Arts and Humanities Commons^™

The Transnational Semiotics Of “Policing Murals”: How Representations Of Police Power In Murals Conceal And Reveal State Violence, Vivian A. Swayne

Doctoral Dissertations

Murals tell visual stories that legitimize/delegitimize formations of state power, conceal/reveal state violence, and attract collective interface from diverse parties. Scholars, artists, and organizers have studied murals as an aesthetic medium, tools for social movements, affective memorials, and episodes of conflict in the public space, but patterns and distinctions in the local, global, and digital duration of policing murals requires critical analysis. Policing murals refers to (1) murals made by police (and/or their advocates) to reproduce its preferred representations and (2) the censorship and control of unauthorized murals. Murals painted on police departments share semiotics globally, all of which conceal …

Re-Visioning The Modern/Ist Body: Literature, Women, And Modern Dance, Marisa Higgins

Doctoral Dissertations

This project explores the connections between modern dance and modernism Though initially, these connections might seem inchoate, modern dance provides a way to consider how expressive movement in modernism and gender restrictions prompts a physical response. Dance is inherently stylistic movement, and it is vital to explore how movement offers women a way to engage or respond to modernity. By investigating the role of movement in modernist literature and the particular tension between constraint and freedom that characterized female movement during this period, I argue that expressive movement and embodied performance offers a means of self-exploration and self-actualization. Specifically, it …

Capitals Of Punk: Paris, Dc, And The Circulation Of Urban Counternarratives, Tyler William Sonnichsen

Doctoral Dissertations

In the history of underground music in the punk era, few cities’ scenes have garnered as much respect and influence as Washington, DC. Bad Brains, Minor Threat, Scream, Rites of Spring, Fugazi, and a deep catalog of other regional groups have accrued legendary status among fans of hardcore and have become subjects of popular books and documentaries. However, few accounts have investigated DC’s underground influence on other urban landscapes outside of the United States. This dissertation focuses on that relationship between DC and another iconic Western capital with a largely unheralded hardcore punk history, Paris.

Using qualitative, ethnographic methods, this …

Community Formation And The Development Of A British-Atlantic Identity In The Chesapeake: An Archaeological And Historical Study Of The Tobacco Pipe Trade In The Potomac River Valley Ca. 1630-1730, Lauren Kathleen Mcmillan

Doctoral Dissertations

Trade in goods, and the exchange of information and ideas that resulted, was the backbone and lifeblood of the Chesapeake colonies. Through these formal and informal interactions colonists formed personal and community relationships that defined many aspects of life in 17th-century Virginia and Maryland. Marked or decorated imported clay tobacco pipes and locally-produced mold-made tobacco pipes are one of the most tangible pieces of evidence of these relationships and are the main focus of this study. By combining archaeological and documentary records, the multiple interaction spheres in which residents from 16 archaeological sites in the Potomac River Valley were engaged …

Communities Of Abundance: Sociality, Sustainability, And The Solidarity Economies Of Local Food-Related Business Networks In Knoxville, Tennessee, Tony Nathan Vanwinkle

Doctoral Dissertations

This dissertation examines the socio-economic and eco-political dimensions of contemporary localist food movements in Knoxville, Tennessee. More specifically, it explores the implications of the mutualistic and networked socio-economies (solidarity and/or community economies) of such movement expressions as they are experienced, embodied, and understood among the small-scale, independent food-related business owners who often serve as the interpellators of such movements. This study is likewise concerned with ways in which movement actors are actively shaping/creating place (via the processes of emplacement), and relatedly, the way place—as an entity possessive of its own accretions of environmental, historical, cultural, economic, and political identities—shapes actors, …

The "Vast And Terrible" Trauma: American Literary Naturalism, Ethics, And Levinas, Tyler Joseph Efird

Doctoral Dissertations

In an 1896 essay, Frank Norris wrote that the reading world should abandon those “teacup tragedies” to which it had grown accustomed and embrace a new literature that would depict a “vast and terrible drama.” Realism, Norris claimed, could not be used to achieve an earnest portrait of the conditions that mark individual lives under capitalism. Instead, the world needed a romantic wrestling with the forces of existential inscrutability. Also, the perceived need for literature to depict a clear ethical system needed revising from the perspective of American literary naturalism, a school long denigrated for apparent moral vacuity. Through excruciating …

Of This Ground: Land As Refuge In The Works Of Three Kentucky Women Writers, Nicole Marie Drewitz-Crockett

Doctoral Dissertations

This dissertation investigates the memoirs, novels, and short stories of three women writers whose work is heavily invested in a sense of place and privileges women’s relationships to the land: Harriette Simpson Arnow, Bobbie Ann Mason, and Barbara Kingsolver. All of these women spent their formative years in Kentucky, which for the purposes of this project classifies them as “Kentucky writers.” As a group these women offer a one possible solution to modern concerns for women: a relationship to the land as refuge. Engagement with the land as refuge provides a sense of satisfaction, a source of therapy, and a …

Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman

Doctoral Dissertations

Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …

Ambiguous Recognition: Recursion, Cognitive Blending, And The Problem Of Interpretation In Twenty-First-Century Fiction, Christopher David Kilgore

Doctoral Dissertations

This dissertation uses theories of cognitive conceptual integration (as outlined by Gilles Fauconnier and Mark Turner) to propose a model of narrative reading that mediates between narratology and theories of reception. I use this model to demonstrate how new experimental narratives achieve a potent balance between a determinate and open story-form. Where the high postmodernists of the 1970s and 80s created ironic, undecidable story-worlds, the novels considered here allow readers to embrace seemingly opposite propositions without retreating into ironic suspension, trading the postmodernist “neither/nor” for a new “both/and.” This technique demands significant revision of both descriptions of radical experimentation in …