Arts and Humanities Commons^™

Smart Mobs, Bad Crowds, Godly People And Dead Priests: Crowd Symbols In The Josianic Narrative And Some Mesopotamian Parallels, Steven W. Holloway

Steven W Holloway

No abstract provided.

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Steven W Holloway

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …

Sargon Ii And His Redactors Repair Eanna Of Uruk, Steven W. Holloway

Steven W Holloway

No abstract provided.

The Shape Of Utnapishtim’S Ark: A Rejoinder, Steven W. Holloway

Steven W Holloway

No abstract provided.

Benjamin Mazar, Biblical Israel: State And People, Philip R. Davies, In Search Of ‘Ancient Israel’, John Van Seters, Prologue To History: The Yahwist As Historian In Genesis, Steven W. Holloway

Steven W Holloway

No abstract provided.

A ‘New’ Kutir-Nahhunte Ii Text, Steven W. Holloway

Steven W Holloway

No abstract provided.

Image, Epigram, And Nature In Middle Byzantine Personal Devotion, Brad Hostetler

Brad Hostetler

York Art: A Subject List Of Extant And Lost Art, Clifford Davidson, David O'Connor

Clifford Davidson

A list, classified by subject, of extant and lost art from pre-Reformation York originally compiled by Clifford Davidson and David E. O'Connor in 1978 and updated by Clifford Davidson, apparently in 2003. This digital reprint was created in 2014 for ScholarWorks at WMU.

Iconography: A Checklist Of Some Useful Sources For Scholars And Students Of Medieval Art And Drama, Clifford Davidson

Clifford Davidson

A classified bibliography of scholarship on medieval drama, art, and music compiled by Clifford Davidson in 2002. This reprint was created in 2014 for ScholarWorks at WMU, with some corrections to the content and the formatting of the 2002 version.

The Early Drama, Art, And Music Project: Publications 1977-2002, Timothy Christiansen, Clifford Davidson

Clifford Davidson

A bibliography of publications of the Early Drama, Art, and Music project at Western Michigan University, originally compiled by Timothy Christiansen and updated in 2002 by Clifford Davidson. This digital reprint was created in 2014 for ScholarWorks at WMU, with an addendum, an update, and a few corrections to the formatting of the 2002 publication.

«"Une Proclamation De Foi : Les Retables Commandés Au Xvii Siècle Par Le Prieur Vincent Royer Pour L'Abbaye Prémontrée De Beauport" /A Proclamation Of Faith : The 17th-Century Altarpieces Commissioned By Prior Vincent Royer For The Premonstratensian Abbey Of Beauport», Harriet M. Sonne De Torrens Dr.

Harriet M Sonne de Torrens Dr.

No abstract provided.

Furnishing The Soul: Medieval Maps, Meditation, And Metaphor, Daniel Terkla

Daniel Terkla

Professor Dan Terkla with Illinois Wesleyan University provides a new context in which to think about how some world maps from the twelfth and thirteenth centuries were used. He argues that these maps worked in concert with the architectural layouts and furnishings of Gothic churches—especially tableau, painted and lettered informational tablets—to guide visitors through the terrestrial realm while pointing them toward its celestial counterpart.

Florentine Convent As Practiced Place: Cosimo De’Medici, Fra Angelico, And The Public Library Of San Marco, Allie Terry-Fritsch

Allie Terry-Fritsch

By approaching the Observant Dominican convent of San Marco in Florence as a “practiced place,” this article considers the secular users of the convent’s library as mobile spectators that necessarily navigated the cloister and dormitory and, in so doing, recovers, for the first time, their embodied experience of the architectural pathway and the frescoed decoration along the way. To begin this process, the article rediscovers the original “public” for the library at San Marco and reconstructs the pathway through the convent that this secular audience once used. By considering the practice of the place, this article considers Fra Angelico’s extensive …

Painting And Preaching In An Early Medieval Monastery, Including Chapters On The Last Judgment, Magic, And Healing, Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

The Con-Text Of Church Decoration In The Middle Ages, Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Stained Glass And Liturgy: The Uses And Limits Of An Analogy, Gerald B. Guest

Gerald B. Guest

Visual Culture Of Baptism In The Middle Ages: Essays On Medieval Fonts, Settings And Beliefs, Harriet Sonne De Torrens, Miguel Torrens

Harriet M Sonne de Torrens Dr.

Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the world’s only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The ‘visual’ is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, …

Reconsidering The Date Of The Baptismal Font In San Isidoro, Leon, Spain, Harriet M. Sonne De Torrens Dr.

Harriet M Sonne de Torrens Dr.

The baptismal font that stands today in the Cahpel of the Salazares n the Royal Collegiate Church of San Isidoro of Seville in Leon, Spain has been assigned an early eleventh century date, ca. 1000-1050, making it the earliest of all known extant fonts, in both Spain and in the Latin West, that are ornamented with scenes from the life of Christ. This essay reviews the scholarship and proposes a 12th century date based on comparative examples in both Spain and the larger context of the Latin West.

Hornos Cerámicos Islámicos En El Tossal De Les Basses (Alicante, España). Islamic Pottery Kilns In The Tossal De Les Basses (Alicante, Spain)., Pablo Rosser Phd., Seila Aixa Soler Pre Phd

pablo rosser

Resumen En el Tossal de les Basses (Alicante), y para final de época islámica (en los siglos XII-XIII), se documenta un asentamiento, con algunos enterramientos, así como dos hornos cerámicos con sus testares. Se trataría de una pequeña alquería dedicada, básicamente, a la fabricación de distintas producciones cerámicas que distribuirían a través de la medina Laqant. Hemos podido, además, documentar un horno, con distintas reparaciones, y la rotura definitiva del mismo. Termina, de esta manera, un dilatado ciclo de producción cerámica en la zona que se viene documentando –por los análisis de pastas- desde época neolítica, si bien por ahora …

Mapping Jews: Cartography And Topography In Rome's Ghetto, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

This paper examines how the Ghetto of Rome was represented in the many view-plans and maps of Rome from the 16th through 18th centuries, and how this mapping both tells us much about the physical appearance of the Ghetto and also how it was perceived by others in particular and presented to others more generally.

Stosunki Chrześcijańsko-Żydowskie W History, Pamięci I Sztuce: Europejski Kontekst Dzieł W Katedrze Sandomierskiej [Jewish-Christian Relations In History, Memory, And Art: European Context For The Paintings In The Sandomierz Cathedral], Magda Teter, Urszula Stępień

Magda Teter

[Polish] Obraz Infanticidium wiszący na zachodniej ścianie katedry sandomierskiej i ukazujący sceny rzekomego morderstwa dzieci chrześcijańskich przez Żydów był często przedstawiany w izolacji jako przykład antysemityzmu polskiego oraz stosunków pomiędzy Żydami a Kościołem katolickim. Stał się więc ten obraz swego rodzaju „miejscem pamięci” (lieu de mémoire), w którym „skrystalizowana” została także pamięć stosunków chrześcijańsko-żydowskich w Polsce, oraz tym samy źródłem napięć i protestów. Bogato ilustrowana książka pod redakcją Magdy Teter i Urszuli Stępień ma na celu przedstawienie wstępnego zarysu, ułatwiającego zrozumienie sandomierskich obrazów w ich szerszym kontekście artystycznym, historycznym, i historiograficznym, na tle wydarzeń zarówno europejskich, jak i lokalnych.

[English] …

Resurrecting Gods, Ahissa Branson

sbranson@oglethorpe.edu

No abstract provided.

Myth Materialized: Thirteenth Century Additions To The West Façade Of San Marco And Their Value In Venetian History Making, Michelle Reynolds

Michelle Reynolds

The focus of this paper is on the basilica of San Marco in Venice and its relationship to the political and social culture in which it was erected. Looking directly at the set of four horses placed high above the five main entrances and the mosaics of the transfer of Saint Mark’s relics to Venice which originally decorated these portals in the thirteenth century, this paper looks to discover connections between these rather unique designs and stylistic choices and the unique sense of identity the Venetians had long perpetuated. The two different groups of works illuminate deliberate stylistic connections to …

Nietzsche And Lou, Eros And Art : On Lou’S Triangles And The « Exquisite Dream » Of Sacro Monte, Babette Babich

Babette Babich

No abstract provided.

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

Babette Babich

To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …

The Ball State Crucifix And Its Multiple Contexts, Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Museo De Aguas De Alicante El Agua En El Origen De Alicante Una Visión Histórico-Arqueológica Desde La Prehistoria Hasta La Época Moderna, Pablo Rosser

pablo rosser

A partir de restos arqueológicos, de documentación de archivo y de cartografía histórica, se hace una evolución sobre cómo el agua y su uso permitió el asentamiento de población en Alicante desde el neolítico hasta época contemporánea.

Altering The Tradition: The Traditio Legis At The Monastery Of Saint John In Müstair (Switzerland), Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Apostolicity And The Ascension At The Monastery Of Saint John In Müstair (Switzerland), Jenny Ataoguz

Jenny Kirsten Ataoguz

No abstract provided.

Stammheim Missal, Elizabeth Teviotdale

Elizabeth C Teviotdale

Restricted Access.