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Full-Text Articles in Arts and Humanities
Spectacle In The Roman Imperial Funeral Procession, William Smith
Spectacle In The Roman Imperial Funeral Procession, William Smith
School of Art, Art History, and Design: Theses and Student Creative Work
From the legendary foresight of Augustus, to the scandalous escapades of Nero and Commodus to even the philosopher emperor, Marcus Aurelius, much has been written. This thesis does not concern itself with the deeds of emperors, but rather their funerals. Imperial funerals in some ways were quite similar to their Republican era antecedents. They differed in spectacular ways. This thesis investigates the spectacle evident in imperial funerals and argues that their inclusion is not to honor the deceased but rather cement their place in the cultural memory of Rome by means of this performance. In addition, it examines the role …
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt, Margaret Sather
The Use Of Egyptian Blue In Funerary Paintings From Roman Egypt, Margaret Sather
School of Art, Art History, and Design: Theses and Student Creative Work
This paper explores the use of the synthesized pigment Egyptian blue in the encaustic and tempera funerary portraits of Graeco-Roman ruled Egypt in the 1st-3rd centuries CE. Recent developments in non-destructive imaging analysis technology have aided research institutions and museums in detecting the presence of this pigment. New questions have arisen based on these findings of Egyptian blue in the depiction of flesh and hair of these subjects, particularly because blue is so rarely used as a standalone pigment in works of this category. These analyses have challenged assumptions that Egyptian blue was a rare and valuable pigment during the …
The Origins And Identity Of Roman Mithraism, Charles R. Hill
The Origins And Identity Of Roman Mithraism, Charles R. Hill
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis is a reassessment of scholarship concerning the origins of the cult mysteries of Mithraism in its Roman form during the Imperial Period. While much has been published in the debate over the cult’s true origins, we are still left without a satisfactory answer. The present work is an attempt to reconcile some of the arguments posed in the 19th and early 20th centuries with those of the later 20th and 21st centuries, focusing mostly on the cult’s art and iconography in Mithraea, the central spaces of Mithraic worship. First will be a summary of …