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Full-Text Articles in Arts and Humanities
The Dream Of Being Totally Open, Frederick Greis
The Dream Of Being Totally Open, Frederick Greis
Theses and Dissertations
This essay details four major themes in the paintings of Frederick Greis: spiritual experience, nature, pleasure, and humor. These themes are described within the context of the artist's main goal, which is to create an experience of profound unburdening.
I Like To Watch: A Literal Rendering Of My Own Gaze, Jenna R. Gribbon
I Like To Watch: A Literal Rendering Of My Own Gaze, Jenna R. Gribbon
Theses and Dissertations
Much of the pleasure of encountering the human form in paint derives from the access granted by the artist to their subject. My work highlights my own role in looking, and aims to make the the viewer aware of the ways in which they are implicated when consuming figurative work.
Loop, Lap, Leap, Hannah Schutzengel
Loop, Lap, Leap, Hannah Schutzengel
Theses and Dissertations
My paintings use slow, subtle gestures to create experiences of quiet emotion: casual warmth and comfort, playfulness, ease. My focus is the irregularity of a poured liquid; the slow release of an ironed crease; the push and pull of care against things drooping apart.
Trackable Painting, Jisoo Hur
Trackable Painting, Jisoo Hur
Theses and Dissertations
This paper describes how I suggest a way to read images in painting by supposing that the gap between paintings can have a new role in the reading. This process consists of three parts that go through references and titles of my paintings.
Umberto Boccioni's States Of Mind, Sonya Shrier
Umberto Boccioni's States Of Mind, Sonya Shrier
Theses and Dissertations
This thesis examines Umberto Boccioni’s series the States of Mind (1911) and discusses how these works represent a breakthrough in the artist’s search to find a pictorial expression for concepts that occupied him throughout his career. The States of Mind exists in four complete iterations each comprised of three images: The Farewells, Those Who Go and Those Who Stay.The first set of oil paintings, begun in late summer of 1911, are in the Divisionist style and are in the collection of the Civica Galleria d’Arte Moderna in Milan. A set of charcoal and contè drawings on paper, likely completed in …
Sex Is Always On The Table, Jordan D. Artim
Sex Is Always On The Table, Jordan D. Artim
Theses and Dissertations
This paper examines my work parallel to the formal and symbolic qualities of Renaissance painting, specifically the work of Bronzino. Through understanding the visual representation of the queer community throughout art history, harkening back to specific artists such as Paul Cadmus and Robert Mapplethorpe, my work attempts to find new ways of representing queer experience that extends beyond eroticism and the sexual gesture.
Anywhere Out Of This World, Amanda C. Brown
Anywhere Out Of This World, Amanda C. Brown
Theses and Dissertations
This essay discusses my paintings alongside Merleau-Ponty's theories of perception and the history of form and color in painting. The relationship between perception and color is examined in the work of Paul Cézanne, Hans Hofmann, and Luis Barragán, along with Henri Matisse's Chapel of the Rosary.
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Archaeology Of Social Patterning, Chase Bray
Archaeology Of Social Patterning, Chase Bray
Theses and Dissertations
The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.