Arts and Humanities Commons^™

‘Poetry Is Not A Luxury’, Rage Should Not Be A Privilege: The Potential Power Of The ‘Racial Imaginary’, Georgia Mcgovern

CMC Senior Theses

Female rage exists outside of the constructed masculine ideal of anger. To examine female rage, one must analyze the intersections between gender and race. I examine white women's privilege and access to female rage in reality and the fictional world. I explore Black Feminist poetry as a form of storage for rage at gender-based prejudice, racial injustice, and their intersection. Using Myisha Cherry’s term “Lordean Rage”, I recognize this specialized manifestation of female rage as an artistic, intergenerational source of energy for change.

I examine Claudia Rankine’s term “racial imaginary” as an imaginative space in which white people draw lines …

Masculine Desire And Feminine Imitation: Contextualizing Heterosexual Relationships In Sister Carrie, Jennifer L. White

Master of Arts in Classical Studies

Theodore Dreiser is generally considered one of the greatest American naturalist authors across the genre. His depiction of life is gritty and harsh, his characters at the mercy of their natural impulses and their unforgiving environment. However, there is also a sentimental element to Dreiser’s work, especially in his portrayal of romantic relationships. In the face of unrelenting adversity, there is a glimmer of possibility in the longing for meaningful human connection, if only under different circumstances. While Dreiser’s naturalistic approach suggests that such relationships can never be truly fulfilling due to either the innate frailty of the participants or …

Invisible Monsters: Chuck Palahniuk’S Transgressive Look At A Hyperrealized Society, Jordan R. Trevarthen

MSU Graduate Theses

By critically analyzing Chuck Palahniuk’s Invisible Monsters, I was able to conclude that the transgressive portrayal of hyperrealized consumerism warranted a close examination into the value American society places on an individual’s ability to replace authenticity for consumer obedience. Palahniuk’s dangerous representation of the body throughout the novel serves to highlight numerous ways in which a consumer transgresses against their own physical and mental well-being to achieve happiness constructed by capitalistic agendas. By using French theorist Jean Baudrillard’s concept of hyperreality in connection with gender, disability, and feminist theory and ecocriticism, I attempt to deconstruct the neoliberal ideology to which …

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …

Unended Middle Passage: The Exhausted Flesh Of A Resistant Enslaved Woman, Yipu Su

Comparative Literature M.A. Essays

The supine position that characterized the existence of the captive Africans on the slave ship, “The Brookes,” haunted the two female autobiographers of the two mid-nineteenth-century slave narratives/autobiographies this essay discusses. Both Sojourner Truth and Harriet Jacobs voluntarily adopted the supine position as their status of living when resisting sexual violence in slavery, which nevertheless exhausted their flesh. This essay draws on Hortense Spillers’ theory of flesh/body antithesis and Saidiya V. Hartman’s theory of gender construction in slavery to discuss the nature of intended exhaustion. This essay examines to what extent was the strategy of intended exhaustion efficient for both …

Final Master's Portfolio, Alyssa Zuber

Master of Arts in English Plan II Graduate Projects

This MA explores the body's response to trauma, social media's impact on modern young women, the Women's Health Movement of the 1960s and 1970s, and how the memoir can be used as a tool to explore radical honesty.

Mental Illness And Femininity In Late Nineteenth-Early Twentieth Century Anglo-American Literature, Bianca Cristina Basone

Theses and Dissertations

This thesis attempts to prove that the diagnosing and treatment of mental illness in Victorian Anglo-American literature was heavily gendered and therefore misogynistic. To do so, four characters will be studied: Lady Audley in Mary Elizabeth Braddon’s Lady Audley’s Secret, the unnamed female narrator in Charlotte Perkins Gilman’s The Yellow Wallpaper, Edna Pontellier in Kate Chopin’s The Awakening, and Septimus Warren Smith in Virginia Woolf’s Mrs. Dalloway. Using the first three characters I intend to show that women during the nineteenth century were diagnosed as mentally ill because they did not partake in social gender norms, deviating by doing something …

The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella

Dissertations and Theses

In November 1926, a group of Black artists, writers, and activists created the first and only edition of Fire!!, edited by novelist Wallace Thurman. Fire!! was created by a younger generation of New Negroes and “devoted to the younger Negro artists” who dissented from the mainstream ideas of the New Negro Movement and used the magazine to spread their own views on the 1915-1945 New Negro Renaissance. Fire!! and other texts speaking to this dissent against a Black intellectual middle class image of the movement will be studied in reference to showcasing the multi-faceted elements of the movement touching …

Hemingway Drunk: A Study Of Prohibition, Medico-Legal Rhetoric, And The Autonomy Of Masculinity, Graham P. Studdard

Honors Undergraduate Theses

This thesis uses a combination of medical humanities, queer public theory, and literary analysis to showcase the uniquely American connections between alcoholism and masculinity in the literature of Ernest Hemingway. By situating both Hemingway and his characters within the medico-legal rhetoric of modernism’s famous Parisian Jazz-age, which occurred at the same time as American prohibition, I reveal changes in white American men’s relationships with gender, bodily autonomy, and the patriarchy that are often overlooked due to Hemingway’s publicly constructed masculine persona. My work provides new queer interpretations of The Sun Also Rises (1926) and the posthumous Garden of Eden (1986) …

Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen

Master of Arts in English Plan II Graduate Projects

In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.

Cultivating Spaces For American Citizenship In Pauline Hopkins’S Contending Forces, Jonathan Puckett

Honors Theses

Rediscovered through archival recovery in the late 1970s, Pauline E. Hopkins (1859-1930) was an African American author, journalist, and activist at the beginning of the twentieth century. In Contending Forces: A Romance Illustrative of Negro Life North and South (1900), Hopkins’s African American characters craft spaces, both sacred and secular, where they can freely exercise their citizenship in the Jim Crow era. As Hopkins utilizes the sentimentalist genre to portray realistically life at the turn of the century, my thesis highlights the historical and literary significance of sacred spaces like Boston’s black Baptist churches. I also review two minor characters …

Imagining The Archive: Speculation As A Tool Of Archival Reconstruction, Marieclaire Graham

Dissertations, Theses, and Capstone Projects

This thesis examines a speculative methodological approach towards restoring silenced Black voices in the archive. First, I will discuss the reasons why this work is necessary, exploring the various patterns of muting, distortion, erasure, and disenfranchisement that Black communities experience within the United States in both physical and written forms. The use of speculation specifically addresses the dehumanization that has followed the Black experience in the United States from the earliest violent incarnation of slavery, and creating the foundation of this kind of silencing allows us to understand why speculation, as opposed to other methodological models for archive restoration, is …

Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin

Scripps Senior Theses

One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …

Wayward Women, Macho Men: Linguistic Construction Of Gender Binaries In Yxta Maya Murray's Locas And Denise Chavez's Loving Pedro Infante, Stephanie Tangman

Graduate Theses and Dissertations

Language labels and defines in order to enhance meaning and communication, but through these labels and definitions speakers are also conditioned to associate certain connotations with words and, therefore, their referents. While often harmless, linguistic conditioning can at times create unsavory associations with these referents. One of these instances occurs in gendered labels and conceptions of male and female bodies and purpose. Both Yxta Maya Murray’s Locas and Denise Chavez’s Loving Pedro Infante can be read through a lens that applies linguistic conditioning with gender theory in order to examine the reinterpretation of female archetypes in the Chicana imagination. It …

Breaking The Cycle Of Silence : The Significance Of Anya Seton's Historical Fiction., Lindsey Marie Okoroafo (Jesnek)

Electronic Theses and Dissertations

This dissertation examines the feminist significance of Anya Seton’s historical novels, My Theodosia (1941), Katherine (1954), and The Winthrop Woman (1958). The two main goals of this project are to 1.) identify and explain the reasons why Seton’s historical novels have not received the scholarly attention they are due, and 2.) to call attention to the ways in which My Theodosia, Katherine, and The Winthrop Woman offer important feminist interventions to patriarchal social order. Ultimately, I argue that My Theodosia, Katherine, and The Winthrop Woman deserve more scholarly attention because they are significant contributions to women’s …

Gender Revolution Of The Jazz Age: The Source Of Disillusionment In The Works Of F. Scott Fitzgerald And Ernest Hemingway, Mary Killeen

All Master's Theses

The Lost Generation was forced to develop their own principles regarding gender identity in an environment of ever-shifting cultural norms, which called into question all of their predetermined ideas on femininity, masculinity, and the ways in which members of the opposite sex should interact with one another. Although much of their writing is set amid and seems to embrace the evolving social culture of the early twentieth-century, F. Scott Fitzgerald and Ernest Hemingway largely criticize the gender revolution of the 1920s and blame evolving gender roles for the collapse of their generation. Nevertheless, I argue that Fitzgerald’s and Hemingway’s cultural …

Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan

Dissertations, Theses, and Capstone Projects

Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …

"It's No Life Being A Steer": Violence, Masculinity, And Gender Performance In The Sun Also Rises And In Our Time, Brock J. Thibodaux

University of New Orleans Theses and Dissertations

Nearly all discussions of Hemingway and his work touch on the theme of masculinity, a recurrent theme in all of his works. Examinations of Hemingway and his relationship to masculinity have almost unanimously treated the author as a misogynist and a champion of violent masculinity. However, since the posthumous publication of The Garden of Eden in 1986, there has been much discussion of Hemingway’s uncharacteristic use of androgynous characters in the novel. Critics have taken this as a clue that Hemingway possessed a complex attitude regarding gender fluidity, but have failed to examine the constructions of gender and identity in …

The Spectacle Of Orphanhood: Reimagining Orphans In Postbellum Fiction, Afrin Zeenat

Graduate Theses and Dissertations

Orphan iconography has always been deployed in American literature and culture, but nineteenth-century American literature, fiction in particular, abounds in orphans, both real and imaginary. The orphan’s amphibious nature is hailed and demonized as the epitome of individualism and unbridled freedom, and also as the location of society’s anxiety. This complicated and conflicted construction of orphans animates the Social and cultural realm in postbellum America, foregrounding issues of class, race, and gender.

Exposing Narrative Ideologies Of Victimhood In Emma Donaghue’S Room And Gillian Flynn’S Gone Girl, Meredith Jeffers

Honors Capstone Projects - All

Stories about abducted women and murdered wives are sadly common on cable and network news programs, from Nancy Grace to Dateline. These at the center of Emma Donaghue’s Room (2010) and Gillian Flynn’s Gone Girl (2012). These contemporary novels manipulate the narrative conventions of popular true-crime stories to expose the

In the each chapter, I examine the interesting narrative perspectives of Room and Gone Girl to understand the ways that these novels deconstruct mass media narratives of violence to reveal ideas about gender. In Room, Donaghue dislocates the narration by narrating the novel not from the perspective of …

Thin Bodies, Elizabeth Meliza Tran

Electronic Theses and Dissertations

Thin Bodies, is a fictional thriller revolving around a retrospective, female voice. It is a short novel-length view into the insular community of the sorority, specifically in the U.S. Deep South. The town and university are both fictional, as are the characters, sororities, and events, but they are based in realistic institutions of socialization and community. Sarah Beth, our protagonist and narrator, considers her coming-of-age through her recruitment, initiation, ensuing leadership, and eventual fall from grace in her sorority, Theta Kappa. The group of women that this novel intends to characterize struggle with identity and how they are perceived against …

"Tales" Of Text And Culture: Tropes Of Imperialism, Women's Roles, Technologies Of Representation, And Collaborative Meaning-Making In Rita Golden Gelman's Tales Of A Female Nomad, Female Nomad And Friends, And Personal Website, Michelle Lynne Van Wert Kosalka

Theses and Dissertations

This dissertation examines contemporary travel writing specifically created for a popular reading culture, Rita Golden Gelman's Tales of a Female Nomad, Female Nomad and Friends, and personal website. The project is concerned with how culture is continuously represented and shaped through the dialogic interaction between writer and reader, and the subsequent liminal spaces which emerge in moments of meaning-making. Chapter 1 is a close reading of how Gelman's works reinforce and, in some cases, resist, tropes of imperialism. Chapter 2 examines patriarchal gender roles in Gelman's works and the ways in which recent advances in feminist psychiatry and psychology can …

Tammy Rae Carland's Queer Riot Grrrl Zine"I ( Heart ) Amy Carter": A World Of Public Intimacy, Annah-Marie Rostowsky

Theses and Dissertations

This thesis analyzes Tammy Rae Carland's queer Riot Grrrl zine I (heart) Amy Carter as a counterpublic sphere engendered by acts of public intimacy that make visible the intersectional complexities of gender, sexuality, class, and race that insidious traumas continually work to conceal. It looks to Ann Cvetkovich's inquiries into the positive aspects of public cultures in the book An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2006) as well as Mimi Thi Nguyen's investigation of the Riot Grrrl race crisis in the article "Riot Grrrl, Race, and Revival" (2012) as frameworks to critique Carland's visual and textual …

“It Made The Ladies Into Ghosts”: The Male Hero's Journey And The Destruction Of The Feminine In William Faulkner's Absalom, Absalom! And Toni Morrison's Song Of Solomon, Catherine Ruth Schetina

Scripps Senior Theses

This thesis is a consideration of the intertextual relationship between William Faulkner's Absalom, Absalom! and Toni Morrison's Song of Solomon. It considers the objectification and destruction of women and female-coded men in the service of the male protagonist's journey to selfhood, with particular focus on the construction of race, gender, and class performances.

Self-Effacement Of The "Author" To Circulate Texts : Strategies To Construct Authorship In Antebellum America, Rumi Takahashi

Legacy Theses & Dissertations (2009 - 2024)

From the post-Revolutionary days, American print materials and political institutions were interrelated with each other for the purpose of building a new nation. The democratic institutions composed of the president and a sovereign people marked the country's difference from European monarchy, while the book trade served as a means that would disseminate a moral image of an ideal citizen to endorse the national identity. Yet, as drastic changes of industry in the 1820s enabled more people to participate in the economic system, the sovereignty of people turned out to be potentially subversive power of the mob, which required the literary …

Occupying The Pedestal: Gender Issues In Ellen Gilchrist, Karon Reese

Graduate Theses and Dissertations

Ellen Gilchrist's works shows the struggles of women living in a postmodern South. This dissertation explores Gilchrist's representations of southern women as they transition from the old South to modernity. Gilchrist's work depicts women who attempt to break off the pedestal of white Southern womanhood, but never quite do, often simultaneously disrupting and confirming traditional notions of a "good Southern lady." Gilchrist shows how women occupy the pedestal as a form of refuge and also as a form of protest. These are women who, as they navigate the transition to a new South, are reluctant to surrender the privilege of …

“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas

University of New Orleans Theses and Dissertations

In “‘Bury Your Head Between My Knees and Seek Pardon’: Gender, Sexuality, and National Conflict in John Okada’s 1957 novel, No-No Boy,” I analyze the ways in which the complexities of gendered sexuality expressed by protagonist Ichiro Yamada intersect with post-World War II and Internment-era national identifications for American nisei. I demonstrate that this apparent story of one man’s pursuit to resolve his conflict over national identity is, in reality, a tour de force of literary subversion that not only destabilizes the subterfuge that surrounded internment but also—in its deliberate failure to resolve questions of national conflict on the …