固有的动态工作空间。灵活的布局，可调节的家具和可移动的隔板使空间能够适应各种活动和需求。互动元素和视觉刺激全天变化，鼓励探索和互动，而不需要持续的身体运动。使用不同的纹理、颜色和照明方案创造了一种多感官体验，使空间充满活力和不断变化的感觉。通过结合这些元素，该项目旨在重新定义现代工作空间，创造一个不仅能提高生产力，而且能丰富人类工作体验的环境。这种创新方法旨在为全球联合办公空间设定新标准，培养社区意识、创造力和幸福感。最终，该项目旨在创造一个开创性的环境，增强人类的工作体验，展示工作空间设计在广泛影响和改善情绪和心理健康方面的潜力。

Space Between: Navigating Openness, Torie Stotz

Masters Theses

In a predominantly human-made, constructed world, I am exploring how I can manifest the natural world with a hand made screen divider system, based on form and structure, that replicates that of a work of nature, more specifically simulating dappled light. Questioning sustainability through the limitations of terracotta clay, while introducing a passive, bioclimatic design, I explore how a fragile, rounded, hollow fired system impacts its structural integrity and its ability to embed nature like qualities in modular form. Clay is brittle when thin, dry, or water absorbing material is added; it absorbs water slowly, needs to be a certain …

Unconditioning Air, Weijia Deng

Masters Theses

Unconditioning Air rethinks the boundaries contrived through environmental control. For more than a century, HVAC (heating, ventilation, and air conditioning) defined the boundaries of interior air. The regime and tools of mechanical conditioning promise stability and manageability of indoor air quality at the expense of external phenomena, and by extension, any complexity or fluctuation in the environment. As a result, air conditioning premises that ideal interior comfort is “bubble-like”, requiring increasingly standardized and highly regimented regulatory tools. The plethora of patent drawings, duct specifications, and ASHRAE comfort codes produce an oppressively tightening grip over indoor air and comfort, rendering both …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …