Arts and Humanities Commons^™

Holponiyochi: Contemporary Native American Sculpture, Wright State University Art Galleries

Exhibition and Program Catalogs

Nine artists participating in this exhibition share a concern with how practices of visual representation work to construct individual and collective identity. They examine and then reformulate familiar codes of visual culture, turning established conventions of visual representation against themselves. In highly sophisticated and nuanced critical commentary, they explore how both individual and group identities are shaped in and by one's cultural environment. At the same time, they recognize that limiting understanding can be an equally powerful influence in the shaping of one's sense of self and community.

Inside Front & Back Covers: Artwork, Donna Stanton

Bridgewater Review

No abstract provided.

Mentorship, Richard Bresnahan

Asian Studies Faculty Publications

Part of a special section on mentoring. Ceramist Richard Bresnahan discusses his role as a mentor. Since setting up his first studio at St John's University in Collegeville, Minnesota, in 1979, Bresnahan has trained 32 apprentices. To alleviate the poverty that is an extra burden for many apprentices, grants from the university, the studio, and regional foundations provide apprentices with housing, food, health care, and a small monthly stipend. As all the clays and glazes employed in the studio come from local sources and are processed on site, there is a ready supply of materials for both apprentices and visiting …

Metaphoric Vessels, Preston Saunders

Bridgewater Review

No abstract provided.

Lorna Simpson, Review, Niamh Ann Kelly

Articles

No abstract provided.

"The Inclusion Of Light", Michael James Lambrecht

Culminating Projects in Art

Art provides a forum for the subconscious mind to express emotions that the conscious mind either cannot, will not, or is afraid to express. It is in absolute freedom of expression that the true beauty of art lies.

The healing ability of art is undeniable. At builds self-confidence and self-esteem through the structured use of techniques and concepts, culminating in small successes, each building upon the previous. It is through this process of confidence and esteem building that self-disclosure takes place. Once an individual has committed to disclosing himself or herself, the door is opened for compassion and a greater …

Pottery Of The Ecuadorian Amazon, Joe Molinaro

Art and Design Faculty and Staff Scholarship

No abstract provided.

Taking In: The Best Of Aib Photography 2003, Aib Students

Taking In

Welcome to the first edition of Taking In: the best of aib photography. During this first year Taking In has gone through many twists and turns in order to publish a professional portfolio representing the quality work produced by students at the Art Institute of Boston at Lesley University. Along with the portfolio there will be a gallery opening this Fall presenting all of the published pieces in a professional setting. Our intention is to bridge the gap between student creations and the greater art community through publication. The number of entries for our first publication were more than …

Empowering Diversity, Sylvie Duran

Sylvie E. Duran Mrs.

Presentation on cultural diversity and the approach of Cultural Association InCorpore 1996-2003

Bern Porter International: Volume 7 Number 2 (February 2003), Bern Porter, Sheila Holtz

Newsletters

A Literary Newsletter and Bulletin of the Institute of Advanced Thinking

Featuring "Why I Wrong" by Joel Dailey and "Barn Full of Air" by Daniel Russell.

Bern Porter International: Volume 7 Number 1 (January 2003), Bern Porter, Sheila Holtz

Newsletters

A Literary Newsletter and Bulletin of the Institute of Advanced Thinking

Featuring poems by Anna Carroll and David Stone.

The Springback: Account Book Binding (German Style), Peter D. Verheyen, Donia Conn

Peter D Verheyen

These instructions for making a springback account book are derived from my notes as an apprentice at the Kunstbuchbinderei Klein, with adaptations over time. While my training is in the German tradition, the steps outlined should not be radically different from the English tradition. Although the technique was originally patented in Great Britain in 1799 by John and Joseph Williams,) the authors have found very few descriptions of this method in contemporary English language texts. Alex J. Vaughan describes the technique with great detail in Section II, 'Stationery Binding' of Modern Bookbinding. There is also an historical mention in Bernard …

Within And Without : Imaging The Inscape, Justine Dalziel

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Different Uses Of Fantasy In Working With Images, David Maclaga

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Growing New Eyes : A Personal Inscape Of Grief Viewed Through Autobiographical Performance, Emma Bacon

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Reigning In The Broad Careless Inscape, April Parker

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Street Photography: An Approach To Strangers: Casual, Close And Personal Encounters, Flavia M. Schuster

Theses : Honours

Street photographers can either camouflage or reveal their identities to the strangers they photograph. By choosing to remain anonymous, photographers often create images in which only their subjects are exposed. By unveiling their identities however, they often create images in which their interaction becomes evident in the resulting images. Casual Encounters looks at the mechanisms employed by photographers that choose to remain anonymous in contrast to the myth of the flâneur. Close Encounters looks at the mechanisms employed between strangers to deal with their daily interactions in urban environments. Personal Encounters serves to explain my own approach to the strangers …

Anchors From The Periphery., Gregory Pryor

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Good Grief : A Path Through The Arts, Kate Smith

'INSCAPE' - ARTCAP November 13-16, 2003

This paper looks at my own process of grief after the loss of a close friend. It tracks the parallel relationship between my artworks and writing and my internal emotional process. What was revealed is examined in the following paper with further discussion on its application within the context of analytical art psychotherapy

Program Inscape Symposium, Rose Williams

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Seeing Beyond The Habitus - On Action, Art And Healing, Tarquam Mckenna

'INSCAPE' - ARTCAP November 13-16, 2003

This paper is written as a conversation had at the ARTCAP Symposium in Perth 2003. It was a conversation that alluded to the imaginal realm and action art therapy as a way into understanding. It is offered as a spoken comment to bring voice to the reader. The format of the paper is such that the reader is encouraged to see it as a series of statements that are a conversation between a group of people. The paper begs questions which are still unanswered.

Tattoo, Ros Thompson

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Walking,Writing, Improvising - Conscious-Unconscious, Kellerberring-Busselton, Mark Minchinton

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Seeing And Imagining, Jen Taylor

'INSCAPE' - ARTCAP November 13-16, 2003

No abstract provided.

Landscapes: David Gloman And Richard Raiselis, Wright State University Art Galleries

Exhibition and Program Catalogs

Poster for the Landscape exhibit at Wright State University Art Galleries featuring artists David Gloman and Richard Raiselis

Seeing Gray: Whiteness And The Erasure Of Difference, Ken Gonzales-Day

Scripps Faculty Publications and Research

The author, a studio artist, discusses the ambivalent representation of whiteness in several works of contemporary art.

Art Irritates Life-- And Vice Versa : An Exploration Of The Nature Of Dance And Its Effect On The Psychological Well-Being Of Ballet And Contemporary Dancers, Veronica Shum

Theses : Honours

Research into the psychology of theatrical dancers has indicated that as a group, dancers may be a high-risk population for psychological disorders. The majority of this research however, has only sampled ballet dancers. In consideration of the fact that contemporary dance is philosophically and aesthetically different from ballet, it is proposed that the experience of contemporary dancers may be different from that of ballet dancers and thus their psychological experience and potential problems may also be different. It is suggested, therefore, that results from studies on ballet dancers may not generalize to contemporary dancers. In support of this proposition, the …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 24 (2003), Virginia Gunn, Heather Ersts Venters, Mary Bywater Cross, Sarah Rose Dangelas, Carolyn K. Ducey, Mary Ellen Ducey, Marin F. Hanson, Janneken Smucker, Blaire O. Gagnon

Uncoverings Journal

Preface by Virginia Gun

Eighteenth-Century Annapolis Quilters: "She performs all sorts of QUILTING in the best Manner" by Heather Ersts Venters

The Anti-Polygamy Quilt by The Ogden Methodist Quilting Bee by Mary Bywater Cross

The Cultural Significance of the Block Island Woman's Christian Temperance Union Quilt of 1931 by Sarah Rose Dangelas

Quilt Symposium '77: "Fine Art-Folk Art" at Lincoln, Nebraska by Carolyn Ducey and Mary Ellen Ducey

Quilts as Manifestations of Cross-Cultural Contact: East-West and Amish-"English" Examples by Marin F. Hanson and Janneken Smucker

Egyptian Appliques by Blaire O. Gagnon

Authors and Editor

Index

Mamluk Rugs From Egypt: Jewels Of The Textile Museum's Collection (Exhibition), Carol Bier

Textile Research Works

Mamluk rugs are considered by many to be among the most beautiful of any rugs ever created. The brilliant reds, greens, and blues (figs. 1 and 2) are reminiscent of rubies, emeralds and sapphires; whether this was an intentional evocation is not known. But The Textile Museum's holdings of Mamluk rugs, unparalleled in the world, are truly the "jewels" of the collection. Simply by virtue of the fact that they date from the late 15th century, Mamluk rugs comprise one of the most significant groups of classical carpets. Their lustrous wool and wondrous color, as well as their geometric designs …

Carpets Of Andalusia (Exhibition), Carol Bier

Textile Research Works

The fall of Granada in 1492 reestablished Christian dominion in Spain after centuries of Islamic rule. The rapid expansion of Islam from Arabia in the 7th century encompassed the rich cultural legacy of the Late Antique world, forging a unified empire throughout the Middle East and eastern Mediterranean lands and across North Africa to Spain within a short span of several decades. Arab and Berber armies had crossed into Spain in 711, generating at once an effort that lasted for many generations to restore Christian rule. In Islamic times, the Iberian peninsula was called al-Andalus, or Andalusia. Although we have …