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Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
Indians In The Archives: A History Of Native Americans, Pakachoag Hill And Holy Cross, 1674-1973, Jack Hynick
Indians In The Archives: A History Of Native Americans, Pakachoag Hill And Holy Cross, 1674-1973, Jack Hynick
Of Life and History
Native people are conspicuously absent from the official and popular history of the College of the Holy Cross. Extant records from the Holy Cross archives, the American Antiquarian Society, and digitized reports from the Commonwealth of Massachusetts are filled with references to Native people at Holy Cross and the surrounding Worcester area. By addressing the history of the land, the experiences of Native people on Pakachoag Hill, the roles played by Holy Cross community members in settler colonialism, and the use of Native imagery, this paper hopes to correct a blinding omission in the story of the College.
Bob Dylan And American Folk Music: The Pigeonhole Effect, Thomas J. Murray
Bob Dylan And American Folk Music: The Pigeonhole Effect, Thomas J. Murray
Of Life and History
This article tracks Bob Dylan's early musical career and his relation to the American Folk music movement of the late 1950s into the early 1960s. The author grapples with the question of why Bob Dylan went electric and explores some of the stories around the seminal event in American Folk Music history. The author mainly uses Bob Dylan's personal interviews and songs to draw conclusions.
Letting The Cat Out Of The Wall: Irrepressible Perversity In Poe, Kelly Gallagher
Letting The Cat Out Of The Wall: Irrepressible Perversity In Poe, Kelly Gallagher
The Criterion
This paper examines several short stories by Edgar Allan Poe that feature the motif of immurement, the practice of imprisoning a victim within walls. Poe uses immurement in “The Black Cat” and “The Tell-Tale Heart” to suggest psychological suppression as the narrators physically hide their victims while simultaneously hiding their own self-destructive natures, which he refers to as “perversity.” His stories “The Imp of the Perverse” and “The Cask of Amontillado” convey that attempting to suppress one’s capacity for self-destruction only guarantees self-destruction. Poe’s motif of immurement demonstrates how human beings tend to ignore their inherent perversity, but his stories …