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A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii
A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii
Cal Poly Humboldt theses and projects
In his hard-hitting novel The Spook Who Sat by the Door Sam Greenlee aims to help his target African American audience to succeed and thrive as their true selves with the novel functioning as a guide to resisting the ever-present physical and spiritual threat faced daily. On the one hand the novel functions as a manual for civil uprising, but underneath that surface, Greenlee argues that true African American resistance comes through nurturing self-determination, self-love, and self-esteem. This project also argues that Spook ought to be located closer to the center of the African American literary canon and provides comparisons …
Why So Negative? Street Literature And Its Negative Effects On The African American Psyche, Lilly Lamia Simone
Why So Negative? Street Literature And Its Negative Effects On The African American Psyche, Lilly Lamia Simone
Theses (2016-Present)
Urban literature, more widely known as street lit is a genre of literature that glorifies and exaggerates drugs, violence, and sex in the lives of its African American characters. Through Street lit readers are introduced to the black man as a figure of power through illegal activity in his community, and black women as either overly aggressive or figures in need of protection. These novels choose loyalty over family, drugs, and athleticism over education, and money and power over morality. These novels and their glorifications cause African American people to see dream lives in goals that are not only unattainable …
A World Of Infinite Possibilities: Recoding Popular Culture In Modern U.S. Ethnic Fiction, Todd Martinez
A World Of Infinite Possibilities: Recoding Popular Culture In Modern U.S. Ethnic Fiction, Todd Martinez
UNLV Theses, Dissertations, Professional Papers, and Capstones
This project examines how the U.S. ethnic authors Ralph Ellison, Maxine Hong Kingston and Junot Díaz reflect the dynamic, reciprocal process of transculturation by decoding popular cultural forms. Using strategies made available by cultural studies, hemispheric theory and neoMarxism, critical attention will be directed to each author’s major literary work: Ellison’s Invisible Man, Kingston’s Tripmaster Monkey, and Díaz’s The Brief Wondrous Life of Oscar Wao. This dissertation further analyzes a hitherto overlooked area of U.S. multiethnic literary studies: the ethnic subject’s relationship to encoded popular culture forms and how they impact dentity formation. Recent scholarship has focused on the ethnic …
Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel
Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel
Theses and Dissertations--English
Race Youth in Twentieth-Century American Literature and Culture argues for the centrality of black youth, both real and literary, to the trajectories of African American literature and its repudiation of white supremacy. Drawing on research into the rise of the adolescent and teenager as distinct social categories, I argue that age-based subjectivity should inform how we read race-based subjectivity. My first chapter explores how early twentieth-century black periodicals push back against white supremacist theories of human development in an explicit appeal to what I call “race youth,” the children and adolescents who would take up the mantle of racial uplift. …
Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew
Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew
Graduate Research Theses & Dissertations
This dissertation traces formulations of modernity, national and regional identity, and economy in the literature and film of Russia and the U.S. South from serfdom to the Second World War. Studying serf and slave narratives, Russian Realist and Southern Renaissance novels such as The Brothers Karamazov (1879), Demons (1872), The Sound and the Fury (1929), Tobacco Road (1932), and Wise Blood (1952), and American and Soviet films such as Volga, Volga (1938) and Cabin in the Sky (1943), this examination locates within Russo-Southern discourses a shared interest in striking out against Western or Northern epistemologies to assert a “peripheral” modernity …
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
The Afroethnic Impulse And Renewal: African American Transculturations In Afro-Latino Bildung Narratives, 1961 To 2013, Trent Masiki
Doctoral Dissertations
Until now, there has been little sustained critical attention to the way African American literature, history, culture, and politics influence transculturation and ethnoracial identity formation in Afro-Latino bildung narratives. This dissertation addresses that oversight. The Afroethnic Impulse and Renewal: African American Transculturations in Afro-Latino Bildung Narratives, 1961 to 2013, examines a long, but often neglected, history of intercultural affinities and literary encounters between African Americans and Afro-Latinos from the twentieth to the twenty-first century. In The Afroethnic Impulse and Renewal, I explore African American literary and cultural influences in the personal essays, memoirs, and autobiographically inspired fiction of …
A Canada In The South: Marronage In Antebellum American Literature, Sean Gerrity
A Canada In The South: Marronage In Antebellum American Literature, Sean Gerrity
Dissertations, Theses, and Capstone Projects
This dissertation considers maroons—enslaved people who fled from slavery and self-exiled to places like swamps and forests—in the textual and historical worlds of the pre-Civil War United States. I examine a counter-archive of US literature that imagines marronage as offering alternate spaces of freedom, refuge, and autonomy outside the unidirectional South-to-North geographical trajectory of the Underground Railroad, which has often framed the story of freedom and unfreedom for African Americans in pre-1865 US literary and cultural studies. Broadly, I argue that through maroons we can locate alternate spaces of fugitive freedom within slaveholding territory, thereby complicating fixed notions of the …
'She Shall Not Be Moved': Black Women's Spiritual Practice In Toni Morrison's The Bluest Eye, Beloved, Paradise, And Home, Rondrea Danielle Mathis
'She Shall Not Be Moved': Black Women's Spiritual Practice In Toni Morrison's The Bluest Eye, Beloved, Paradise, And Home, Rondrea Danielle Mathis
USF Tampa Graduate Theses and Dissertations
‘She Shall Not Be Moved’: Black Women’s Spiritual Practice in Toni Morrison’s The Bluest Eye, Beloved, Paradise, and Home argues that from The Bluest Eye, Morrison’s debut novel, to her 2012 novel, Home, Morrison brings her female characters to voice, autonomy, and personal divinity through unconventional spiritual work. The project addresses the history of Black women’s activist and spiritual work, Toni Morrison’s engagement with unconventional spiritual practice, and closes with a personal interrogation of the author’s connection to Black women’s spiritual practice.
The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks
The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks
Graduate Theses and Dissertations
The American South has long been a region associated with myth and fantasy; in popular culture especially, the region is consistently tied to skewed notions of the antebellum South that include images of large plantation homes, women in hoop skirts, and magnolia trees that manifest in television and film representations such as Gone With the Wind (1939). Juxtaposed with these idealized, mythic images is the hillbilly trope, reinforced by radio shows such as Lum and Abner, and films such as Scatterbrain (1940). Out of this idea comes the southern illiteracy stereotype, which suggests that southerners are collectively unconcerned with education …
The Concept Of God In The Poetry Of The American Negro, Mary H. Jones Sr.
The Concept Of God In The Poetry Of The American Negro, Mary H. Jones Sr.
Electronic Thesis and Dissertation
Many authors have written much about the Negro and religion. Those who know the black man in American readily concede that he is by nature a lover of God, and that this great innate belief manifests itself in his daily life. Books of deep and light reading- some written in prose, others in verse- have been produced by American Negro men and women. Many of their works have mirrored forth the concept of God in the mind of the Afro-American; but this concept has not remained the same- this great faith is at present suffering decay.