Arts and Humanities Commons^™

Tableaux For The Future, Sally Curcio

Masters Theses

My sculptural installations aim to elicit a sense of optimism and possibility through form, color, and mode of display. The work subverts the symbolic order by repurposing everyday forms and objects, allowing us to see the familiar as new, and thereby awakening us to what may be possible to formulate a better, more beautiful, more universally connected order.

Introverse Arrangements: Rediscovering The Typewritings Of Ruth Wolf-Rehfeldt, Savannah M. Champion

Masters Theses

This thesis aims to understand Wolf-Rehfeldt’s place in the unofficial art world of the GDR by examining her work in light of her status as a clerical worker with social rather than professional ties to the art world. She stands out within the East German Mail Art context, not just for her inventive use of a typewriter to create abstract figurations, but for the way she used it to interject considerations of gender and power into a network of artists overwhelmingly dominated by men with her open-ended Typewritings.”

Through historical research and close readings of her work, this study uncovers …

Choice-Based Games And Resilience Building Of Gender Non-Conforming Individuals: An Exploratory Study, Yuri M. Cantrell

Masters Theses

Research on gaming and user experience of the general population has been abundant, but gender non-conforming (GNC) individuals’ experiences had been largely overlooked until recent years. Using a phenomenological approach, the goal of this study is to find deeper understanding of this phenomenon by exploring what gaming experiences shape the identity of the participants. The exploration of gaming and gender non-conforming experiences through interviews can fill a gap in the current literature on gaming culture regarding this specific population. By taking a closer look at this topic, patterns and themes within games may provide insight to potential resilience building activities …

In-Between Spaces: Atmospheres, Movement And New Narratives For The City, Paul Alexander Stoicheff

Masters Theses

We often think of architecture as distinct buildings, yet as we move through the city we continuously pass through a built environment that is a collage of buildings. These spaces between buildings are underestimated as influences on our experience of everyday life in the city. Considering architecture as linked existential experiences through spaces rather than confined to individual buildings is more in line with our experience of the city as a series of interconnected spaces and places. Rather than describing a single, static architecture through words, how can we express this linked experience of spaces dynamically through narratives? Can writing …

Half In Dream: The Tangle In The Grid, Abbey L. Paccia

Masters Theses

Half in Dream: The Tangle in the Grid discusses the form and content of a physical art installation by the same name. The site-specific installation is a large three-dimensional collage of natural ephemera collected from the area around Amherst, Massachusetts, which interacts with natural lighting conditions to illuminate a gallery-facing image of ever-moving light and shadow. The written work elaborates some of the many details within the structure of the artwork, and reveals the philosophies, embodied practices, and methodologies that informed the visual work's creation. Woven throughout are reflections on phenomenology, walking practice, General Systems Theory, collective making, narrative arts, …

Mixed Messages, Hannah Duggan

Masters Theses

The bodies of work that I have created during graduate school stem from my interest in mass media, culture studies and spectatorship in the digital era. My research engages digital technology and media studies to consider the ethics and ambivalence associated with spectatorship. Using traditional art mediums, I explore social and digital media, revealing tensions through representation and materiality. This translation from digital to analogue media is pivotal in all my work. Handmade objects introduce slippage and meaning as they break from the limiting format of the screen. This thesis will explore the research and content that inspired the creation …

That Mirror Again, Kyros Barton

Masters Theses

That Mirror Again is a summary of experiences, used to pose questions about self-hood through technological metaphor and theory. Its memories are disjointed, separate, and removed from time, and are an honest attempt to recenter an identity before the end of formal education. The themes of each section, Aground, Tilt, and Threshold, are presented as isolated definitions that set the mood for the writing before it is introduced. Referencing information age technology, invoking ancient deities in prose, and brushing against the fur of monster-hood, the text holds the memory it carries softly and offers it to the reader.

I Don't Quite Remember It That Way, Margaret Lindon

Masters Theses

In the fall of 2020, during the first week of graduate school, I crashed on my road bike and suffered a big-time concussion. Like, lost-consciousness-and-forgot-the-whole-day kinda big. I became obsessed with this permanent memory deletion. Trying to remember the event was like trying to remember the first time I saw the color blue. Impossible without supplementary data or second-person observation.

Memory recall can operate like a game of telephone. When we remember something, we’re really just remembering the last time we remembered it. We accrue subtle adjustments to our memories that result in gradual omissions and distillations.

This process lost …

What The Water Says As It Runs, Jeanette Cosentini

Masters Theses

During the last two years, I have been examining the importance of vulnerability, memory and empowerment within my work as it relates to archival silence. The archive is presumed to be an objective record but what is chosen and discarded is an inherently political act. When there is archival silence, what then becomes missing from our collective histories? My exploration has spread across many forms of media, including sound, video, textiles, sculpture and writing . I have sought to understand the ways that these different mediums embody sentiment and concept, while establishing an open-ended record within which others can explore …

Wanderer, Yuhan Ma

Masters Theses

My thesis writings include four chapters. It begins by my self-reflection, an introduction to my liminal space and how it has become a spiritual endeavor. Building on that, the second chapter Encounters elaborates on my childhood memory; and the following two, the Non-resident alien, A Sanctuary, respectively expresses my recent concerns or situations that have greatly affected my perceptions, and a mythological idea of sanctuary that can keep me away from the chaos. These chapters have been influenced by the eastern ideology icons, such as Buddhism and the culture of reclusion. They have examined a process of me dissecting …

Treeing: What Remains Of A Pilgrim, Sichen Liu

Masters Theses

Myths and legends have existed since the start of human civilization, but now we can only imagine a world full of wonders from our ancestor’s scripts. What if we could go back to the age of myths and magic? Would we see things differently?

In Treeing: What Remains of a Pilgrim, I propose a fictional book with 15 short myths of humans transformed into trees. The stories combine my own imagination with inspiration from real mythologies. In the annotations of each story, an unnamed person is following the myths as guidance and manuals, one by one, trying to bring them …

Wall, Jazzmynn Chang Hong

Masters Theses

The WALL is a mosaic-style book with a collection of personal anecdotes and reflections. Traceback from the earliest memory of mine, the instinctive exploration of a sheltered structure, to my recent art practices exploring the spatial perception when the boundary breaks. Each chapter, as I grow older, unfolds my progressive encounter and interpretation of the spatial boundaries.

As the book titled the WALL, its form references a traditional Chinese partition structure - the folding screen. It is not only an aesthetic manifestation, the screens are usually decorated with calligraphies or paintings, it also has a practical purpose as a spatial …

Everything Comes Full Circle, Lilan Yang

Masters Theses

Following Wim Wenders’ Paris, Texas (1984) filming locations from Houston, Texas to Los Angeles, California, I use a 16mm Bolex camera to capture the vastness of the American West. The footage draws me to reminisce about snippets of my everyday life. I contemplate how we perceive the world through analog optical apparatuses and how memories are multidimensional yet fragile. Our recollections of people and places can be distorted, unrecognizable, and fictitious. These memories would eventually diminish with the passing of time. By converting the filmmaking back and forth between analog and digital filmmaking, with the loss of information during the …

Generative Image Systems And Emergent Play, Travess Smalley

Masters Theses

Generative Image Systems and Emergent Play is a collection of writings around generative creative processes and the emergent outcomes that can develop from simple systems. The generative systems I utilize in my practice are explored in this writing through the lenses of Instructional Art, Generative Art, Chance and Randomness, the Xerox, Computer Programming, and Emergent Play in games. These texts are a statement about my computational art practice and research, and they explore what it means to create with generative systems inside of other designer’s programs.

Abyss Without Vertigo, Jack Madden

Masters Theses

Science has difficulty changing the way we think because it takes us beyond our natural perception. To scales and phenomena that we are unaccustomed to, that are instinctively inhuman.

To fundamentally change the philosophy of our species there needs to be a bridge or, more presciently, an emergency ladder for the human mind to science.

As we are inclined to logic yet inherently emotional, the importance of the scientific cannot be understood using science alone.

Significance must be felt, feelings are the foundation of art, and validation the consequence of the artifact.

Embedded Are The Embers Of Echoes, Sarah Jane Cribbs

Masters Theses

What is a haunted house? What makes it haunted? What makes it a house?

I grew up in northern Appalachia. I sat in the back seat of my father’s car for trips from the Eastern foothills to the Western foothills of Pennsylvania mountains to visit my grandmother.

When my perception of the world grew larger as I did too, I began to hide my Appalachian identity. This ended as I began my practice, beginning with a realtime performance on artificial intelligence and queerness. Art practice opened up the possibility of critical play, a method of criticism that focuses on a …

A Wavering Line, Ginger Gordon

Masters Theses

Someone once told me it only takes a difference of ten degrees in temperature to change the entire course of the day.

I work with objects in collaboration with space, focusing on the intangible meeting point between visibility and invisibility.

Propelled by coincidence and temporal shifts, the transitory, the fragmented, and the found are all welcome, as are the methodologies of the Surrealists and Cubists. Born from a combination of fortuity and planning, curated fragment collages coalesce to represent acts of chance in three dimensions. Balanced forms weave and sway as small portholes direct a view. Form follows chance.

!, Nick Larson

Masters Theses

This thesis uses the exclamation point to represent a way of thinking and working methodology. The exclamation point in mathematics represents a factorial function, an operation for determining all possible orders of a set. Colloquially, the meaning of the exclamation point relies entirely on context. Within a yellow triangle, it means caution or danger, but at the end of a sentence delivering good news, it means excitement. In the context of this thesis, the exclamation point represents enthusiastically and exhaustively reordering objects, words, and processes to highlight shifting meaning.

The Sky Is Falling, Alexis Tingey

Masters Theses

The ceiling would fall apart in my childhood home, it was an old house. Occasionally a piece of ceiling would clomp down on my head. In these moments, I would pause, and close my eyes until an image of some fabulous, beautiful interior came into my mind, and then I would open my eyes and continue. Sometimes to escape a falling ceiling, I would find respite in my first ideal sitting spot, a post on our back fence; I would sit with the sky and think. Looking back, I believe these are the moments where I caught glimpses of the …

Time Enough At Last, Scott Lerner

Masters Theses

As an art history buff and sci-fi aficionado, I’m constantly thinking about the stories told of human progress, or lack thereof. Have modern humans surpassed their ancient ancestors or have they only managed to create more technologically advanced ways of carrying on with their same base drives for power, status, and violence? If we turn to popular media, this question becomes particularly intriguing. Our visions of the future are often just a confused jumble of the past; we reanimate old ideas and images when trying to imagine the things to come. An example of this can be found in Star …

Can’T Stop Coyote, Tala Worrell

Masters Theses

I work hard to keep language out of my studio. Language reminds me of my mom’s voice, people telling me what to do, not having the right accent, critiques, criticism in general, mis-truths, and never being good enough. Language is the material of my thoughts, and most of my thoughts, or the ones on a constant loop anyhow, are all those voices over and over again.

Painting is where I get to be me, with myself, and in my body. Painting is my home, family, refuge, and best friend. I’m not looking at myself from the outside, no one can …

Zoomorphic Amalgamation: Speculative Devices For Alternative Communication, Yuta Yang

Masters Theses

Zoomorphic Amalgamation: Speculative Devices for Alternative Communication is a series of speculative works that assist introverts re-adapting in the extro-oriented society. The work serves as a lens to challenge and question the authority afforded to extroverts in contemporary society, and aims to provide a comprehensive understanding of introverted personality. As a person with an introverted personality, the thesis project draws upon personal experience and to reflect on the current bias and stereotype of characteristics that common to the introverts.

By integrating technological sensors and microcontrollers, the works are created to help the wearer express insecurity, at the same time providing …

Re-Order The Order Of Thing, Yingxi Sabrina Ji

Masters Theses

Humanocentrism positions humans as the measure of all things; what we know as the ‘real’ or ‘true’ is perceived through this limited perspective. As a designer, I challenge the hierarchy, actively moving away from the notion that inanimate objects are subjugated matter.

In this body of work, I turn to actions of world-building to create immersive experiences where ‘objects’ become ‘subjects.’ They are rescaled and re-centered — called into prominence to become protagonists on the cultural and environmental stage. Through generating, collaging, and juxtaposing recycled facts, imagery and organic materials using digital filters, I insert absurdity as a breakpoint to …

Connect: Translating Complexity Through Visual Simplification, Ilhee Park

Masters Theses

CONNECT: Translating Complexity through Visual Simplification brings complex data into concise visual systems that encourage ease of access. With a background in Human Factors Engineering, user engagement remains a central focus in my design. Whether reducing barriers to scientific information or untangling deeply complex data, design must contain intuitive concepts without the need for extended explanation. Using bold color and geometric shapes as the core design language to render pictorial narratives, this thesis maps my development as an information designer through modes of gathering, deciphering, and interpreting.

New Revelations, Ineke Lynne Knudsen

Masters Theses

This project imagines a not-so-distant American future where Christians and conservatives have triggered the Apocalypse. In my paintings of the Apocalypse, all the desires of conservative Christians have come to pass: the eradication of people of color and queer folks, a revitalization of the American frontier and wilderness, and the return of Jesus Christ in the form of the Rapture. I’m specifically painting White conservative Christian girls, and I’m interested in their unique intersectionality of being a White conservative (an identity rife with racist social implications), being female (an identity deeply abused within the Christian subculture), and being a child …

Baseball Camp And Other Stories, Lucas Mockler

Masters Theses

Of the questions I ask myself concerning the making of a painting, the one that continues to drive the work is this - where do the facilities and properties of technique in paint handling meet the action and then final experience of the painting? In the attempt to answer this question I have made work from the building up of my life. I have dug out from the memories of childhood and the metamorphosis of fictions into personal realities. I have added new movements and marks and built abstractions in the dark. The hope would be that as I work …

Pace/Place/Space/Tempo—The Choreography Of Equity And Expressions Of Black Living, Vessna Scheff

Masters Theses

My skin is natural. My skin is political. My hair is natural. My hair is political. My speech is natural. My speech is political. There’s no such thing as apolitical.

My current interdisciplinary practice in painting and performance focuses on how Black diasporic identities hold, create, and process subsistence narratives. For this research, I am asking the questions: What role does pace play in resistance strategies and how can it be communicated through tempo? How are unspoken histories conveyed through movement, silence, the glance of an eye, fat crackling in a cast iron, pushing play on a walkman, and seeds …

Tobetitled, Dylan Riley

Masters Theses

My practice is rooted in an investigation of digital and painted images. It meditates on the interbred way in which contemporary images are produced and consumed through painting and error-prone processes of mechanical reproduction. As seeing is, for many, our confirmation sense (you have to see it to believe it) I search for the power structures and epistemological values within contemporary images, particularly representations of objects. My work explores how the meaning of objectivity has shifted over time and how images respond to that shift. Heavily relying on image making software, I first create compositions digitally before translating them to …

Ready Made, Made Ready: Everyday Objects For Everyday Emergency, Dara Benno

Masters Theses

What does it mean to adapt to a changing world?

Climate change is altering the world as we know it. We live in a chronic state of emergency. It’s easy to slip into a downward spiral of despair or ignore what we know to be true in order to carry on with our day-to-day responsibilities. By facilitating a complete recognition and heightened awareness of the common threats brought on by the climate crisis, we can begin to make the mental shift toward living in a new normal.

Ready Made, Made Ready rejects a dissociative attitude and seeks to shift exceptionalist …

Extended Reality Interface, Neil Nelson

Masters Theses

My thesis project at Rhode Island School of Design looks at how we interact with technology, specifically augmented and virtual reality. I explore these ideas through the development of novel hardware. I am interested in human centered design and specialize in ideation and rapid prototyping.