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Art and Design

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City University of New York (CUNY)

Theses and Dissertations

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Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

Arrival Of Spring, Ryan Johnson May 2024

Arrival Of Spring, Ryan Johnson

Theses and Dissertations

Ryan Johnson’s plein air paintings address a season of personal longing by relying on the empathetic power of observational painting. His current series of oil on linen panels, painted on site, track the transition from winter to spring in and around New York City. In “Arrival of Spring”, he reflects on the decisions made on site, art historical influences, and the hope of anticipation.


Affectionate Facsimiles, Julio C. Williams Jan 2024

Affectionate Facsimiles, Julio C. Williams

Theses and Dissertations

The paintings in Affectionate Facsimiles are journeys into the expansiveness of color and memory via the accumulation of gestural action. Sporadic freneticism is used to archive desire and time and their relationship to identity. Thin and translucent layers are built up in bursts of intensity as palimpsests of intentioned labor.


Contact Sheet, Jiwoong Jang May 2023

Contact Sheet, Jiwoong Jang

Theses and Dissertations

Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.


Detritus And The Icon, Brian Madonna Jan 2022

Detritus And The Icon, Brian Madonna

Theses and Dissertations

Detritus and the Icon highlights the relationship between the figure and the monument, contrasting between the gravity of earth and the lightness of the Divine. My thesis exhibition of seven paintings, comprised of thirty seven panels, brings the banal into conversation with the age old endeavor of monument building.


Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg May 2019

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

Theses and Dissertations

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.