Re-Visioning The Modern/Ist Body: Literature, Women, And Modern Dance, Marisa Higgins

Doctoral Dissertations

This project explores the connections between modern dance and modernism Though initially, these connections might seem inchoate, modern dance provides a way to consider how expressive movement in modernism and gender restrictions prompts a physical response. Dance is inherently stylistic movement, and it is vital to explore how movement offers women a way to engage or respond to modernity. By investigating the role of movement in modernist literature and the particular tension between constraint and freedom that characterized female movement during this period, I argue that expressive movement and embodied performance offers a means of self-exploration and self-actualization. Specifically, it …

The Black Petromodernism Of Zora Neale Hurston: Energy, Race, And Mobility, Stuart Mullet

Electronic Theses and Dissertations

This thesis situates Zora Neale Hurston and the folk communities in her oeuvre within the context of modernity’s dependencies on fossil fuels. Such a disciplinary context provides an energy footing for our understandings of African American migrations in the twentieth century—which radically transformed the nation on multiple levels—and it illuminates the communal values that undergird Black approaches to petromodern forms of mobility. Furthermore, by engaging the Black spaces of the South, my argument begins filling a gap in the energy humanities. Few scholars in this field engage deeply those populations and regions that disproportionately experience the underbelly of petromodernity and …

Hemingway Drunk: A Study Of Prohibition, Medico-Legal Rhetoric, And The Autonomy Of Masculinity, Graham P. Studdard

Honors Undergraduate Theses

This thesis uses a combination of medical humanities, queer public theory, and literary analysis to showcase the uniquely American connections between alcoholism and masculinity in the literature of Ernest Hemingway. By situating both Hemingway and his characters within the medico-legal rhetoric of modernism’s famous Parisian Jazz-age, which occurred at the same time as American prohibition, I reveal changes in white American men’s relationships with gender, bodily autonomy, and the patriarchy that are often overlooked due to Hemingway’s publicly constructed masculine persona. My work provides new queer interpretations of The Sun Also Rises (1926) and the posthumous Garden of Eden (1986) …

To Reach The Unreachable Stars: Reexamining The Shared Arthurian Vision Of C. S. Lewis's Science Fiction Trilogy And Raymond Chandler's Marlowe Novels, Hollis Thompson

Electronic Theses and Dissertations

Although Raymond Chandler and C. S. Lewis seem to be a rather strange pairing, the ways in which they both borrow from Arthurian literature and use the myth to speak to their cultural moment are strikingly similar. Following T. S. Eliot’s use of the Grail quest in The Waste Land (which set a standard for the use of such material in Modern literature), these authors use Arthurian elements as a means of exposing hidden connections between the fragments of the literary past and the present within Chandler’s Marlowe novels and Lewis’s science fiction trilogy. Both men present Western identity as …

The Narrative Of Revolution: Socialism And The Masses 1911-1917, Stephen K. Walkiewicz

Theses and Dissertations

This thesis seeks to situate The Masses magazine (1911-1917) within a specific discursive tradition of revolution, revealing a narrative pattern that is linked with discourse that began to emerge during and after the French Revolution. As the term “socialism” begins to resonate again within popular American political discourse (and as a potentially viable course of action rather than a curse for damnable offense), it is worthwhile to trace its significance within American history to better understand its aesthetic dimensions, its radical difference, and its way of devising problems and answers. In short, this thesis poses the question: what ideological structures …

Under The Sign Of Suicide, Theodore Emmanuel Prassinos

Wayne State University Dissertations

“Under the Sign of Suicide,” examines modernist writers’ intense and sustained preoccupation with and representations of suicide. Beyond numerous essays on the topic, we also find many fictional characters such as Fyodor Dostoevsky’s Svidrigailov and Kirilov both taken by gunshot, Stavrogin and Smerdyakov both by hanging. We also find Franz Kafka’s George Bendemann who takes his life by drowning, and Virginia Woolf’s Septimus Smith by impaling, Her character, Rhoda, dies off a cliff. In American literature, we find Edna Pontellier, Quentin Compson, Clare Kendry, Semour Glass, Teddy McArdle, Willy Loman, Tod Clifton, and on and on. This list is surely …

But What Has Helga Crane To Do With The West Indies? Plantation Afterlives In The Black Atlantic, Rachel Mckenzie Carr

Theses and Dissertations--English

“But What Has Helga Crane to Do with the West Indies? Plantation Afterlives in the Black Atlantic” situates the emergence of the southern gothic in modernist American and Caribbean works as a response to the shifting cultural narrative of the plantation in the twentieth century. In this project, I argue that the plantation seeps out of its place and time to haunt landscapes it may never have touched and times in which slavery is long over. While the plantation system is broadly recognized as a literary, political, and cultural force in nineteenth-century literary studies, I conceive it is also a …

Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell

Senior Theses

Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …

Border Ends: Anti-Imperialism, Settler Colonialism, And The Mexican Revolution In U.S. Modernism, Bradley Flis

Wayne State University Dissertations

From 1910-1920, the Mexican Revolution became a source of anxiety, interest, and inspiration to those who paid attention to its political turmoil as reported in the popular press. It would lead to the reinvigorating of a debate about U.S. intervention in the political affairs of Mexico, indeed, for some, the question was one of annexation. Responding to a growing imperialist culture in the U.S., William Carlos Williams, Gertrude Stein, John Reed and Max Eastman of The Masses were among those who looked to modernist aesthetic practice to critique military and economic expansionism in Mexico.

This dissertation explores that discursive interplay …

The Significance Of The Game Of Pool In Ernest Hemingway’S “Soldier’S Home”, Molly J. Donehoo

Electronic Theses and Dissertations

In his 1929 A Farewell to Arms, American Author Ernest Hemingway provides the thesis for all of American Modernism when he writes, “the world breaks everyone and afterward many are strong at the broken places” (216). If the world breaks everyone Hemingway’s focus becomes not in the breaking but in the solutions for becoming strong at the broken places. Throughout his canon Hemingway presents the healing rituals and therapeutic patterns that govern sports and game as a solution to becoming strong at the broken places. While critics have closely analyzed and scrutinized some of his most recognized short-stories, stories …

Phenomenology Of Visual Arts In William Faulkner's The Sound And The Fury And As I Lay Dying, Zeinab Zamani

MSU Graduate Theses

The early decades of the 20th century marked drastic changes in philosophy, science, visual arts, literature, and music. In philosophy, this change occurred in the work of Edmund Husserl whose Phenomenology introduced a new “way of knowing” or epistemology. In art, the exhibition of Pablo Picasso’s Cubist Les Demoiselles d’Avignon (1907), given its rebellious nature, began an innovative artistic tradition which called for a new “way of seeing.” Phenomenology as theory and Cubism as practice shared a common aim: to re-vision the world—an aim of many Modernist movements. Modernism is an umbrella term for a mélange of artistic schools and …

Spaces Of Collapse: Psychological Deterioration, Subjectivity, And Spatiality In American Narratives, Andrew Papaspyrou

Electronic Thesis and Dissertation Repository

This thesis studies the relationship between spatiality and subjectivity within the context of modern and contemporary American narrative. Combining a psychoanalytic approach with phenomenological considerations, I set out to analyze the ways in which spatial structures mediate madness, paranoia, the compulsion to repeat, and uncanny anxiety. Space serves a primary focus of my analysis, and I outline the different ways that language and consciousness construct space. Considering the work of William Faulkner, Francis Ford Coppola, Paul Auster, and Mark Z. Danielewski, I argue that particular spaces, such as houses and cities, represent or contribute to particular forms of psychological psychosis …

Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven

Theses and Dissertations--English

This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …

Material Melancholy: Stranded Objects In Modern Southern Women's Writing, James Travis Rozier

Electronic Theses and Dissertations

This dissertation traces the origins and uses of a specifically southern obsession with the past. Examining how southern women writers represent the compulsion to remember, I demonstrate how, in their narratives, efforts to retain intimate relationships with an idealized past obstruct characters' ability to live in the present. Their fiction aligns neatly with the dynamic described in psychoanalysis as 'melancholia’—not least because, in each case, these relationships with the past are typically ambivalent or even destructive, and the melancholic subjects must 'work through' their damaging attachments. Typical psychoanalytic approaches, however, have neglected how such troubled remembering might be influenced by …

Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane

Electronic Thesis and Dissertation Repository

This dissertation examines how early-to-mid twentieth century American poetry is preoccupied with objects that unsettle the divide between nature and culture. Given the entanglement of these two domains, I argue that American modernism is “dirty.” This designation leads me to sketch what I call “dirty modernism,” which includes the registers of waste, energy, animality, raciality, and the sensual. Reading these registers, I turn to what I call “ecological objects,” or representations of how nature and culture come together, which includes trash, natural resources, inanimals, and tools. Through an ecocritical mode of analysis, I introduce dirty modernism with the Baroness Elsa …

Uneven Ground: Figurations Of The Rural Modern In The U.S. South, 1890-1945, Benjamin S. Child

Electronic Theses and Dissertations

New modernist studies has opened wide the discussion about what modernism means, when it begins, and, compellingly for the purposes of this project, where it occurs. Exploring intersections between modernization, modernism, labor, and segregation in the agricultural South, this dissertation demonstrates how the effects of nascent industrialization, emergent technologies, and "modern" thought are animated by figures and spaces associated with--or performing--versions of rurality. The project is divided into three major sections. In the first, I suggest that the contradictions of African American life in the post-Reconstruction world are parsed in the period's literature through the presence of a veiled georgic …

Critique Is Not Enough : The Empirical Imperatives Of Innovative American Poetry, Christopher Rizzo

Legacy Theses & Dissertations (2009 - 2024)

Critique is Not Enough: The Empirical Imperatives of Innovative American Poetryproposes that innovative modern and early contemporary American poetries redefine the relation of knowledge, consciousness, and poetic performance to lived experience. This study demonstrates how the radically different poetic projects of Walt Whitman, Gertrude Stein, Ezra Pound, and Charles Olson not only equally insist upon empirically investigative poetics, but also endeavor, each to each, to individualize their poetic methodologies, which thus challenges the generalized Enlightenment myth of rationality. In that each of these writers undertakes to redefine the relation of knowledge, consciousness, and poetic performance to lived experience, they also …

Fordism & Modernist Forms : The Transformation Of Work And Style, William Jeffrey Casto

Legacy Theses & Dissertations (2009 - 2024)

Fordism and Modernist Forms argues that Fordism is an American manifestation of a global tendency towards concentration and rationalization that we know as "monopoly capitalism." Fordism, as part of the historical transition from competitive to monopoly capitalism, reshapes and reorganizes the structures of modern life - accentuating repetitive habits and efficient behavior, replacing craftsmanship with deskilled labor, and integrating consumer culture into identity formation. These socio-economic transformations obfuscate the actually existing structures that produce their uneven societies and the monotonies of modern, everyday "life" and, therefore, create an artistic crisis of representation as the individual increasingly relies on the prisms …

Gothic Modernism: Revising And Representing The Narratives Of History And Romance, Taryn Louise Norman

Doctoral Dissertations

Gothic Modernism: Revising and Representing the Narratives of History and Romance analyzes the surprising frequency of the tones, tropes, language, and conventions of the classic Gothic that oppose the realist impulses of Modernism. In a letter F. Scott Fitzgerald wrote about The Great Gatsby, he explains that he “selected the stuff to fit a given mood or ‘hauntedness’” (Letters 551). This “stuff” constitutes the “subtler means” that Virginia Woolf wrote about when she observed that the conventions of the classic Gothic no longer evoked fear: “The skull-headed lady, the vampire gentleman, the whole troop of monks and monsters …

Two Trains Running: Capture And Escape In The Racialized Train Cars Of The Jim Crow South, 1893-1930, Raleigh Mixon Robinson

Electronic Theses and Dissertations

The role of the railroad in the modern American experience—and its role in making that experience modern—cannot be overstated. This thesis proposes to tell one of many possible railroad stories. By focusing on the historical and cultural relevance of a series of bodies in transit, I examine the implementation of railroad segregation law and the response by African-American performers. The thesis begins at the end of the nineteenth century with the Homer Plessy test case and continues across three decades, meeting along the way novelists Charles Chesnutt and James Weldon Johnson and musicians W. C. Handy, Henry "Ragtime Texas" Thomas, …

American Modern Aphonic "Virtuality" Beyond Western Metaphysics : Eliot, Stevens, Hughes, And Bishop, Cheol-U Jang

Legacy Theses & Dissertations (2009 - 2024)

This project examines how a general idea of time is revealed in American modernists' works and why its relationship to the term, "the virtual," prompts a critical revaluation of the literary period of "Modernism." This idea of relating time to virtuality illustrates how American modernists seek an alternative power of the poetic imagination. I explore this through the works of four exemplary American modernists: T. S. Eliot, Wallace Stevens, Langston Hughes, and Elizabeth Bishop, each of whom makes an attempt to reflect the reality of the rapidly changing modern world by showing us in their works the fleeting nature of …

Lola Ridge : Poet And Renegade Modernist, Anna Hueppauff

Theses : Honours

This thesis examines the poetry of Lola Ridge as a form of alternative Modernism. Poet, editor, anarchist, Lola Ridge is largely an unknown identity in Modernist discourses. Primarily recognised as a social justice poet, her work has been viewed through a traditional Modernist lens and excluded to the periphery as ‘sentimental’. This thesis argues that Ridge personally and professionally exceeds these categories. She modelled a practice of engagement in her personal life by actively participating in rallies and protests against injustice, and living in poverty in solidarity with the poor, giving her work an authenticity worth investigating. Her poetry provides …

Recovering Brande : Freewriting And Sustainable (Procedural) Expression, Richard Bower

Legacy Theses & Dissertations (2009 - 2024)

Dorothea Brande is rarely known in rhetoric and composition yet continues to hold popular influence over writers attracted to Cartesian beliefs. The aim of this project is to recover Brande's contributions in order to rethink composition's trajectories. Chiefly, Dorothea Brande's legacy has been in creative writing through Becoming a Writer. In this bestseller, she establishes a program for putting the Cartesian divide to work. "Writing with the unconscious mind in the ascent," as Brande explains about what Ken Macrorie and Peter Elbow later call freewriting, harnesses the bifurcated consciousness of writers and begins a journey of unification.

Henry James, Virginia Woolf, And Frank Lloyd Wright: Interiority, Consciousness, Time, And Space In The Modernist Novel And The Home, Carol Michaelsen

Electronic Theses and Dissertations

During the Modernist period, generally defined between the years 1890 and 1945, artists were attempting to break away from previous forms and styles. For example, writers like Henry James and Virginia Woolf sought to change the novel by exploring the consciousness of characters, while playing with the ideas of time and space to create the present moment. The thesis explores the modernist techniques used by James and Woolf, but also connects the work of the writers with the architecture of Frank Lloyd Wright. Using Joseph Frank's theory of spatial form, my work explores the similarities between Wright's designs of private …