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Full-Text Articles in Arts and Humanities
Racial Protest, Identity, Words And Form In Maya Angelou's "I Know Why The Caged Bird Sings", Pierre A. Walker
Racial Protest, Identity, Words And Form In Maya Angelou's "I Know Why The Caged Bird Sings", Pierre A. Walker
Pierre Walker
Foul Is Fair: What Shakespeare Really Thought About Lawyers, Judith Fischer
Foul Is Fair: What Shakespeare Really Thought About Lawyers, Judith Fischer
Judith D. Fischer
This is a discussion of the meaning and background behind some of Shakespeare's references to lawyers. It explains the common misinterpretation of the famous quotation “Let’s kill all the lawyers." The line actually compliments lawyers, indicating that those who want anarchy must first get rid of lawyers. Review of Daniel J. Kornstein’s book, Kill All the Lawyers? Shakespeare’s Legal Appeal (1994).
Past-On Stories: History, Ontology, And The Magically Real -- Morrison And Allende, On Call, P. Foreman
Past-On Stories: History, Ontology, And The Magically Real -- Morrison And Allende, On Call, P. Foreman
P. Gabrielle Foreman
The relation between ontology and naming is explicitly figured in both Isabel Allende's House of the Spirits and Toni Morrison's Song of Solomon. Morrison locates the defining power in speech and listening, survival skills quite distinct from talking and passive hearing. Allende subverts the Adamic power of literal naming and so posits a new genesis. In both novels, women become the site of a history that survives and so nurtures the present.
"I'Ll Go The Limit And Then Some:" Gun Molls, Desire And Danger In The 1930s, Claire B. Potter
"I'Ll Go The Limit And Then Some:" Gun Molls, Desire And Danger In The 1930s, Claire B. Potter
Claire Potter
No abstract provided.