Arts and Humanities Commons^™

~The River~ (Poem By Raymond Carver)

The International Journal of Ecopsychology (IJE)

"[...] Felt the hair rise as something touched my boot. Grew afraid at what I couldn’t see. Then of everything that filled my eyes— that other shore hung with heavy branches, the dark mountain range behind. [...]"

"A Stranger In America": Queer Diasporic Writers And The American Politics Of Exclusion, Caitlin Stanfield

Electronic Theses and Dissertations

While the academic concept of queer diasporic studies is relatively new, the epistemic future of this interdisciplinary, intersectional, and inclusive field is already imperiled. Throughout recent years, bills seeking to expunge critical race and queer theory from not only the public education sector, but from the legally-defined “general public” as well, have been proposed by legislators throughout the United States. To combat this assault upon marginalized educators, scholars, and authors, one must first understand what is at stake; the rich site of contemporary, queer diasporic poetry provides one such example. By situating these poems within their complex cultural, political, and …

Twentieth-Century Feminine Visionary Poetics : Vulnerable Visions Of Survival And Healing:, Lucyna Prostko

Legacy Theses & Dissertations (2009 - 2024)

H.D. and Denise Levertov, two visionary poets of the twentieth century, represent both female poets’ awakening of political and historical consciousness and their engagement with the poetics of vulnerability and survival. H.D. and Levertov offer lyrical visions that dismantle the binaries of real and unreal, earthly and transcendent, and individual and communal. The subject of this project is visionary imagination and its various reverberations, limitations, and potentialities. What is at stake in feminine visionary twentieth-century poetics is the creation of imaginative worlds, the space of possibility, and the shaping of a lyrical form that encompasses the voices of survival, vulnerability, …

“Nobody” Speaks In A Bog: Emily Dickinson’S “I’M Nobody Who Are You?”, Mei Fujie

International Programs

No abstract provided.

Dickinson At Thirty, Philip Pardi

Legacy Theses & Dissertations (2009 - 2024)

When we say there are “no Mozarts in literature,” we point to an enticing fact: writers become. Pick any text you love or revere, and there was a moment earlier in the author’s life when it could not have been written. The writers we remember develop over time; they change and are changed. Their careers divide, if not always easily, into a before (often thought of as a kind of apprenticeship) and an after (a work or body of work that has a significant claim on our attention). Personal relationships, lived experiences, social and political contexts, readers real and imagined, …

"She Believes She Is Herself, Which Isn't Complete Madness:" Becoming The Female Subject Through Womanhood As Relation, Isabel Rudner

Senior Projects Fall 2020

Senior Project submitted to The Division of Languages and Literature of Bard College.

The Influence Of Individualistic Ideas On American Mobility, Markus Magiera

English Department: Traveling American Modernism (ENG 366, Fall 2018)

In this paper I showcase the influence of individualistic thinking ranging back as far as Age of Enlightenment on the development of mobility in America since the eighteenth century. My goal is to identify the factors that shaped the evolution of travel. In order to do so I start by analyzing texts from the early nineteenth century, where travel by foot was the common thing. Next I focus on new means of mobility; first the bicycle, and later on the automobile. I aim to convince that modernity's main instigator was the change in thinking brought forth in the Age of …

Before Nature's Nation : Ecological Thought And Early American Poetry, Joshua Bartlett

Legacy Theses & Dissertations (2009 - 2024)

This project examines early American encounters with the natural world through the context of contemporary ecocriticism. In readings of Puritan poets Anne Bradstreet and Michael Wigglesworth, African-American poet Phillis Wheatley, and Mohegan minister Samson Occom, it demonstrates how poetic attentions to nature transformed collective antagonism toward the “howling wilderness” into personal feelings of affection and wonder. Likewise, it develops an understanding of the “ecological” that is both methodology, a way of thinking about specific things, such as trees or stones, and epistemology, a kind of thinking that emphasizes relational perception. It then situates these experiences amidst both canonical Americanist scholarship …

Poetry Matters: Radical Politics In Postmodern American Poetry, Christopher J. Padgett

Open Access Dissertations

Directly or indirectly, poetry produced in the postmodern era is implicated in the politics of the time. Postmodern American poetry, then, is not reducible to a single poetic mode or to a specific set of stylistic features. In other words, a more comprehensive understanding of postmodern American poetry can be made by employing a flexible version of Raymond Williams’ notion of uneven development, a theory that insists on the synchronic existence of dominant, residual, and emergent cultural elements. As the stylistically and politically diverse work of the six poets—Susan Howe, Robert Grenier, Gary Snyder, A.R. Ammons, Sherman Alexie, and Kenneth …

The Strains Of Confessional Poetry: The Burdens, Blunders, And Blights Of Self-Disclosure, Lara Rossana Rodriguez

Dissertations, Theses, and Capstone Projects

When a provocative style of autobiographical verse had emerged in postwar America, literary critics christened the new genre “confessional poetry.” Confessional poets of the 1960s and ’70s are often characterized by scholars of contemporary poetry as a cohort of writers who, unlike previous generations before them, dared to explore in their work the personal and inherited traumas of mental illness, family suicides, failed marriages, and crushing addictions. As a result, the body of work these writers produced is often experienced as a collection of stylized, literary self-portraits. What can these self-portraits reveal to us about the connection between confessional poetry …

Purely American: How Art From Harlem And Broadway Shaped American Culture, Emily Knocke

English Class Publications

The United States of America is a relatively young country, if you consider its foundations established in the late eighteenth century. For this reason, the art forms of visual art, theatre, and literature were already well-developed by the time America had established a unique voice. Although their beginnings were segregated by race, socioeconomic status, popularity, and a couple of streets in New York City (see Figure 1), two musical styles stick out as entirely American art forms: the Broadway musical and jazz. While Harlem Renaissance writers and artists argued for a separate but valued black culture, the unique American art …

Echoes From Heaven, Flora B. Foster

Heritage Material

No abstract provided.

Anne Sexton's Environmental Animality, Dan A. Wylie Prof

Animal Studies Journal

What does it mean to study the intersection of environment, animals and literature, at this juncture in human history? How might it manifest at the level of an individual poet’s work, with what consequences? This paper approaches these questions through the poetry of Pulitzer Prize-winning American poet, Anne Sexton. Sexton’s poetry has been exhaustively studied for its psychological dimensions and forcefulness, for her treatment of madness, suicide, and family relationships in particular. Despite a high density of animal imagery, this animal element is conventionally skimmed over. This article argues that animal presences constitute a minor but unavoidable strand amongst the …

Sarah Hall's 1806 Poem, "Sketch Of A Landscape In Cecil County, Maryland, At The Junction Of The Octorara Creek With The Susquehanna, Suggested By Hearing The Birds Sing During The Remarkably Warm Weather In February 1806.", Jon Miller

Jon Miller

Morning's Porch, Colby Gillette

UNLV Theses, Dissertations, Professional Papers, and Capstones

Morning's Porch continues and follows the walking, waiting, watching that begins and ends off the page. It begins "underway," with two already on the road, and ends in an eye wanting light. In between, childhood, Easter, Winter, Spring, Venice, asphalt, Summer, Fall, sunsets, moorhens, grackles, billboards, dogwoods and cottonwoods walk along the poems. They walk through the poems as they continue to walk in the world. In a similar way, the poems of René Char, George Herbert, Paul Celan, Emily Dickinson, William Blake, Arthur Rimbaud, Robert Creeley, Charles Olson, William Carlos Williams and Pierre Reverdy walk through the pages of …

Behind His Father's Saying: Robert Frost's Wisdom Tradition, James H. Altman

UNLV Theses, Dissertations, Professional Papers, and Capstones

It is no coincidence that Robert Frost draws on the European/American aphoristic wisdom tradition. From the fables of Aesop, to the esotericism of pre-Socratic Greek philosophers such as Pythagoras and Empedocles, to the works of moralists like Blaise Pascal and Michel De Montaigne, to Erasmus, Frederick Nietzsche and others, Robert Frost weaves diverse wisdom into his work. He does not, however, as much take verbatim the words or sentiments of those who inspire him. Rather he adapts the spirit of their thoughts for his own purposes. Why and how does he do this? What are those purposes, and their subsequent …

Critique Is Not Enough : The Empirical Imperatives Of Innovative American Poetry, Christopher Rizzo

Legacy Theses & Dissertations (2009 - 2024)

Critique is Not Enough: The Empirical Imperatives of Innovative American Poetryproposes that innovative modern and early contemporary American poetries redefine the relation of knowledge, consciousness, and poetic performance to lived experience. This study demonstrates how the radically different poetic projects of Walt Whitman, Gertrude Stein, Ezra Pound, and Charles Olson not only equally insist upon empirically investigative poetics, but also endeavor, each to each, to individualize their poetic methodologies, which thus challenges the generalized Enlightenment myth of rationality. In that each of these writers undertakes to redefine the relation of knowledge, consciousness, and poetic performance to lived experience, they also …

Trans-Relational Poetics And Outsider American Modernist And Postmodernist Poetry, Anna Elena Eyre

Legacy Theses & Dissertations (2009 - 2024)

This dissertation is concerned with how language mediates the relationship between self and other, and in particular, mythopoetic language. The political potential of myth has long been condemned, so much so that the word "myth" is now synonymous with "false." I argue that this is a result of what I term as heroic mythopoesis wherein the relationship between self and other is predicated on a violent separation that reinforces conceptions of identity. In contrast, in what I term as trans-relational mythopoesis this relationship is contingent on an embodied exposure between self and other that reciprocally translates and transforms conceptions of …

"Last Scientists Of The Whole" : The Poetics And Politics Of Deep Image, Peter Conrad Monaco

Legacy Theses & Dissertations (2009 - 2024)

Abstract: "Last Scientists of the Whole": The Poetics and Politics of Deep Image

Raise The Still Rabbit, Michael Kroesche

UNLV Theses, Dissertations, Professional Papers, and Capstones

My first collection of poetry, Raise the Still Rabbit, explores the literal landscape we live in, the themes of language and lyric, as well as the relationships between people. The poems are rooted in the experiential, the moments when the act of writing becomes a navigation of the various themes of the local environment, cohabitation between individual people, and the geography of the poems' content and textual construction. Navigating these themes, the poems attempt to dissolve the illusory barriers that appear to separate subjects such as the interior of a home from the desert surrounding it. In this collection, …

Must Pay Now, David C. Perkins

UNLV Theses, Dissertations, Professional Papers, and Capstones

These poems attempt to stand amidst the towering shadows of Enlightenment. One of these pillars involves the newfound land from a collective western European vantage and these lands are called the Americas. This space is where these poems are located. They suckle at the monolithic breasts of Enlightened Romance as did Romulus and Remus to the She-Wolf. The poems in their own originality engage with writers such as Jonathan Edwards, Alice Notley, Susan Howe, Frank O’Hara, William Carlos Williams, Walt Whitman, Christina Rossetti, William Blake, and John Cage. If there ever was such a thread in tradition, these people might …

Silent Letters : Directions In Late Twentieth Century New Lyric Poetry, Charmaine Gladdie Cadeau

Legacy Theses & Dissertations (2009 - 2024)

Silent Letters: Directions in Late Twentieth Century Poetry consists of three essays that consider modes of silence in the work of North American poets bpNichol, Rosmarie Waldrop, and Mei-mei Berssenbrugge. A poetry manuscript, Place Holder, accompanies these critical chapters, investigating silence in human relationships, landscapes, and language itself. The critical-creative work reframes embodiment by interrogating a poetics of intimacy through ephemerality, dialogue, and encounter.

Sex, Drugs, And Mingling Spirits: Teaching Nineteenth-Century Women Poets, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

Twentieth-century modernism reduced the list of nineteenth-century American poets to Walt Whitman, Emily Dickinson, and (less often) Edgar Allan Poe. The rest were virtually forgotten. This volume in the MLA series Options for Teaching marks a milestone in the resurgence of the study of the rest. It features poets, like Henry Wadsworth Longfellow and Lydia Huntley Sigourney, who were famous in their day, as well as poets who were marginalized on the basis of their race (Paul Laurence Dunbar, Alexander Posey) or their sociopolitical agenda (Emma Lazarus, John Greenleaf Whittier). It also takes a fresh look at poets …

Reading Elizabeth Bishop As A Religious Poet, Cheryl Walker

Scripps Faculty Publications and Research

Elizabeth Bishop is usually described as a modernist poet with a skeptical mind. This essay contests the critical tendency to dismiss religion as a serious concern in her poetry, by first challenging the widespread dismissal in the United States of all religious approaches to modern poetry and then challenging the tendency to disclaim attempts to read Elizabeth Bishop in religious terms. The essay includes a close reading of “The End of March” as a text which invites intertextual commentary from a Christian perspective.

Antimodern, Modern, And Postmodern Millay: Contexts Of Revaluation, Cheryl Walker

Scripps Faculty Publications and Research

In this chapter, Walker examines questions concerning renewed scholarly interest in Edna St. Vincent Millay toward the end of the twentieth century. Specifically, these questions center on whether to rethink the principles of establishing the canon of American literature--indeed, whether the poet changes literary fashions or literary fashions change the poet. Walker's answer is the latter, and her essay examines how Millay is different received through three different periods: antimodern, modern, and postmodern. She argues that whether a poet becomes central to literary study has less to do with the "quality" of the poetry than with complex cultural factors that …

The Female Body As Icon: Edna Millay Wears A Plaid Dress, Cheryl Walker

Scripps Faculty Publications and Research

The female body has never been so prominently displayed or so critically examined as it is today under the dominance of late capitalism. The results of this display, we can now see, have been mostly negative: women regard themselves at best self-consciously, at worst with disgust. Given this emphasis on self-scrutiny, it comes as no surprise that middle-aged women experience a reduction of self-confidence regarding their physical presences and a concomitant increase in self-dissatisfaction. It is also worth noting that a querulous tone often afflicts them as they grow older, suggesting that they are at odds not only with others …

From Exile To Affirmation: The Poetry Of Joseph Brodsky, David Patterson

Studies in 20th & 21st Century Literature

This article examines the relation between the exile of the poet from his homeland and the "exile of the word." The notion of the exile of the word pertains to the poet's problem of re-introducing meaning to the word—an excess of meaning that conveys more than the word can normally convey—through his poetry. Showing how the poet in exile becomes a poet of exile, the article examines what poetry has to do with a larger difficulty of exile and homelessness in human life. Brodsky's poetry, the article argues, addresses this very difficulty. The article concludes that the human capacity to …

Teaching Dickinson As A Gen(I)Us: Emily Among The Women, Cheryl Walker

Scripps Faculty Publications and Research

In this article, Walker argues that those who teach the poetry of Emily Dickinson should not only compare her to other recognized and lauded American poets, such as Walt Whitman, Robert Frost, T. S. Eliot, Ezra Pound, Hart Crane, Wallace Stevens, and Marianne Moore. This method offers no cultural context to provide ligature. It views high art as to be only about language and, on the score of tropological discourse, any two poets could be connected, even across vast expanses of time and distance. While it's useful for students to see how elements of her work connect her not only …

A Feminist Critic Responds To Recurring Student Questions About Dickinson, Cheryl Walker

Scripps Faculty Publications and Research

Book abstract:

The life and the range of topics and tones of Emily Dickinson suit her to be included in such courses as American literature, Romanticism, realism, nineteenth-century culture, and women’s literary traditions. Her poetry poses numerous challenges for readers because of its compressed style, indeterminacy, and constant surprises; her biography fascinates students and critics alike.

This volume emphasizes instruction of Dickinson’s poetry at the undergraduate level. Like other volumes in the MLA’s Approaches to Teaching World Literature series, it is divided into two parts. The first, “Materials,” discusses editions of Dickinson’s poetry, aids to teaching, reference works, biographies, critical …

H. D. And Time, Cheryl Walker

Scripps Faculty Publications and Research

From the introduction to the volume:

"Cheryl Walker presents the work of poet H.D. as a paradigm for the changed relationship to history women have undergone during the modern period: H.D.'s early period is characterized by an avoidance of chronological time..."