Arts and Humanities Commons^™

Developing Creativity In The Seventh-Grade Art Classroom, Zachary Dane Wallerius

Masters Theses

This thesis describes a methodology for developing artistic creativity in seventh-grade students through the implementation of a curriculum that fosters authentic engagement with the creative process. In it I explore how student’s waning interest in the arts through middle school despite the value of creative expression for adolescents can be addressed. The research in this paper explores relevant aspects of artistic creativity as well as the psychological needs that must be met in order for students to successfully engage in a creative practice. The paper makes recommendations for how to foster common traits of creative people and proposes how behavior …

Students, The Complete Canvas: Building A Sel-Based Art Education Curriculum, Kaci Vanmeter

Masters Theses

Human beings are complex in their structure, requiring a variety of components to create the whole. Why is it then, that the majority of the nation’s schools lack educational standards for social-emotional learning? When student’s walk into our classroom, is there a silent request that they leave aspects of themselves at the door so as not to intrude on data-driven education? Where there is pressure in the form of funding and job security to strictly teach standards in core classrooms, luckily that pressure doesn’t exist in the art classroom. This thesis takes the National Visual Art Content Standards and directly …

Analysis And Critique In The Secondary Art Classroom, Sarah Nott

Masters Theses

This paper is a study of analysis and critique in the secondary visual art classroom setting. I begin by examining the purposes these two practices can serve, and then document some of the positive outcomes of analysis and critique as well as their inherent flaws. The flaws are subcategorized into examinations of the risks of formal analysis or Formalism, the unintended emotional impacts critique and analysis can have, effects of teacher behavior, a survey of critique-caused trauma and notes on implicit bias. For the purposes of my literature review, I analyze analysis and critique through phases and writing exercises specifically, …

Creating A Transformative Visual Art Curriculum, Alison M. Marchbanks

Masters Theses

This thesis explores the process of creating transformative learning experiences within a visual art curriculum that emphasizes individual reflection, creative expression, and community involvement. The strategies and philosophies discussed will facilitate student engagement with big ideas and complex messages that will inform their social consciousness beyond their formal school career. Examples of how these practices are being used in K-12 visual art settings are presented to provide an in-depth roadmap for implementing a community-based, social justice learning opportunity.

Taking Art To The Next Level: Integration Of Advanced Placement Studio Art, 2-D Design, Krystal Kingsley

Masters Theses

Teaching High School art has brought me great joy. Along the way I have been challenged with many difficult questions. One that beckoned me to direct and intentional action is “how do I help students take their art work to the next level?” This project is the result of my personal discovery and development of an Advanced Placement Studio Art 2-D Design course. My research of multiple sources led to the development of an Advanced Placement (AP) approved course which includes: a syllabus, multiple breadth lessons, project rubrics, critiques, sketchbook assignments, summer homework, and a guide for helping students develop …

Fostering The Efficacious Adolescent Artist, Regina Beltowski

Masters Theses

Low self-esteem and insecurity is common among adolescents. In the secondary-school art room, students often stop engaging in art practice, believing that they lack talent, when the truth is that they lack specific skills. Students who are fortunate to have teachers who help them develop their skills experience a boost in feelings of self-efficacy, and often reengage with art production. This thesis project focuses on strengthening students’ self-efficacy in the visual arts at the secondary level. Clarifying the differences between related terms – self-esteem, self-concept, and perceived control – I focus on self-efficacy as a characteristic that plays a significant …

Creative Concentrations: A Secondary Design Curriculum, Linnea Roberta Gustafson

Masters Theses

Design education, as distinct from art education, has been overlooked as an area of student learning, creative expression, and career potential. This thesis explores the benefits of design education for students at the secondary level, when identities are being formed and areas of future study and work are considered. Guided by the newly published National Core Arts Standards, this paper provides a model design curriculum that introduces secondary students to a design-oriented view of the world, explores design principles through real-world applications, and calls attention to professional career options.

All lessons in the curriculum encourage creative approaches to solving design …

Choice--‐Based Art: Students Who Create, Not Replicate, Hillary K. Moczerad

Masters Theses

The problem that I researched in today’s art education world is how to teach our art students to be problem solving, confident, independent thinkers. It seems that in a classroom that is supposed to be full of innovation and creativity, it is currently falling flat. Through research, I discovered a teaching methodology called Choice-­‐Based Art that claims to eliminate these problems in the art room through student-­‐directed learning and choice while still delivering art curriculum. In order to test these theories, I aligned my classroom with the demands of the methodology and planned a field test with two groups of …

Elementary Art And Writing, Mary A. Beningo

Masters Theses

The problem that I researched in today’s art education world is how to correlate elementary art curricula with writing curricula. To investigate this issue I field tested a curriculum module that reflects the contemporary issues of writing in art education. The curriculum module under investigation has been designed to correlate my 5^th grade fine arts curriculum with the homeroom teacher’s 5^th grade language arts curriculum.

During this study I worked with 56 fifth grade students and incorporated four writing projects into their fine arts curriculum: a Character Exploration project, a Black-out poetry project, a surrealistic textured paper collage …

Choreography For The Camera: An Historical, Critical, And Empirical Study, Vana Patrice Carter

Masters Theses

This study investigates whether a dance choreographer's lack of knowledge of film, television, or video theory and technology, particularly the capabilities of the camera and montage, restricts choreographic communication via these media.

First, several film and television choreographers were surveyed. Second, the literature was analyzed to determine the evolution of dance on film and television (from the choreographers' perspective). Third, shooting and editing theories that maximize kinesthesis were examined.

Three primary conclusions were drawn: (1) Historically, choreographers of critically acclaimed film or television products seemed to understand major principles for shooting and montage; (2) choreographers who expanded their knowledge of …