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Full-Text Articles in Arts and Humanities
A Maker's Perspective Of Materiality: Observing Material Change Through Legacy Craftsmanship, Maker Intent, And Contemporary Manifestation, Adam Swift
Masters Theses
Simple handmade objects have important stories to tell about the hands that made them and the environments they pass through. This project observes the thinking, materials, and process involved in craft work through the lens of materiality. I wrestle with materiality by presenting a personal making project, in front of L.C. King Mfg. Co., a Tennessee workwear company that maintains century-old manufacturing practices and values. With the interactive – and interdisciplinary – perspective of cultural rhetoric as the guiding theoretical framework, this display of both freshly created (the leather bag project) and progressively experienced (the chore coat) material realities aims …
Small Batch: Women's Positions In Southern Craft Beverages, Victoria De Leone
Small Batch: Women's Positions In Southern Craft Beverages, Victoria De Leone
Electronic Theses and Dissertations
This thesis explores three different forms of narrative in order to understand how and why craft beverage industries, specifically beer and whiskey, have been framed as masculine spaces. Women who seek to work in or around these industries are often sorted into the marketing, sales and service corners of the industry, and the production floor still hosts very few women, and those women must negotiate performing their femininity and the masculinities deemed necessary for the environment simultaneously. I argue that the way that we talk about women who choose to do this work is rooted in a history of domestic …
Knitting Rebellion: Elizabeth Zimmermann, Identity, And Craftsmanship In Post War America, Maureen Lilly Marsh
Knitting Rebellion: Elizabeth Zimmermann, Identity, And Craftsmanship In Post War America, Maureen Lilly Marsh
Open Access Dissertations
At mid 20th century, hand knitting in the United States was practiced as a minor and fading chore of the domestic economy, with decreasing pattern publications in national women’s magazines, and the demise of Vogue Knitting Book by the late nineteen-sixties. By 1990, it had rebounded into major new publications in periodicals and books, new and revived artisanship practices, gallery exhibitions and major international conferences and gatherings. A driving figure in this resurgence was the knitter, writer, teacher, designer, and publisher Elizabeth Zimmermann. With her initial publication in 1955 up to her retirement in 1989, Elizabeth’s philosophy of knitting stressed …