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Full-Text Articles in Arts and Humanities
(Dis)Appearing Subjects: Managing Violence Through The Discourse Of Bullying, Rachel E. Levitt
(Dis)Appearing Subjects: Managing Violence Through The Discourse Of Bullying, Rachel E. Levitt
American Studies ETDs
In the early 2000’s, “bullying” became the new center of LGBTQ justice organizing. As part of this development a bullied subject emerged. This bullied person on whose behalf liberation was being sought took various forms from the bullied school shooter, to the cyberbullying victim, to the bullied suicidal queer. As the subtitle of my dissertation suggests, I focus on “managing violence through the discourse of bullying.” This marks a two part process: how the discourse of bullying manages to do violence and how it manages populations biopolitically. This study tackles one of the core paradoxes that inform the formation of …
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
"A Most Disgraceful, Sordid,Disreputable, Drunken Brawl": Paul Cadmus And The Politics Of Queerness In The Early Twentieth Century, Samuel W D Walburn
The Purdue Historian
This paper examines the work of Paul Cadmus from 1930 to 1948. Over the span of nearly three decades, Cadmus's art evolved from covert depictions of queer culture to an explicit depiction of the politics of queerness in immediate postwar America. Cadmus’s legacy is unique because his art documents the shifting conceptualizations of gender and sexuality in the first half of the twentieth century. He is also notable because he so masterfully maneuvered the liminal space between private and public, painting subversive images immersed in covert queerness early in his career and later using queer art as a tool of …
Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths
Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths
Dissertations, Theses, and Capstone Projects
Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …
We Were There, We Are Here: Queer Collections And Their Repositories And Legacies, Alexandria Deters
We Were There, We Are Here: Queer Collections And Their Repositories And Legacies, Alexandria Deters
MA Theses
Art history and history has gaps within it that are just now starting to be filled and the absences rectified. Those gaps are caused by erasure of queer art history. The way it has been rectified is through queer institutions and queer collections. This study explores how queer institutions and collections are innately political through saving queer objects and art. It is through their efforts that queer art history is finally being recognized in major institutions, collections, and exhibitions. I interview scholars and collectors to understand why they collect, which reveals the political nature and uniqueness of queer art as …
"The Least Of These": Towards An Integrated Queer Of Color Critique Of The Prison Industrial Complex, Jahqwahn J. Watson
"The Least Of These": Towards An Integrated Queer Of Color Critique Of The Prison Industrial Complex, Jahqwahn J. Watson
Senior Independent Study Theses
The prison is a site of social death and death-making. the technology of social death originates in the American institution of chattel slavery and has reemerged in the prison industrial complex. The text Prison and Social Death approaches social death in prisons through the lens of reproductive justice, but the author does so in a way that neglects the influence of race in one’s prison experience. Using the lens of necropolitics, I seek to understand how the markers of race, gender, and sexuality compound to produce experiences unique to the black woman/queer/and trans folk in the prison. Necropolitics contend that …