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Articles 1 - 23 of 23
Full-Text Articles in Arts and Humanities
Jonathan Borofsky: Together To Build Our World, Leda Cempellin
Jonathan Borofsky: Together To Build Our World, Leda Cempellin
Leda Cempellin
No abstract provided.
Perspective On South Dakota Women In Fine And Traditional Arts, Leda Cempellin
Perspective On South Dakota Women In Fine And Traditional Arts, Leda Cempellin
Leda Cempellin
The steady increase of women’s contribution to the visual arts in South Dakota, especially in recent decades, makes it impossible to celebrate all the individual accomplishments in the space of a chapter. Therefore, the following sections will limit the discourse to a choice of a few significant patterns of contribution to the arts and crafts in South Dakota. To begin, an historical overview of Lakota and European immigrant arts and influence are discussed, including women’s key influences on arts education in the state. Then, the expansion of traditional arts through NEA apprenticeship programming is described through the work of current …
Sharon Louden: Sustaining A Creative Life, Leda Cempellin
Sharon Louden: Sustaining A Creative Life, Leda Cempellin
Leda Cempellin
No abstract provided.
Rethinking Art History Through The Cockerline Collection: Some Missing Links, Leda Cempellin
Rethinking Art History Through The Cockerline Collection: Some Missing Links, Leda Cempellin
Leda Cempellin
No abstract provided.
Neil Cockerline: Una Collezione Per Educare, Leda Cempellin
Neil Cockerline: Una Collezione Per Educare, Leda Cempellin
Leda Cempellin
No abstract provided.
Multiples In Late Modern Sculpture: Influences Within And Beyond Daniel Spoerri’S 1959 Edition Mat, Leda Cempellin
Multiples In Late Modern Sculpture: Influences Within And Beyond Daniel Spoerri’S 1959 Edition Mat, Leda Cempellin
Leda Cempellin
The first Edition mat was founded by Daniel Spoerri in 1959 and recreated in collaboration with Karl Gerstner in 1964 and 1965, with a special Edition mat mot the same year. Consisting of sculptures that change optically, electrically, or through the audience’s physical interventions, this series brought in an innovative idea of multiplication through movement. The potential of mat sculptures for configuration changes within the continuity of their structure in space sets them apart from serial twodimensional works, where any change in the gestalt requires the production of a new copy. This paper reconstructs the genesis of the Edition mat …
Michael Glancy: The Perfect Object, Leda Cempellin
Michael Glancy: The Perfect Object, Leda Cempellin
Leda Cempellin
No abstract provided.
Leigh Behnke: Real Spaces, Imagined Lives, With An Interview By Jeri Hise, Leda Cempellin
Leigh Behnke: Real Spaces, Imagined Lives, With An Interview By Jeri Hise, Leda Cempellin
Leda Cempellin
No abstract provided.
La Mostra Access Denied Alla Hilton M. Briggs Library, Leda Cempellin
La Mostra Access Denied Alla Hilton M. Briggs Library, Leda Cempellin
Leda Cempellin
No abstract provided.
Hye Yeon Nam - From Disabling To Creative Displacement, Leda Cempellin
Hye Yeon Nam - From Disabling To Creative Displacement, Leda Cempellin
Leda Cempellin
No abstract provided.
In And Out Of The Sculptural Body, Leda Cempellin
In And Out Of The Sculptural Body, Leda Cempellin
Leda Cempellin
No abstract provided.
Embodying Art And Art History: An Experiment With A Class Video Happening For The Series 'Access Denied', Leda Cempellin
Embodying Art And Art History: An Experiment With A Class Video Happening For The Series 'Access Denied', Leda Cempellin
Leda Cempellin
A book written in a foreign language and migrated to the US along with its author, an art historian, finds a new communicative dimension by becoming a ready-made for art making purposes. Starting with an introduction explaining the genesis of the collaborative project Access Denied, this article focuses on one of the series’ artworks, namely a video-happening, by exploring its genesis, development, and outcomes. Staged during the day of finals in an advanced art history seminar, the experiment provided an embodied artistic experience and some reflections on art history course content in the debate that followed. The video happening became …
Conversazioni Con Don Eddy - Conversations With Don Eddy, Leda Cempellin
Conversazioni Con Don Eddy - Conversations With Don Eddy, Leda Cempellin
Leda Cempellin
No abstract provided.
Devorah Sperber: Thread Spools, Leda Cempellin
Christine Hiebert And The Architecture Of Line, Leda Cempellin
Christine Hiebert And The Architecture Of Line, Leda Cempellin
Leda Cempellin
No abstract provided.
Eleanor Heartney: Art As A Vehicle, Leda Cempellin
Eleanor Heartney: Art As A Vehicle, Leda Cempellin
Leda Cempellin
No abstract provided.
Contemporary Art As An Educational Resource: The Cockerline Collection, Leda Cempellin
Contemporary Art As An Educational Resource: The Cockerline Collection, Leda Cempellin
Leda Cempellin
No abstract provided.
Diana Cooper: Exuberant, Fragile Wonder, Leda Cempellin
Diana Cooper: Exuberant, Fragile Wonder, Leda Cempellin
Leda Cempellin
No abstract provided.
Benjamin Edwards In The Information Age, Leda Cempellin
Benjamin Edwards In The Information Age, Leda Cempellin
Leda Cempellin
No abstract provided.
Carol Brown Goldberg: A Personal Journey, Leda Cempellin
Carol Brown Goldberg: A Personal Journey, Leda Cempellin
Leda Cempellin
No abstract provided.
Charles R. Garoian: Exploring The In-Between, Leda Cempellin
Charles R. Garoian: Exploring The In-Between, Leda Cempellin
Leda Cempellin
No abstract provided.
Catherine Morris: Through Feminist Lenses, Leda Cempellin
Catherine Morris: Through Feminist Lenses, Leda Cempellin
Leda Cempellin
No abstract provided.
A Service-Learning Project: Linking An Art Museum, Honors Students, And The Visual Arts, Leda Cempellin
A Service-Learning Project: Linking An Art Museum, Honors Students, And The Visual Arts, Leda Cempellin
Leda Cempellin
This article focuses on the structure, challenges, and outcomes of a service-learning pro-ject experimented by an art historian in an innovative special topics course Museum Experience, cross-listed with an Honors art appreciation course. The discussion includes: creating a new course content planned according to a multidis-ciplinary perspective uniting elements of art appreciation, museum studies and art history research methodologies; planning a mutual dialogue of theory and practice by structuring a partnership with the art museum and graphic design in a service-learning project, consisting in both essay and layout of an exhibition catalogue. The syllabus structure is fully explained, as well …