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Full-Text Articles in Arts and Humanities

The Beggar's Opera And Its Criminal Law Context, Ian Gallacher Oct 2006

The Beggar's Opera And Its Criminal Law Context, Ian Gallacher

Ian Gallacher

This chapter seeks to take the characters and situations of Gay's The Beggar's Opera and consider how closely the play's portrayal matches the historical record. Although the view offered by the play is a restricted one, the chapter concludes that the picture it offers is as close to historical reality as any other document from the period.


Marketplace Multiculturalism: Packaging And Selling Vietnamese America, Karin Aguilar-San Juan Jul 2006

Marketplace Multiculturalism: Packaging And Selling Vietnamese America, Karin Aguilar-San Juan

Karin Aguilar-San Juan

No abstract provided.


The Alleged Pragmatism Of T.S. Eliot, Gregory Brazeal Jan 2006

The Alleged Pragmatism Of T.S. Eliot, Gregory Brazeal

Gregory Brazeal

Before gaining recognition as a poet, T.S. Eliot pursued a doctoral degree in philosophy. His dissertation on the philosophy of F.H. Bradley has been a source of longstanding critical dispute. Some read the dissertation as a defense of Bradley’s views, while others read it as a repudiation of Bradley in favor of a kind of American philosophical pragmatism. This essay considers whether the dissertation can be properly characterized as pragmatist, despite Eliot’s enthusiastic and repeated dismissals of William James’ philosophy of truth. Eliot comes closest to a Jamesian view of belief when he writes of the endless ways we can …


When Love Medicine Is Not Enough: Class Conflict And Work Culture On And Off The Reservation, Reginald B. Dyck Jan 2006

When Love Medicine Is Not Enough: Class Conflict And Work Culture On And Off The Reservation, Reginald B. Dyck

Reginald B Dyck

No abstract provided.


'Embrace The Prudent Alliance': William Byrd Of Westover And Intermarriage Between Europeans And Native Americans, Katie Rose Guest Pryal Jan 2006

'Embrace The Prudent Alliance': William Byrd Of Westover And Intermarriage Between Europeans And Native Americans, Katie Rose Guest Pryal

Katie Rose Guest Pryal

This paper provides a rhetorical examination of the powerful colonial figure William Byrd of Westover's "History of the Dividing Line" and his call for interracial marriage as a path to peace with Native Americans. Byrd’s proposal of intermarriage, or biological assimilation, can only be read in its complex sociopolitical and legal contexts. The tone of Byrd’s writings could be read to imply an ironic stance on the part of the author. I argue, however, that because of the significant issues he addresses — war, land rights, and religion — and the seemingly favorable context in which he wrote, his ironic …


(Anti-)Lynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, And The Evolution Of African American Drama, Koritha Mitchell Jan 2006

(Anti-)Lynching Plays: Angelina Weld Grimké, Alice Dunbar-Nelson, And The Evolution Of African American Drama, Koritha Mitchell

Koritha Mitchell

My initial articulation of the history of black-authored lynching plays and their tendency to avoid portraying physical violence.


The Modern In The Postmodern: Walter Mosley, Barbara Neely, And The Politics Of Contemporary African American Detective Fiction, Daylanne English Jan 2006

The Modern In The Postmodern: Walter Mosley, Barbara Neely, And The Politics Of Contemporary African American Detective Fiction, Daylanne English

Daylanne English

No abstract provided.


American Zeitgeist: Spontaneity In The Work Of Jackson Pollock, Charlie Parker And Jack Kerouac, Randall Snyder Jan 2006

American Zeitgeist: Spontaneity In The Work Of Jackson Pollock, Charlie Parker And Jack Kerouac, Randall Snyder

Randall Snyder

During the decade following World War Two, a body of artistic work was created that clearly articulated for the first time, a distinctly American aesthetic, independent of European models. This is not to say that celebrated works like The Great Gatsby, The Sun Also Rises, Appalachian Spring and Roy Harris’ Third Symphony are not recognized as American masterpieces; but their American characteristics are expressed through content, rather than form or methods of production. Fitzgerald and Hemingway all furthered their apprenticeship in Europe during the 1920s while Copland and Harris studied in Paris with Boulanger. It remained for the next generation …