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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Civil Rights Gone Wrong: Racial Nostalgia, Historical Memory, And The Boston Busing Crisis In Contemporary Children’S Literature, Lynnell L. Thomas
Civil Rights Gone Wrong: Racial Nostalgia, Historical Memory, And The Boston Busing Crisis In Contemporary Children’S Literature, Lynnell L. Thomas
American Studies Faculty Publication Series
On May 14, 2014, three white Boston city councilors refused to vote to approve a resolution honoring the sixtieth anniversary of Brown v. the Board of Education because, as one remarked, “I didn’t want to get into a debate regarding forced busing in Boston.” Against the recent national proliferation of celebrations of civil rights milestones and legislation, the controversy surrounding the fortieth anniversary of the court decision that mandated busing to desegregate Boston public schools speaks volumes about the historical memory of Boston’s civil rights movement. Two highly acclaimed contemporary works of children’s literature set during or inspired by Boston’s …
“Calypso”—Harry Belafonte (1956), Judith E. Smith
“Calypso”—Harry Belafonte (1956), Judith E. Smith
American Studies Faculty Publication Series
Harry Belafonte, the Harlem-born son of poor undocumented Jamaican immigrants, an untrained singer whose heart was set on becoming an actor, made music history with “Harry Belafonte: Calypso.” This record was the very first by a solo performer to sell a million copies, holding the top spot on “Billboard’s” pop album charts for an unprecedented 31 weeks (in addition, 58 weeks in the top ten, 99 weeks among the top 100). The higher-ups at RCA had doubted the commercial potential of a thematically unified recording of “island and Calypso songs,” but the “Calypso” record, released at the end of May …
Bessie [Film Review], Judith E. Smith
Bessie [Film Review], Judith E. Smith
American Studies Faculty Publication Series
Bessie opens with an arresting shot of Queen Latifah as singer Bessie Smith, dressed in the white costume familiarized by a widely reproduced photograph, with blue tones emphasizing both interiority (her eyes are closed, and the music viewers hear is playing in her head), and the blues genre associated with her. When the shift to every day colors returns viewers to the movie’s present (1927), an unsmiling Bessie walks through an adoring backstage crowd, press cameras flashing, into a waiting car. Rachel Portman’s score suggests foreboding; the next long shot shows Bessie framed in a doorway as she calls out …
Urban Culture, Judith E. Smith
Urban Culture, Judith E. Smith
American Studies Faculty Publication Series
Encyclopedia entry on "Urban Culture" submitted for inclusion in the Oxford Encyclopedia of American Cultural and Intellectual History, ed. by Joan Shelly Rubin (NY: Oxford University Press, 2013) 516-522.
Amelia [Film Review], Judith E. Smith
Amelia [Film Review], Judith E. Smith
American Studies Faculty Publication Series
What is the cultural terrain staked out by Amelia, the recent Hollywood-distributed biopic about intrepid flyer Amelia Earhart? The quick shots that precede the opening credits direct attention to the particular themes that Producer Ted Waitt, director Mira Nair, and screenwriters Ron Bass and Anna Hamilton Phelan have emphasized in their 2009 feature about the flyer. Her airplane taking off into the dark gestures to the mystery of her last flight and disappearance without a trace. Her celebrity status is indicated by cheering crowds, radio interviews, and photographs, fusing seamlessly with her status as an object of heterosexual adoration once …
Judy Holliday's Urban Working Girl Characters In 1950s Hollywood Film, Judith E. Smith
Judy Holliday's Urban Working Girl Characters In 1950s Hollywood Film, Judith E. Smith
American Studies Faculty Publication Series
A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique. The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It …