Arts and Humanities Commons^™

Mimar Sinan, Aleesha Hafeez

Publications and Research

Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift

Publications and Research

From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …

Recording Studios Since 1970, Eliot Bates

Publications and Research

Like many other specialty, purpose-built spaces, we tend to think of recording studios in instrumental terms, meaning that the space is defined in relation to the nominal type of work that the space is instrumental towards. While audio recordings have been made in spaces since 1877, not all of these spaces tend to be regarded as recording studios, partly since so many recordings were made in environments designed for other types of work; indeed, much of the first seventy years of US and UK recorded music history transpired at radio stations, concert halls and lightly treated mixed-use commercial spaces (e.g. …

Mapping Urban Performance Culture: A Common Ground For Architecture And Theater, Ting Chin, Christopher B. Swift

Publications and Research

Our co-taught course focuses on theater history, with an emphasis on performance architecture. Assignments are designed to illuminate the ways in which architectural design and technology inform performance practices and audience reception. The pivotal assignment for exploring interdisciplinarity is a three-week module on mapping historical theaters in New York City. Open-source Global Information Systems (GIS) software serves as a common mechanism for students to situate theatrical productions in the context of the built urban environment, deepening their understanding of the social, economic, and artistic forces that contributed to performance culture. Mapping is a shared pedagogy for analyzing and presenting research …

Review: Saving Place: 50 Years Of New York City Landmarks, Jeffrey A. Kroessler

Publications and Research

This piece is a review of "Saving Place: 50 Years of New York City Landmarks" at the Museum of the City of New York from April 2015 to January 2016. It discusses the presentation of the history of preservation in New York City and how the landmarks law has been implemented and challenged over its first half century.

Article of record is at http://jsah.ucpress.edu/content/75/1/119.abstract

The City As Palimpsest, Jeffrey A. Kroessler

Publications and Research

“Palimpsest preservation” suggest the necessity of keeping the successive layers of urban form alive rather than simply effacing and rebuilding, for that keeps a city’s history alive. No city without a tangible, tactile history, without the capacity for denizens and visitors to reach into the past while experiencing the present, can be truly vital. But this is a contested approach. George Orwell’s 1984 offers a warning in the guise of a party slogan: “Who controls the past controls the future: who controls the present controls the past.” Preservationists may advocate on historical, architectural, or cultural grounds, but the final decision …

What Studios Do, Eliot Bates

Publications and Research

This essay is focused around a seemingly simple question – what do recording studios do? First, a clarification. I am not primarily asking “what are studios” or “what do people do in studios,” two comparatively straightforward questions that are tangentially addressed in academic and trade writing. Rather, I wish to consider some of the ways in which the studio itself shapes the kinds of social and musical performances and interactions that transpire within. I contend that studios must be understood simultaneously as acoustic environments, as meeting places, as container technologies, as a system of constraints on vision, sound and mobility, …

In Defense Of Preservation, Jeffrey A. Kroessler, Eric W. Allison, Dorothy Minor, Anthony C. Wood

Publications and Research

"In Defense of Preservation" is the transcript of a presentation at the Gotham History Festival at the CUNY Graduate Center, October 6, 2001. The discussants argued that historic preservation is vital to New York City's economic and cultural health, and countered arguments that preservation was elitist and hindered the city's growth. Dorothy Minor discussed the legal basis for preservation and reviewed the Penn Central decision and other court cases. Anthony C. Wood discussed the history of historic preservation in New York. And Eric W. Allison presented the intersection of preservation with the liveable cities movement.