Arts and Humanities Commons^™

Perspectivas Transatlánticas De Una Serie Pasionaria Del Pintor Novohispano José Ibarra (1685-1756), Alena Robin

Hispanic Studies Publications

Este artículo estudia un ciclo pasionario firmado y fechado en 1744 por el afamado pintor novohispano José de Ibarra. El conjunto de 15 lienzos, ahora en una colección particular, no había sido catalogado dentro de la producción pictórica conocida del maestro. La serie fue adquirida por un exitoso mercader español activo en el puerto de Veracruz en la segunda mitad del siglo XVIII. El ciclo ilustra consideraciones de transferencias culturales en el mundo hispano de aquella época y sugiere cuestionamientos en relación a los modelos globales de comunicación y de intercambio. La serie se analiza aquí desde varias perspectivas transatlánticas, …

Of Water Jars And Women: A Re-Evaluation Of Fountain House Imagery On Late Archaic Black-Figure Hydriai, Christopher Askew

School of Art, Art History, and Design: Theses and Student Creative Work

From approximately 530 to 500 BCE, images of fountain houses became popular subjects on black-figure hydriai produced in or around ancient Athens. These scenes often involve groups of unidentified women gathering around a fountain spout, typically attached to an ornate architectural structure, in order to fill their water jars. Although isolated pottery sherds depicting these scenes have been discovered in Greece, approximately seventy-five of these scenes have been identified on Attic hydriai depicting such scenes were discovered in Etruscan tombs. Past scholarship has categorized these images either as genre scenes, which represent a domestic activity characteristic of everyday life, or …

Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond

Art Faculty Articles and Research

This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …

Leonardo And The Whale, Kay Etheridge

Biology Faculty Publications

Around 1480, when he was 28 years old, Leonardo da Vinci recorded what may have been a seminal event in his life. In writing of his travels to view nature he recounted an experience in a cave in the Tuscan countryside:

Having wandered for some distance among overhanging rocks, I can to the entrance of a great cavern... [and after some hesitation I entered] drawn by a desire to see whether there might be any marvelous thing within..."

[excerpt]

Patronage And Portable Portraits: Early English Miniatures: 1520-1544, Ashley Owens

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis examines function and patronage of early sixteenth-century portrait miniatures by Lucas Horenbout (d. 1544) and Hans Holbein the Younger (1497/8-1543). Portrait miniatures, a unique form of portraiture emerging in the sixteenth century, have a long tradition in England, but hold an ambiguous place within art history because of their size, variety, and multifaceted function. Scholarship on the topic of early English portrait miniatures defines and discusses the tradition as it applies to the Elizabethan miniatures of Nicholas Hilliard (1547-1619), the first major English-born artist. Therefore, the miniatures prior to Hilliard have been studied as predecessors to his works …

"Introduction" To Crossroads: Frankfurt Am Main As Market For Northern Art 1500–1800, Miriam Hall Kirch, Birgit Ulrike Münch, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Table of Contents Inhaltsverzeichnis

Simple curiosity has sparked many a book, and that is true of this book, too. We wanted to know what role Frankfurt am Main played in the rise of the commercial art market in general and in particular of painting and printmaking during the early modern period. We were surprised to find no ready answer to our question, for although the Frankfurt Book Fair remains a major publishing event, art historians have not yet focused sufficiently on its precursor, the Frankfurt fair, an important location for the trade in paintings and prints. Frankfurt's hub function as …

Francis Quarles And Jesuit Images: Some Observations, Clifford Davidson

Early Drama, Art, and Music

An otherwise unpublished study of Francis Quarles's Emblemes.

Οἶκοι To Monastery: An Interpretative Possibility For The Northeast Insulae At Antiochia Hippos, Mark Schuler

Papers and Presentations

No abstract provided.

Liturgy, Space, And Community In The Basilica Julii (Santa Maria In Trastevere), Dale Kinney

History of Art Faculty Research and Scholarship

The Basilica Julii (also known as titulus Callisti and later as Santa Maria in Trastevere) provides a case study of the physical and social conditions in which early Christian liturgies 'rewired' their participants. This paper demonstrates that liturgical transformation was a two-way process, in which liturgy was the object as well as the agent of change. Three essential factors - the liturgy of the Eucharist, the space of the early Christian basilica, and the local Christian community - are described as they existed in Rome from the fourth through the ninth centuries. The essay then takes up the specific case …

The Fayoum, The Seila Pyramid, Fag El-Gamous And Its Nearby Cities: A Background, Kerry Muhlestein, Cannon Fairbairn, Ronald Harris

Faculty Publications

Because the excavations discussed in this volume take place in the Fayoum, and cover a time period that spans from the Old Kingdom through the Byzantine era, many readers will find it helpful to understand the history, geography, and geology of the Fayoum. Here we provide a brief outline of those subjects. This is not intended to present new information or be a definitive discussion. Rather, it is aimed at contextualizing the rest of the material presented in this volume, and thus making all of its information more accessible. The Fag el-Gamous cemetery and the Seila Pyramid are located on …

Excavations At The Seila Pyramid And Ritual Ramifications, Kerry Muhlestein

Faculty Publications

In modern times it was not apparent that the structure many travelers had seen atop the remote escarpment in Gebel El-Rus was actually a pyramid. Before its excavation it was locally known as el-Qalah, meaning “the fortress,” though it has since come to be called Harem Seila, or the Seila Pyramid. Even before excavation it could be easily seen as far away as Hawara when the air was clear. Though it stood six miles straight west of the Meidum Pyramid, there was nothing about the visible square covered in aeolian sand that would make explorers or archaeologists think it was …