Arts and Humanities Commons^™

[Introduction To] Growing Up In The South: An Anthology Of Modern Southern Literature, Suzanne W. Jones

Bookshelf

Something about the South has inspired the imaginations of an extraordinary number of America’s best storytellers—and greatest writers. That quality may be a rich, unequivocal sense of place, a living connection with the past, or the contradictions and passions that endow this region with awesome beauty and equally awesome tragedy. The stories in this superb collection of modern Southern writing are about childhood, adolescence, and young adulthood—in other words, about growing up in the South. Flannery O’Connor’s “Everything That Rises Must Converge,” set in a South that remains segregated even after segregation is declared illegal, is the story of a …

[Introduction To] In The Presence Of Mine Enemies: Civil War In The Heart Of America, 1859-1863, Edward L. Ayers

Bookshelf

Winner of the Bancroft Prize: Through a gripping narrative based on massive new research, a leading historian reshapes our understanding of the Civil War.

Our standard Civil War histories tell a reassuring story of the triumph, in an inevitable conflict, of the dynamic, free-labor North over the traditional, slave-based South, vindicating the freedom principles built into the nation's foundations.

But at the time, on the borderlands of Pennsylvania and Virginia, no one expected war, and no one knew how it would turn out. The one certainty was that any war between the states would be fought in their fields and …

The Origin Of Armstrong's Hot Fives And Hot Sevens, Gene H. Anderson

Music Faculty Publications

It has been almost fifty years since Louis Armstrong's Hot Five and Hot Seven recordings of 1925-1928 were first recognized in print as a watershed of jazz history and the means by which the trumpeter emerged as the style's first transcendent figure. Since then these views have only intensified. The Hot Fives and Hot Sevens have come to be regarded as harbingers of all jazz since, with Armstrong's status as the “single most creative and innovative force in jazz history” and an “American genius” now well beyond dispute. This study does not question these claims but seeks, rather, to determine …