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The Body And Invisible Man: Ralph Ellison’S Novel In Twenty-First Century Performance And Public Spaces, Patrice Rankine Jan 2016

The Body And Invisible Man: Ralph Ellison’S Novel In Twenty-First Century Performance And Public Spaces, Patrice Rankine

Classical Studies Faculty Publications

Patrice Rankine’s “The Body and Invisible Man: Ralph Ellison’s Novel in Twenty-First-Century Performance and Public Spaces,” contrasts the artistic uses of physicality in Invisible Man the novel with its 2012 play adaptation. Rankine argues that the stage version’s “focus on the corporeal reality of race” complements what the novel can do to facilitate social or political progress: in short, “there is therapeutic value in ‘staging’ or reliving such experiences.” Staging Invisible Man extends Ellison’s relevance in an age where, though the United States had a black president, the very novelty of the black body illustrates how infrequently that body …


Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine Jan 2001

Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine

Classical Studies Faculty Publications

As the recently published epistolary collection reveals, Ralph Ellison was an unabashed Americanist, for better and for worse. Ellison's faith in American identity and the democratic process, which is evident at the end of Invisible Man in the protagonist's determination to "affirm the principle on which the country was built [and not the men who did the violence]" (574), is again manifest in the posthumous novel, Juneteenth. According to John F. Callahan, Ellison's litearary executor, the novel celebrates "the indivisibility of the American experience" (Juneteeth xvi). James Alan McPherson (the African-American writer to whom Ellison showed a portion …