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Full-Text Articles in Arts and Humanities
‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler
‘I Am That Very Witch’: On The Witch, Feminism, And Not Surviving Patriarchy, Laurel Zwissler
Journal of Religion & Film
While contemporary discussions about witchcraft include reinterpretations and feminist reclamations, early modern accusations contained no such complexity. It is this historical witch as misogynist nightmare that the film, The Witch: A New England Folktale (2015), expresses so effectively. Within the film, the very patriarchal structures that decry witchcraft – the Puritan church from which the family exiles itself, the male headship to which the parents so desperately cling, the insistence, in the face of repeated failure, on the viability of the isolated nuclear family unit – are the same structures that inevitably foreclose the options of the lead character, Thomasin.
"The Guy With The Problem": Reform Narrative In Disney's Beauty And The Beast, Faith Dickens
"The Guy With The Problem": Reform Narrative In Disney's Beauty And The Beast, Faith Dickens
The Pegasus Review: UCF Undergraduate Research Journal
When Disney's film Beauty and the Beast was first released in 1991, it was hailed by critics as a departure from the problematic portrayals of women that had plagued the company's previous efforts at converting fairy tales into animated features. Since then, feminist criticism has provided several different interpretations of the film, some of which seek to assign Beauty and the Beast to a specific literary genre. In looking at Disney's film as a literary text, critics such as June Cummins have argued that it most closely resembles a patriarchal classic romance, while others, such as Susan Swan, view it …