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Secondhand Chinoiserie And The Confucian Revolutionary: Colonial America's Decorative Arts "After The Chinese Taste", Kiersten Claire Davis Jul 2008

Secondhand Chinoiserie And The Confucian Revolutionary: Colonial America's Decorative Arts "After The Chinese Taste", Kiersten Claire Davis

Theses and Dissertations

This thesis explores the implications of chinoiserie, or Western creations of Chinese-style decorative arts, upon an eighteenth century colonial American audience. Chinese products such as tea, porcelain, and silk, and goods such as furniture and wallpaper displaying Chinese motifs of distant exotic lands, had become popular commodities in Europe by the eighteenth century. The American colonists, who were primarily culturally British, thus developed a taste for chinoiserie fashions and wares via their European heritage. While most European countries had direct access to the China trade, colonial Americans were banned from any direct contact with the Orient by the British East …


A Call For Liberation: Aleijadinho's 'Prophets' As Capoeiristas, Monica Jayne Bowen Mar 2008

A Call For Liberation: Aleijadinho's 'Prophets' As Capoeiristas, Monica Jayne Bowen

Theses and Dissertations

Throughout the late eighteenth century, many Brazilians became inspired by the political revolutions of the French and American colonies and sought for a similar type of revolution, hoping to gain independence from the Portuguese. One nationalistic group, the "Inconfidência Mineira," probably influenced the art of the sculptor Aleijadinho (1738-1814). Aleijadinho's work has been examined as a political message previously, but never as propaganda through the representation of capoeira, an Afro-Brazilian martial art. Capoeira probably formed as a means for Afro-Brazilian slaves to fight their way out of captivity. While training to fight, slaves would disguise capoeira to look like a …


Dairy Culture: Industry, Nature And Liminality In The Eighteenth-Century English Ornamental Dairy, Ashlee Whitaker Feb 2008

Dairy Culture: Industry, Nature And Liminality In The Eighteenth-Century English Ornamental Dairy, Ashlee Whitaker

Theses and Dissertations

The vogue for installing dairies, often termed "fancy" or "polite" dairies, within the gardens of wealthy English estates arose during the latter half of the eighteenth century. These polite dairies were functional spaces in which aristocratic women engaged, to varying degrees, in bucolic tasks of skimming milk, churning and molding butter, and preparing creams. As dairy work became a mode of genteel activity, dairies were constructed and renovated in the stylish architectural modes of the day and expanded to serve as spaces of leisure and recreation. Dairies were often lavishly outfitted to create a delicate and clean atmosphere, a fancy …