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Full-Text Articles in Arts and Humanities
Two Sides Of The Same Coin: Vergil And Ovid's Clashing Portrayals Of Individual And Group Identity, Dante G. King
Two Sides Of The Same Coin: Vergil And Ovid's Clashing Portrayals Of Individual And Group Identity, Dante G. King
Senior Independent Study Theses
This independent study examines Vergil’s Aeneid and Ovid’s Heroides and Metamorphoses with regard to Aeneas and Turnus as analogues for Roman citizens and Italic provincials respectively. As this project is primarily concerned with textual investigation, philological analysis of Vergil and Ovid’s texts takes center stage and is supplemented by contemporary material evidence and secondary scholarship in foundation narratology, identity, and political theory. So, whereas Vergil characterizes Aeneas as a dominant hero destined to found a new home for his people, the proto-Roman Trojans, and Turnus as a rebellious but ultimately ineffectual Italic monarch, Ovid presents the former as a detestable …
G:, Taylor Lafe Cantrall
G:, Taylor Lafe Cantrall
Senior Projects Spring 2017
Senior Project submitted to The Division of Languages and Literature of Bard College.
The Truth About Parmenides' Doxa, Christopher Kurfess
The Truth About Parmenides' Doxa, Christopher Kurfess
Classics Faculty Publications
In a recent article in this journal, Néstor-Luis Cordero has offered an interesting account of how scholars may have been misreading Parmenides' poem for centuries, as well as some provocative suggestions on how to correct that misreading. He calls into question the prevalent notion of the Doxa as Parmenides' account of the phenomenal world, and he challenges the standard arrangement of the fragments that assigns lines featuring 'physical' topics to that portion of the poem. The 'Doxa of Parmenides', if that phrase is understood to imply that Parmenides himself embraced doxai of any kind is, Cordero claims, an imaginary …
"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic
"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic
Master's Theses
Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …
Alexandria And The Construction Of Urban Experience, Sara L. Bacon
Alexandria And The Construction Of Urban Experience, Sara L. Bacon
Scripps Senior Theses
Early Ptolemaic Alexandria provides a unique perspective on cultural interactions during the Hellenistic Period. With this idea in mind, I have tracked the cultural affiliation of the city from its foundation through the early years of the Ptolemaic dynasty. In order to do this, both literary and archaeological evidence, including various foundation myths for the city, the poetry of Theocritus and Herodas, papyrological evidence as well as the city plan and archaeological remains of the Serapeum, were analyzed. Using this evidence, this thesis attempts to describe the cultural state of the ancient city and the surrounding area in its early …
Plato The Poet, Francis James Flanagan
Plato The Poet, Francis James Flanagan
Honors Bachelor of Arts
Plato’s dialogue genre contains within it literary elements not normally associated with a philosophical work. In the creation of his dialogue, Plato combined the literary aspects of drama—specifically setting and characterization—and rhetoric with the Socratic Method to create a genre that was new to philosophy. An examination of the usage of these elements in a Platonic dialogue, specifically Symposium, in comparison to Xenophon’s Symposium reveals the unique nature of Plato’s dialogue.
The Political Properties: Pro- And Anti-Augustan Readings Of Propertius Book Four, Matthew Angelosanto
The Political Properties: Pro- And Anti-Augustan Readings Of Propertius Book Four, Matthew Angelosanto
Honors Theses
Propertius was a Roman elegist writing during the early years of Augustus’ reign as emperor. His fourth and final book of elegies has long confounded scholars due to its drastic shift in subject matter from love elegy to aetiology. So, too, did the poet’s political stance seem to change: vehemently anti-Augustus in his earlier books, a number of poems in his fourth seem to extol both the sociopolitical climate of Augustan Rome as well as the emperor himself. But should we take the poet’s words at face value? In light of his inexplicable change in political allegiance, this thesis examines …
Homer, Pietas, And The Cycle Of Duels In Aeneid 10 And 12, Randall Colaizzi
Homer, Pietas, And The Cycle Of Duels In Aeneid 10 And 12, Randall Colaizzi
Classics Faculty Publication Series
Readers who encounter the Aeneid today often face an abridgement meant to fit the demands of a college literature survey: Troy, anderings, Dido, the Underworld-the exotic Odyssean Aeneid of the first six books. The poem's second half, if read at all, might offer only scenes from book 8 (etiology and shield), Nisus and Euryalus from book 9, sometimes Camilla in book 11, Turnus's death at the end of the poem. But since the first cut in such selections usually includes most of the warfare, Vergil's subtlety (and difficulty) can be misunderstood, especially if the poem's close is to be considered. …
"Музиката" На Сократ [The 'Music' Of Socrates], Anna K. Boshnakova
"Музиката" На Сократ [The 'Music' Of Socrates], Anna K. Boshnakova
Publications and Scholarship
No abstract provided.
Homer, Pietas, And The Cycle Of Duels In Aeneid 10 And 12, Randall Colaizzi
Homer, Pietas, And The Cycle Of Duels In Aeneid 10 And 12, Randall Colaizzi
Randall Colaizzi
Readers who encounter the Aeneid today often face an abridgement meant to fit the demands of a college literature survey: Troy, anderings, Dido, the Underworld-the exotic Odyssean Aeneid of the first six books. The poem's second half, if read at all, might offer only scenes from book 8 (etiology and shield), Nisus and Euryalus from book 9, sometimes Camilla in book 11, Turnus's death at the end of the poem. But since the first cut in such selections usually includes most of the warfare, Vergil's subtlety (and difficulty) can be misunderstood, especially if the poem's close is to be considered. …