Arts and Humanities Commons^™

What’S In A Name?: The Evolution Of The Female Identity In Shalimar The Clown, Jessica Barksdale

Undergraduate Conference on Literature, Language, and Culture

No abstract provided.

English Grammar: The Good, The Bad, And The Ugly, Wendy Delk

Undergraduate Conference on Literature, Language, and Culture

No abstract provided.

Until Valhalla, Mr. Krebs, William J. Williford

Undergraduate Conference on Literature, Language, and Culture

No abstract provided.

Hold Them Down: Oppression Of Film Noir's Working Woman, Shaire Blythe

Undergraduate Conference on Literature, Language, and Culture

Introductory Paragraph:

The struggle for women’s rights and roles in society has been an ongoing battle, since the beginning, with Adam and Eve. The subjugation that was presented upon Eve, because of her fault and easiness to be deceived, has trailed behind mankind, and film noir would not be excluded. The femme fatale seems to play the role of what Eve started, seducing men with her sexuality to carry out wicked schemes and being the downfall of all men. Thus, men began to identify women as a threat to their very essence but, yet, still cannot resist the temptation women …

Harbison, Kay (Fa 874), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 874. Paper titled: “Uncle Bozo Carver: World’s Oldest Living Country Musician and Entertainer.” Project details the life of Noble “Uncle Bozo” Carver as an entertainer. Project includes lengthy interview, lists of songs, and some stanzas.

Steps In Time: An Exploration Of Tap Dance Education, Sara Pecina

Mahurin Honors College Capstone Experience/Thesis Projects

Tap dance is an indigenous American art form that not only holds a valuable presence in the world of entertainment but also boasts an important historical background. From the slave quarters on plantations to Hollywood’s silver screen, the development of tap dance mirrors the story of American history. Tap dance must be preserved because of its cultural significance in American history; likewise, it is imperative for dancers to understand its development in order to appreciate the art and for today’s artists to continue the growth and presence of tap dance in America. However, many dance educators today focus solely on …

The Birth Of The Mpdg 2.0: The Potential For The Manic Pixie Dream Girl Trope In Independent Film, Brenna Elizabeth Sherrill

Masters Theses & Specialist Projects

This project chronicles an in-depth character study on the Manic Pixie Dream Girl trope in film. The term was coined in 2007 by a film critic about a very specific kind of female character—one who exists “solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” The MPDG has often been written off as nothing more than a stereotype or sexist characterization of a woman, but I argue that the MPDG can be much more than a flat character, as evidenced by the increasingly complex characterization of …

Peeling The Onion: Satire And The Complexity Of Audience Response, Jane Fife

English Faculty Publications

Satire is a popular form of comedic social critique frequently theorized in terms of Kenneth Burke’s comic frame. While its humor and unexpected combination of incongruous elements can reduce tension that surrounds controversial issues to make new perspectives more accessible, audience response to satire can vary tremendously—including the very negative as well as the very positive. Teaching satire should include exposure to rhetorical theory and audience reception analysis to better prepare students as consumers and creators of satires. With a complex, layered pedagogy, satire can be an important component of the twenty-first-century rhetor’s toolkit.