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Full-Text Articles in Arts and Humanities
The Gender Epidemic: Intersecting Disease, Gender, And Sexuality In A Graphic Novel, Autumn Cejer
The Gender Epidemic: Intersecting Disease, Gender, And Sexuality In A Graphic Novel, Autumn Cejer
All NMU Master's Theses
For my thesis, I wrote a graphic novel set in a world where certain people possess powers that society tries to suppress by viewing them as a disease. The story focuses on two super-powered individuals on opposite sides of the law who handle this oppression very differently. Although these characters would easily be able to overpower the non-powered people in charge, they are too afraid to do so. Internalized guilt from possessing abilities they did not ask for adds an additional layer of conflict, just as women and disabled persons are constantly made to feel like they should apologize for …
Final Master's Portfolio, Alyssa Zuber
Final Master's Portfolio, Alyssa Zuber
Master of Arts in English Plan II Graduate Projects
This MA explores the body's response to trauma, social media's impact on modern young women, the Women's Health Movement of the 1960s and 1970s, and how the memoir can be used as a tool to explore radical honesty.
The Stories We Tell: Gender-Based Variances In Recovery Narratives, Jessica Mcdaniel
The Stories We Tell: Gender-Based Variances In Recovery Narratives, Jessica Mcdaniel
Master of Arts in American Studies Capstones
Substance-related issues have long been a societal concern, yet there is a dearth of empirical evidence about effective treatments. One of the most prominent methods of resolving substance-related issues, Alcoholics Anonymous (AA), has been criticized for its white, Christian middle-class, heterosexual male provenance. Particularly, the utility of AA for women has been questioned. Yet, many women do find recovery within AA. Therefore, the question becomes less about the fundamental efficacy of AA and more about for whom does AA work. As such, the present study set out to analyze recovery narratives drawn from the primary AA text. The stories of …
Where Do You Go When You Go Home? Narrative Studies Of Gender Euphoria, Silas Crewe-Kluge
Where Do You Go When You Go Home? Narrative Studies Of Gender Euphoria, Silas Crewe-Kluge
Honors Papers
This honors thesis is a collection of short stories and other writings orbiting the central theme of gender euphoria. A play on gender dysphoria, a diagnostic term denoting a sense of incongruity between one’s body and one’s understanding of one’s own gender, gender euphoria seeks to describe a state of being, often but not always ecstatic, realized when one is recognized as the gender one identifies with, either by oneself or by outside observers. What would it be like if transgender and gender non-conforming people could explain themselves not just with their pain, but also with their joy at becoming …
Mental Illness And Femininity In Late Nineteenth-Early Twentieth Century Anglo-American Literature, Bianca Cristina Basone
Mental Illness And Femininity In Late Nineteenth-Early Twentieth Century Anglo-American Literature, Bianca Cristina Basone
Theses and Dissertations
This thesis attempts to prove that the diagnosing and treatment of mental illness in Victorian Anglo-American literature was heavily gendered and therefore misogynistic. To do so, four characters will be studied: Lady Audley in Mary Elizabeth Braddon’s Lady Audley’s Secret, the unnamed female narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper, Edna Pontellier in Kate Chopin’s The Awakening, and Septimus Warren Smith in Virginia Woolf’s Mrs. Dalloway. Using the first three characters I intend to show that women during the nineteenth century were diagnosed as mentally ill because they did not partake in social gender norms, deviating by doing something …
The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella
The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella
Dissertations and Theses
In November 1926, a group of Black artists, writers, and activists created the first and only edition of Fire!!, edited by novelist Wallace Thurman. Fire!! was created by a younger generation of New Negroes and “devoted to the younger Negro artists” who dissented from the mainstream ideas of the New Negro Movement and used the magazine to spread their own views on the 1915-1945 New Negro Renaissance. Fire!! and other texts speaking to this dissent against a Black intellectual middle class image of the movement will be studied in reference to showcasing the multi-faceted elements of the movement touching …
The Meat Of The Gothic: Animality And Social Justice In United States Fiction And Film Of The Twenty-First Century, Amber Hodge
The Meat Of The Gothic: Animality And Social Justice In United States Fiction And Film Of The Twenty-First Century, Amber Hodge
Electronic Theses and Dissertations
The Meat of the Gothic: Animality and Social Justice in United States Fiction and Film of the Twenty-First Century— situates twenty-first century US gothic narratives in relation to animal studies, even as it illuminates how these narratives interrogate the effects of historic and ongoing global systems of human oppression: slavery, imperialism, and capitalism. Instead of reacting to bias by asserting a claim to a humanity perpetually imbricated in divisions of class, race, and gender, present-day authors and filmmakers create characters who form communities that include nonhuman actors as a means of generating empowerment and critique. My approach to these narratives …
Hemingway Drunk: A Study Of Prohibition, Medico-Legal Rhetoric, And The Autonomy Of Masculinity, Graham P. Studdard
Hemingway Drunk: A Study Of Prohibition, Medico-Legal Rhetoric, And The Autonomy Of Masculinity, Graham P. Studdard
Honors Undergraduate Theses
This thesis uses a combination of medical humanities, queer public theory, and literary analysis to showcase the uniquely American connections between alcoholism and masculinity in the literature of Ernest Hemingway. By situating both Hemingway and his characters within the medico-legal rhetoric of modernism’s famous Parisian Jazz-age, which occurred at the same time as American prohibition, I reveal changes in white American men’s relationships with gender, bodily autonomy, and the patriarchy that are often overlooked due to Hemingway’s publicly constructed masculine persona. My work provides new queer interpretations of The Sun Also Rises (1926) and the posthumous Garden of Eden (1986) …